Welcome to the Biodiversity Heritage Library Blog

On behalf of numerous partners and stakeholders, the Global Biodiversity Information Facility (GBIF) will convene a virtual workshop and international consultation in March and April 2020 with the aim of fleshing out a shared vision, road map and set of priorities for developing the scope, content and services included in a catalogue of the world’s natural history collections.

This workshop, Advancing the Catalogue of the World’s Natural History Collections, consists of two parts:

• A pair of two-hour preparatory webinars on 12-13 March 2020, in which participants will discuss this draft ideas paper;
• An open, facilitated online consultation that will run between 17-29 April 2020.

Visit the GBIF website to find more details, including times, dates and links to registration for both the March webinars and the April consultation.

Published in 1914, Butterflies of Australia by Gustavus Athol Waterhouse and George Lyell was the first comprehensive work on Australian butterflies to appear in Western scientific literature. It is a thick and rather chunky volume, with descriptions of 332 butterfly species, and was the product of many years of research. The copy held in Museums Victoria’s Rare Book Collection is even thicker than a standard issue, as it is bound with lined pages interleaved throughout. It is an author’s copy, owned and annotated by George Lyell.

At the end of the twentieth century, the The Royal Botanic Gardens, Kew, The Harvard University Herbaria, and The Australian National Herbarium began collaboration on an ambitious project—to create an online index of names for all of the world’s vascular plants [1].

By combining the data in the nomenclatural indices of these three institutions—namely Index Kewensis, the Gray Card Index, and the Australian Plant Names Index—the collaboration created the International Plant Names Index (IPNI). Hosted by the Royal Botanic Gardens, Kew, today the database includes over 1.6 million records. As part of the provided nomenclatural information, IPNI includes bibliographic details linked to scanned literature in the Biodiversity Heritage Library (BHL) and links to taxonomic data through the Plants of the World Online.

Not surprisingly, given its role as a source of scanned literature for the Index, BHL is a vital resource for those working to build and maintain the IPNI database.

“I started working for the International Plant Names Index in 2013,” says Heather Lindon, Plant and Fungal Names Editor at the Royal Botanic Gardens, Kew . “I need to be able to look up protologues—the original place of publication of plant names and their descriptions. If the earliest place of publication isn’t known, we can use the name search in BHL to try to find it. Since our modern naming system dates to 1753, BHL has a lot of relevant literature for my work. Also, the rules of the International Code of Nomenclature that govern plant names apply to names published in the past, so consulting older works is still relevant for names being published today.”

This Wikipedia Editing Workshop has been postponed for a later date. Please stay tuned – we will update when a new date is determined.

As a public health precaution, the Smithsonian is postponing or canceling all public events through May 3. See http://si.edu/events for details. Museums and the National Zoo remain open at this time. Smithsonian is monitoring the guidance of the CDC and local public health officials.

John Sibthorp’s Flora Graeca (1806-1840) has been described as “the most costly and beautiful book devoted to any flora” [1]. Dedicated to the plants of Greece and the eastern Mediterranean, only 30 subscriptions were sold and of those, only 25 were completed. While each copy was sold for £254, the cost to produce each copy was about £620 [2, 176].

The Zoological Sketches are two volumes of 100 plates published between 1857 and 1867. They show particularly rare animals from Regent’s Park in London, which Joseph Wolf captured in watercolours and on the basis of which Joseph Smit made lithographs. The edited notes were written by David William Mitchell, Secretary of the Zoological Society. After his death his successor, Philip Lutley Sclater, took over the work and completed the volumes.

Visit any major botanical research institute today and you’ll find a herbarium, or collection of preserved plant specimens. These specimens are used to identify plants, to track where and when particular plants grow, and to help understand how plants are influenced by climate change and other environmental factors.

Formal herbaria have been around for about five hundred years. The first recorded herbarium was created by Italian physician and botanist Luca Ghini in the early 1500s. Called a Hortus Siccus, or “dry garden”, the herbarium was populated by drying plants under pressure between pieces of paper and then mounting the specimens for study. Today, herbaria are integral to botanical research.

Dr. Maura Flannery, Professor Emerita of Biology at St. John’s University in New York and a Research Associate in the A.C. Moore Herbarium at the University of South Carolina – Columbia, studies the complex history of herbaria, their many uses, their digital future, and relationships between herbaria and botanical art. While she has been studying biology and its links to art over most of her career, Flannery’s interest in herbaria emerged about ten years ago.