All posts in Her Natural History

Three hundred and seventy-four years ago on 2 April 1647, a remarkable woman was born: the artist and naturalist Maria Sibylla Merian. In the 17^th and 18^th century world of male-dominated science, Merian had to fight for her place in the natural sciences. Against all odds, she became a trailblazer, especially in developmental biology.

Merian’s legacy was recently explored during a 4-week student-project at the library of the Museum für Naturkunde in Berlin. The project was part of a master’s program for the University of Applied Science in Leipzig to enlarge the student’s experience in the historical holding field and give a glimpse into the planning and conducting of a project. The aim of the project itself was and is the digitization of two different editions of Merian’s work Metamorphosis insectorum Surinamensium as well as a restorative and provenance research summary about the volumes. Both editions show Merian’s talent in painting and observing insects and plants.

“To her mind the truths of science seem revealed.”

That’s how Phebe A. Hanaford, author of Daughters of America (c. 1882), described naturalist Graceanna Lewis, one of the first three woman to be accepted into the Academy of Natural Sciences. But Lewis was not only one of the first professionally acknowledged women naturalists; she was also an abolitionist and social reformer who worked for the advancement of science as well as human rights. Researchers can find many publications by and about this intriguing woman in the Smithsonian Libraries and Archives’ Digital Library and the Biodiversity Heritage Library.

Dr. Margaret S. Collins (1922-1996), a renowned expert on termite ecology and distribution, taught as a professor and administrator at Howard University, Florida A&M University, and Federal City College (now University of The District of Columbia) for over 35 years. Upon her retirement from teaching, Collins continued her work on termites at the Smithsonian National Museum of Natural History as a research associate from 1983 to 1996.

Over the course of her career, Collins published more than forty articles spanning the biogeography, physiology, chemical defenses, and taxonomy of termites. Collins also collected specimens in the United States, Mexico, Costa Rica, Colombia, Barbados, Belize, Suriname, the Cayman Islands, Guyana, Guatemala, and Panama. When she contracted dengue fever on an expedition in Guyana in 1983-1984 and was forced into a long hiatus from field work, she turned her focus to updating and preserving the termite specimens at the Smithsonian National Museum of Natural History. Eventually Collins returned to field research in 1994 when she once again traveled to Guyana to collect termites. In April 1996, Collins died while conducting field work in the Cayman Islands.

Anna Botsford Comstock (1854-1930) held a significant role as a proponent of nature education at Cornell University in Ithaca, New York, at the turn of the 20th century. Comstock was born in New York State, the only child to Quaker parents at the edge of the pioneer era. The doctrine of her parents, Marvin and Phoebe Botsford, was one of appreciating a higher creation in all things natural. It is in this philosophy in which a young Comstock was raised, and it was her mother who particularly influenced her child’s curiosity, and knowledge, of the surrounding natural wonders of the world.

The first edition of The Fishes of Illinois was published in 1908 by the Illinois State Laboratory of Natural History, representing several decades’ work to document species, distributions, and ecology. The work features detailed, color paintings of fishes attributed to Lydia M. (Hart) Green and Charlotte M. Pinkerton. In the first edition were 55 images representing 53 species, with 20 images representing 18 additional species added for the 1920 second edition. Images were not credited to specific artists in either edition.

Most of the originals were kept by State Laboratory (now Illinois Natural History Survey), and are being reviewed in preparation for accession into the University Library, University of Illinois at Urbana-Champaign. Artists have been identified for most color plates in the 2 editions: 33 by Green, 24 by Pinkerton. Three paintings bearing the name of Max Bihn (one published) were also found among the paintings long assumed to be the work of Green and Pinkerton alone. Green routinely applied a distinctive signature in ink to the front of her work.

This year, the Biodiversity Heritage Library (BHL) and our global partners celebrated Women’s History Month with an international social media campaign: Her Natural History: A Celebration of Women in Natural History.

We were delighted with the outcomes and impact of the campaign. #HerNaturalHistory had reached over 7.5 million people, with over 52 million impressions on content and over 3,100 accounts participating on social media. The campaign allowed BHL to expand its reach and engagement with existing and new audiences in notable ways, resulting in a 35% average increase in overall social reach and a 41% increase in overall social engagements compared to 2018 averages. #HerNaturalHistory also encouraged increased engagement with the works of women in BHL, fostering a 122% increase in views on books in the Women in Natural History Book Collection compared to 2018 monthly averages.

We invite you to explore the results on the campaign in-depth within the Her Natural History campaign report.

“Language of Flowers”, a popular literary trend in the 19th century, presented the world of botany through dictionaries of flowers and associated meanings, floral poetry and prose, offering a sentimental view of natural history.  These charming books with colorful illustrations of flowers and bouquets are at the intersection of botany, horticulture, natural history, art, poetry, and women’s studies.  This Victorian fad saw many editions of works published, with multiple titles by successful authors.  The following provides a glimpse into the work of four women authors of this genre.