All posts by Michelle Strizever

If you happened to be living under a rock for the past two weeks and missed our blog posts, tweets, and posts on Facebook, you might have missed the fact that last week was the Life and Literature Conference, an event hosted by BHL with the express purpose of generating conversations about the priorities for biodiversity literature digitization, particularly as it pertains to BHL, for the next 4-5 years.

If you were asked who Henry David Thoreau is, chances are you’d have a least a general idea along the lines of an author who wrote, among other things, works centered around natural history themes. If we ask you who John Burroughs is, however, would you be able to confidently respond? The fact is, John Burroughs is recognized as “the most important practitioner after Thoreau of that especially American literary genre, the nature essay.” Given the nickname “The Grand Old Man of Nature,” Burroughs was a “virtual cultural institution” of the American Conservation Movement by the turn of the century.

This week, while browsing our Flickr site (which, by the way, has over 15,900 images!), we stumbled across the book Field Book of Giant Fishes (1949), by J.R. Norman and F.C. Fraser, and were intrigued. What exactly was a giant fish by this book’s standards, and what would we find when we delved into the pages of this enigmatic title?

By this point, if you’ve been following our “Books of the Week” regularly, you know that 18th, 19th, and 20th century taxonomic works weren’t just about the nomenclature they presented, but also the stunning illustrations accompanying these species descriptions. Those books with the most colorful, the most visually dynamic, images are those that we tend to gravitate towards for our posts. So, when we came across a book that has been described as “bridging the gap between science and art,” we simply had to feature it.

Taking a break from our miniseries of the past few months, featuring EOL Rubenstein fellows, this week we feature Megan Raby, who uses BHL to support her research involving the history of biology.

If you’ve visited our site in the past few days, or follow our blog, you know that BHL now has a new and improved logo! We have our friends at BHL-Australia to thank for this exciting new development, as our logo is a modified version of their own eye-catching design. Before the BHL-Au logo designer, Simon O’Shea, left the BHL-Au project for a new assignment with Lonely Planet, he contributed his creative talent to adapt his original design for our use. He also provided style guidelines that can help extend the use of the logo globally.