Biodiversity Heritage Library - Program news and collection highlights from BHL
  • Home
  • News
  • Featured Books
    • All Featured Books
    • Book of the Month Series
    • BHL at 20
  • User Stories
  • Campaigns
    • Fossil Stories
    • Garden Stories
    • Monsters Are Real
    • Page Frights
    • Her Natural History
    • Earth Optimism 2020
  • Tech Blog
  • Visit BHL
Home
News
Featured Books
    All Featured Books
    Book of the Month Series
    BHL at 20
User Stories
Campaigns
    Fossil Stories
    Garden Stories
    Monsters Are Real
    Page Frights
    Her Natural History
    Earth Optimism 2020
Tech Blog
Visit BHL
  • Home
  • News
  • Featured Books
    • All Featured Books
    • Book of the Month Series
    • BHL at 20
  • User Stories
  • Campaigns
    • Fossil Stories
    • Garden Stories
    • Monsters Are Real
    • Page Frights
    • Her Natural History
    • Earth Optimism 2020
  • Tech Blog
  • Visit BHL
Biodiversity Heritage Library - Program news and collection highlights from BHL
BHL News, Blog Reel

Botany 2018: The Future of Digital Projects for Research & Teaching in Botany

Botany Symposium 2018 Poster

BHL Program Director Martin Kalfatovic was invited to participate in a symposium, hosted by JSTOR Global Plants, at Botany 2018 in Rochester, MN entitled The Future of Digital Projects for Research & Teaching in Botany.

Jason Przybylski, Senior Licensing Editor / JSTOR. Symposium panelist.

The symposium addressed questions such as: what existing digital projects in botany have been successful and how did they become so; what areas of need should future projects explore; how do we define success for digital projects; how do digital projects directed at students differ from those aimed at the researcher; how can we use digital projects to reach new students and interested lay people; and how are new digital projects funded and supported for the long term.

The panel included speakers from a range of backgrounds — including both academics and librarians, as well as people working for organizations developing these digital initiatives—creating a conversation that brought together multiple viewpoints. Panelists included:

  • Jason Przybylski, Senior Licensing Editor / JSTOR
  • Deirdre Ryan, Director, Primary Sources & JSTOR Forum
  • Barbara Thiers, Director of Science, New York Botanical Garden
  • Martin Kalfatovic, Associate Director, Smithsonian Libraries and Program Director, The Biodiversity Heritage Library
  • Elspeth Haston, Deputy Herbarium Curator, Royal Botanic Garden Edinburgh
  • Adrian S. Wisnicki, Assistant Professor and Center for Digital Research in the Humanities Faculty Fellow, University of Nebraska-Lincoln & Director, Livingstone Online
  • Hilary Callahan, Ann Whitney Olin Professor of Biology, Barnard College

Symposium Abstract

Botany was early to recognize the potential impacts on the field of digitization and digital projects, from scanning herbarium specimens so scholars from around the world could easily access them to recovering lost archives to developing access to copious amounts of data on plant life and biodiversity more broadly. As digitization of physical materials has become more widespread and digital capabilities have increased, the expectations for digital projects in botany have similarly advanced. It is no longer enough to simply scan an item and make it available as a PDF on a website. Researchers and students now are looking for innovative digital projects that use the digital medium to present objects in new ways or bring together materials in ways that weren’t possible in an analog environment, all of which allows for new avenues to pursue in research and teaching. This symposium will bring together presenters working on digital projects in botany to examine the current state of the field and its future directions. The panel will include speakers from a range of backgrounds – including both academics and librarians, as well as people working for organizations developing these digital initiatives – creating a conversation that will bring together multiple viewpoints. The symposium will address questions such as: what existing projects have been successful and how did they become so; what areas of need should future projects explore; how do we define success for digital projects; how do digital projects directed at students differ from those aimed at the researcher; how can we use digital projects to reach new students and interested lay people; and how are new digital projects funded and supported for the long term. By the end of the symposium, we will aim to have identified trends in the field and areas that need further development, hopefully providing the necessary grounding for future digital developments.

The BHL presentation, “The Biodiversity Heritage Library: Empowering Discovery through Free Access to Biodiversity Knowledge” is available online.

From the abstract: The Biodiversity Heritage Library (BHL) has no bricks, no mortar, but rather stands as a vast online collection of biodiversity knowledge compiled from the collections of natural history and botanical libraries the world over. These collections–comprised of scientific journals, books, and archival collections–provide information critical to the study of life on our planet. Replete with species descriptions and occurrence data, ecosystem profiles, behavioral observations, and climatic records, these collections inform current research and provide historical information on species abundance, habitat alteration, and human exploration. In many cases, these publications are only physically available in one or two locations throughout the world.

Funding for the symposium was provided by the Botanical Society of America.

From the poster sessions:



Some flora and fauna:

Vanessa atalanta (Red Admiral)

Basidiomycota

August 7, 2018by
Blog Reel, Featured Books

Bateman’s Orchidaceae: Exploring One of the Rarest – and Largest – Orchid Books

“The Librarian’s Nightmare.” Vignette by George Cruikshank for James Bateman’s The Orchidaceae of Mexico and Guatemala ([1837]-1843). Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

A version of this article first appeared in the Council on Botanical and Horticultural Libraries (CBHL) May 2018 Newsletter.

“The Librarian’s Nightmare.” Vignette by George Cruikshank for James Bateman’s The Orchidaceae of Mexico and Guatemala ([1837]-1843). Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

“The Librarian’s Nightmare.” Vignette by George Cruikshank for James Bateman’s The Orchidaceae of Mexico and Guatemala ([1837]-1843). Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

“The Librarian’s Nightmare.”

Such is the name given to a delightful and quirky vignette found within a very rare, and very special, orchid book: James Bateman’s The Orchidaceae of Mexico and Guatemala ([1837]-1843).

This vignette, the work of caricaturist George Cruikshank, depicts a group of men struggling to lift an enormous book using a pulley system while a harried taskmaster with a megaphone attempts to direct their work and demons dance about with impish glee on the sidelines.

The vignette’s caption, translated from the Greek, reads “a big book is a big evil” (Bleichmar 2017, 179).

The scene is a humorous commentary on the massive size of Bateman’s orchid book. At about 30” x 22” (Cobbledick 2018a) and weighing in at over 38 lbs (Hamilton 1990, 1244), it is the “largest botanical book ever produced with lithographic plates” (Blunt and Stearn 1994, 249).

Plate 19. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Sarah Anne Drake and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

Plate 19. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Sarah Anne Drake and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

The Orchidaceae of Mexico and Guatemala was produced in the midst of the Victorian era’s “orchid mania” or “Orchidelirium”, characterized by European obsession with collecting and cultivating exotic orchid species. Wealthy orchid enthusiasts commissioned collectors to travel the world in search of new and rare specimens.

James Bateman was such an enthusiast. A wealthy British landowner and passionate horticulturalist, Bateman employed collectors to obtain new specimens for him, particularly from South and Central America (Sitwell and Blunt 1990, 45). It was his relationship with a merchant operating in Guatemala that enabled Bateman to secure many of the orchids featured in his magnificent folio.

Plate 13. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Augusta Withers and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

Plate 13. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Augusta Withers and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

George Ure Skinner, born into a scholarly English family, established an export business in Guatemala in the 1830s, and in his free time, collected local birds and insects for the Museum of Natural History in Manchester, England. After receiving a letter from Bateman requesting orchids from the region, Skinner began collecting and shipping back new and stunning specimens hitherto unknown to the European public. These specimens formed the foundation of Bateman’s orchid masterpiece (Schmidt-Ostrander 2018).

Plate 6. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Augusta Withers and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

Plate 6. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Augusta Withers and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

Within The Orchidaceae of Mexico and Guatemala, Bateman provided scientific descriptions in English and Latin as well as practical cultivation information for the species presented in the book. Also, according to Amy Pool, Curatorial Assistant at the Missouri Botanical Garden, 11 new-to-science species of orchids were validly published in this work. She estimates that it presented the first published illustrations for 90% of the 40 species included.

Plate 40. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Sarah Anne Drake and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

Plate 40. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Sarah Anne Drake and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

The work is particularly noteworthy for its colorful (and sizeable) lithographic plates. Numbering 40 in total, these lithographs were executed by Maxim Gauci based on drawings largely by Sarah Anne Drake and Augusta Withers, with two drawings by Jane Edwards and one by Samuel Holden. These illustrations were based on the live specimens in Bateman’s and his friends’ greenhouses. The hand-colored elements of the lithographs add dimension and richness to the orchid forms, particularly through the application of varnish which provides deeper tones (Cobbledick 2018b).

The Orchidaceae of Mexico and Guatemala was issued in parts between 1837-43 and printed in a limited edition of 125 copies sold to subscribers (Bleichmar 2017, 179). Today, fewer than 55 copies are known to exist.

Plate 7. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Augusta Withers and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

Plate 7. Bateman, James. The Orchidaceae of Mexico and Guatemala. Illustration drawn by Augusta Withers and lithographed by Maxim Gauci. Contributed in BHL by the Peter H. Raven Library of the Missouri Botanical Garden.

One of those copies can be found in the world-renowned Rare Book Collection of the Peter H. Raven Library of the Missouri Botanical Garden. Happily, this copy has been digitized in the Biodiversity Heritage Library and is now freely available to the world.

The Missouri Botanical Garden recently featured an exhibit about The Orchidaceae of Mexico and Guatemala. Image credit: Lauren Peters

The Missouri Botanical Garden recently featured an exhibit about The Orchidaceae of Mexico and Guatemala. Image credit: Lauren Peters.

Earlier this year, the Missouri Botanical Garden produced an exhibit on book conservation, entitled: Taking Care of Our Rare Books: Another Kind of Conservation. This ran concurrent with the Garden’s annual orchid show, the 2018 theme being “Orchid mania.” Both featured The Orchidaceae of Mexico and Guatemala. The floral show included numerous images from the book and described its role in “orchid mania”, and the exhibit featured a selection of images and text excerpts from the publication while highlighting book conservation techniques and principles.

=At nearly 200 years old, and having been acquired by the Library in 1895 during a period of heavy pollution in Saint Louis, it is not surprising that the Missouri Botanical Garden’s copy of Bateman’s work is in poor condition, with ripped and soiled paper, loose pages, and broken binding.

The Missouri Botanical Garden’s copy of The Orchidaceae of Mexico and Guatemala is undergoing an extensive restoration project. Image credit: Susie Cobbledick

The Missouri Botanical Garden’s copy of The Orchidaceae of Mexico and Guatemala is undergoing an extensive restoration project. Image credit: Susie Cobbledick

The Library’s book conservator, Susie Cobbledick, has begun a substantial restoration project for this work. This process was not only highlighted as part of the Garden’s exhibit, but it is also being recorded through a series of posts on the Garden’s Discover + Share website. This process includes repairing the volume’s binding and cleaning and mending the paper.

As Cobbledick articulates, the Library’s copy had been rebound at least once, and past attempts to repair the binding have failed under the strain imposed by such a massive volume. Additionally, the original covers were replaced with Masonite board at some point in the 20th century. As part of the Library’s conservation process, a more robust binding structure will be created for this volume, and more appropriate covers may be used to replace the inadequate Masonite (Cobbledick 2018a).

The Garden’s copy of The Orchidaceae of Mexico and Guatemala was originally sewn on linen cords, which would have extended beyond the back of the book to the boards. The fact that these cords have been cut is evidence that the book had been rebound some time in the past. Image Credit: Susie Cobbledick

The Garden’s copy of The Orchidaceae of Mexico and Guatemala was originally sewn on linen cords, which would have extended beyond the back of the book to the boards. The fact that these cords have been cut is evidence that the book had been rebound some time in the past. Image Credit: Susie Cobbledick

The soiled pages also require special attention. In order to remove the dirt and other residue that has accumulated over the past 170+ years without altering or damaging the lithographs’ fragile surfaces, Cobbledick is employing dry cleaning methods using cosmetic sponges and white vinyl erasers to carefully clean each page. This time-consuming process will take several months to complete (Cobbledick 2018b).

Cosmetic sponges and white vinyl erasers are used to clean the lithographs within the Garden’s copy of The Orchidaceae of Mexico and Guatemala. In this photo, you can see a cleaned (right-hand side) and uncleaned (left-hand side) portion of a plate from the book. Image Credit: Susie Cobbledick

Cosmetic sponges and white vinyl erasers are used to clean the lithographs within the Garden’s copy of The Orchidaceae of Mexico and Guatemala. In this photo, you can see a cleaned (right-hand side) and uncleaned (left-hand side) portion of a plate from the book. Image Credit: Susie Cobbledick.

Conservators have also begun mending the volume’s ripped and damaged paper. As part of this process, they are conducting tests to determine whether the type of sizing (substance added to paper to make it less absorbent) used has contributed to the poor condition of the book’s paper today. The answer may be related to whether or not the paper was machine-made. Explore the testing process and initial outcomes in the most recent “Rebuilding the Bateman Book” post.

To learn more about the restoration process for The Orchidaceae of Mexico and Guatemala and follow the conservation work, explore the entire “Rebuilding the Bateman Book” series on the Garden’s Discover + Share website.

The Orchidaceae of Mexico and Guatemala is truly a scientific, bibliographic, and artistic marvel. Through its unique blend of scientific information, awe-inspiring illustrations, and unexpected humor, Bateman’s orchid masterpiece stands out as a truly remarkable entry in the annals of natural history.

As another example of humor within The Orchidaceae of Mexico and Guatemala, this vignette by George Cruikshank depicts a pair of gigantic cockroaches escaping from a box meant to contain orchid specimens whilst the gardener’s family and assistants chase the unwelcome intruders.

As another example of humor within The Orchidaceae of Mexico and Guatemala, this vignette by George Cruikshank depicts a pair of gigantic cockroaches escaping from a box meant to contain orchid specimens whilst the gardener’s family and assistants chase the unwelcome intruders.

What some might call “The Librarian’s Nightmare”, we call “The Book Lover’s Dream”. We are grateful to the Peter H. Raven Library of the Missouri Botanical Garden for making this title freely available in BHL and are thrilled that the Library’s current conservation efforts will ensure that future generations can enjoy this treasure.

Taking Care of Our Rare Books: Another Kind of Conservation was curated by Missouri Botanical Garden staff Lauren Peters (Science Communication Specialist), Amy Pool (Curatorial Assistant, Herbarium), and Susie Cobbledick (Book Conservator, Library) and designed by Ellen Flesch (Supervisor, Creative Services) based on an exhibit proposal by Doug Holland (Director, Peter H. Raven Library). Learn more about the exhibit.

Post by Grace Costantino (Outreach and Communication Manager, Biodiversity Heritage Library) with significant contributions from Susie Cobbledick (Book Conservator, Peter H. Raven Library of the Missouri Botanical Garden) and Amy Pool (Curatorial Assistant, Herbarium, Missouri Botanical Garden).

References

Bleichmar, Daniela. 2017. Visual Voyages: Images of Latin American Nature from Columbus to Darwin. New Haven, CT: Yale University Press.

Blunt, Wilfrid and William T. Stearn. 1994. The Art of Botanical Illustration. New Edition. Suffolk: Antique Collectors’ Club, Ltd.

Cobbledick, Susie. 2018a. “From the Library: Rebuilding the Bateman Book (Part 1).” Discover + Share. February 17. Accessed March 29, 2018. https://discoverandshare.org/2018/02/17/from-the-library-rebuilding-the-bateman-book-part-1/.

Cobbledick, Susie. 2018b. “From the Library: Rebuilding the Bateman Book (Part 2).” Discover + Share. March 22. Accessed March 29, 2018. https://discoverandshare.org/2018/03/22/from-the-library-rebuilding-the-bateman-book-part-2/.

Hamilton, Robert M. 1990. “Skinner and Bateman – 1: Introduction.” American Orchid Society Bulletin 59, no. 12 (December): 1235-1247.

Schmidt-Ostrander, Ingrid. 2018. “George Ure Skinner (1804 – 1867).” Victorian Orchid Society. Accessed March 29, 2018. http://victoriaorchidsociety.com/Ingrid/Skinner.html.

Sitwell, Sacheverell and Wilfrid Blunt. 1990. Great Flower Books: 1700-1900. New York: The Atlantic Monthly Press.

July 19, 2018by michelle.underhill
Blog Reel, Featured Books

The Herefordshire Pomona

Illustration of various apple cultivars

The Herefordshire Pomona. v. 2 (1876-1885). Art by Edith E. Bull. Digitized by Cornell University Library, Mann Library. https://biodiversitylibrary.org/page/55785827.

It is a glimpse into a lush diversity of the past….and into possibilities for a resilient future. The Herefordshire Pomona is a classic in the science and practice of pomology. Compiled and edited by the eminent 19th century horticulturalist Robert Hogg and the physician Henry Graves Bull, who moonlighted as an enthusiastic amateur naturalist, the Pomona was an outgrowth of efforts by the Woolhope Naturalists’ Field Club to record and showcase the different varieties of apples and pears found in the orchards of Herefordshire, a county in the West Midlands region of England.

For centuries, Herefordshire was known as the center of English apple cider production, a reputation that it continues to enjoy today. And yet, already in the mid-1800s there was growing concern among English horticulturalists and naturalists that many of the region’s orchards were falling into disuse, the fruits of their trees being passed over and forgotten in favor of more popular imports from other parts of the country and world.

Illustration of a variety of apple cultivars

The Herefordshire Pomona. v. 2 (1876-1885). Art by Edith E. Bull. Digitized by Cornell University Library, Mann Library. https://biodiversitylibrary.org/page/55785532.

To counter this erosion of agricultural heritage, each year the Woolhope Club staged exhibitions of locally grown apples, inviting renowned experts, including Dr. Hogg, to judge the quality of the featured fruits, and to help identify any fruits not already clearly recognized. To fully capture the insights gained from these explorations, Hogg and Bull enlisted the help of artists Alice Blanche Ellis and Edith Elizabeth Bull (thought to be Dr. Bull’s daughter), who drew their pomological subjects as they saw them— glorious hues, unsightly warts, odd-lot shapes, fluky speckles and all. The resulting work was issued in seven parts between the years 1876 and 1885, purchased on subscription basis by English town and country gentry willing to pay a tidy sum for this comprehensive and gorgeously illustrated work.

HerefordshirePomona_List of Cider Apples Perry Pears_Small.jpg

List of cider apples and perry pears recommended for planting by the Woolhope Club. List of cider apples and perry pears recommended for planting by the Woolhope Club. The Herefordshire Pomona. v. 2 (1876-1885). Digitized by Cornell University Library, Mann Library. https://biodiversitylibrary.org/page/55785887.

While the Pomona may thus have been born as the ultimate coffee table book for upper class households, it performed an invaluable service by documenting the presence of over 400 apple and pear varieties in 19th century England. Its indexes alone, featuring variety names like Garter Apple, Foxwhelp, Cocc-a-gee, Monstrous Pippin, Jolly Beggar, Bess Pool, Kentish Fill-basket, Peasgood’s Nonesuch, Queen of Sauce, Friar, Gipsy King, Schoolmaster, American Mother, Hoary Morning, and Bastard Rough Coat, read like a playful ode to the hidden stories—from lyrically sweet and archly comic to the darkly dramatic—of old English country life. Descriptions for each variety—drawn from Fruit Manual, a significant earlier work by Hogg—are instructive, not just for information about horticultural best practices of the time, but also for their guidance about important qualities of each variety, such as flavor, optimal timing for harvest, and shelf life in storage. And, as the Pomona notes, when it comes to cider apples, one should not be fooled by the size and the often-bitter taste of their varieties, for the smaller the fruit, the better the beverage.

Illustration of a variety of apple cultivars

The Herefordshire Pomona. v. 2 (1876-1885). Art by Alice B. Ellis and Edith E. Bull. Digitized by Cornell University Library, Mann Library. https://biodiversitylibrary.org/page/55785803.

In 1885, six hundred copies of the Herefordshire Pomona’s seven published parts were bound and issued as a two-volume set. Mann Library is fortunate to hold one of these extremely rare sets in the Library’s special collections. Over the past several months, we have digitized both volumes.  Now part of the growing online collection of legacy life sciences literature in the Biodiversity Heritage Library, this digitized copy in the BHL collection makes an invaluable record of English horticultural history widely available to today’s scientists and breeders. As current interest in finding lost cultivars, securing genetic diversity, and developing new varieties with appropriate qualities for a re-emergent cider industry grows, the Herefordshire Pomona will help ensure that insights preserved from our past continue to advance both the discovery and conservation needed for a healthier world tomorrow.

Illustration of a variety of apple cultivars

The Herefordshire Pomona. v. 2 (1876-1885). Art by Alice B. Ellis and Edith E. Bull. Digitized by Cornell University Library, Mann Library. https://biodiversitylibrary.org/page/55785583.

The week of 4 June 2018, BHL is celebrating cider-making and apples with Cornell University Library and Mann Library. Follow #CornellCider on social media for a sweet dose of apple delight and visit the Pomology: Apples and Cider collection on BHL to explore more great books like Herefordshire Pomona.

Sources:

Arbury, Jim. “Pomonas and Pomology,” The Herefordshire Pomona. Ed. Robert Hogg and Henry Graves Bull. 1876. The Folio Society, 2014

Bunyard, Edward A. Guide to the Literature of Pomology. By E.A. Bunyard … [s.n.], 1915, www.biodiversitylibrary.org//bibliography/33776.

Monbiot, George. “Fallen fruit,” The Guardian, 30 October 30, 1994. www.theguardian.com/lifeandstyle/2004/oct/30/foodanddrink.weekend

Nissen, Claus. Die Botanische Buchillustration: Ihre Geschichte Und Bibliographie. 2. Aufl., durchgesehener und verb., A. Hiersemann, 1966.

Roach, F. A., The Cultivated Fruits of Britain: Their Origin and History.  B. Blackwell, 1985

June 7, 2018by Joel Richard
Blog Reel, User Stories

For the Love of Cider: Phenotyping Apples with Modern Techniques and Historic Texts

Caucasian male in a blue shirt

Cider-making is currently undergoing a revival in the United States. Production and consumption of cider is increasing rapidly, and the global cider market is projected to reach $16,252 million by 2023.[1] Cider (sometimes called hard cider) is a fermented beverage made from apple juice. A wide range of apple cultivars, or cultivated varieties of domesticated apples (Malus x domestica), are used in cider production.

Illustration of two red apples with caption "The Foxwhelp."

The cider apple variety “Foxwhelp.” Knight, Thomas Andrew. Pomona Herefordiensis. 1811. Digitized by Cornell University Library. https://biodiversitylibrary.org/page/55941638.

One of the oldest surviving cider apple varieties is the “Foxwhelp”, which originated in England several centuries ago. The earliest recorded reference to the cultivar comes from John Evelyn’s Pomona from 1664.[2] Though still used for cider making, an aura of mystery surrounds this cultivar, because many apples labeled as “Foxwhelp” today are not true to type. In fact, many cider producers refer to the variety available in the United States under this name as “Fauxwhelp”.

Dr. Gregory Peck, an Assistant Professor in the Horticulture Section of the School of Integrative Plant Science at Cornell University, has been assessing a large number of apple genotypes for their potential use in hard cider production. Through this work, he has discovered inconsistencies between many U.S. varieties and their original counterparts, including “Foxwhelp”. Not only has he imported two “Foxwhelp” strains into the United States so that growers can have the true genotype, but he also recently teamed up with Dr. Gayle Volk at the United States Department of Agriculture to uncover the truth behind “Fauxwhelp” and other enigmatic cultivars.

Caucasian male in a blue shirt

Dr. Gregory Peck. Assistant Professor in the Horticulture Section of the School of Integrative Plant Science at Cornell University. Photo Credit: Lindsay France, Cornell University.

“We employed DNA fingerprinting tools to confirm our suspicions that these were misnamed cultivars,” explains Peck. “But now we’re left with a mystery. What are the misidentified cultivars?”

As it turns out, it’s a mystery that the Biodiversity Heritage Library can help solve.

“In addition to genetic and chemical analyses, we’ve been using books from BHL’s collection to help us identify these unknowns,” shares Peck. “In particular, we often use the Pomona Herefordiensis by Thomas Andrew Knight and several texts by Robert Hogg.”

Three caucasian males walking in an apple orchard.

Gregory Peck (left) checks on research plots with graduate students Nathan Wojtyna (center) and Adam Karl (Right). Photo credit: Dave Burbank, Cornell University.

Peck first discovered BHL thanks to the “fantastic librarians” at Cornell’s Mann Library, who directed him to the site for access to several historic pomology books. Since then, he visits the library every few months, viewing books online and downloading PDFs of useful titles. It has become a valuable and much-appreciated resource for Peck’s research.

“BHL is easy to use and I really like being able to share FREE resources with my students and commercial cider producers,” lauds Peck. “Once I’m on the site, I’m there for hours. I guess time flies when you’re having fun!”

Caucasian male in a baseball cap standing in front of a pile of apples.

Cider apple harvest in Somerset, UK. Photo credit: Gregory Peck, Cornell University.

Dr. Peck will be sharing more about his work as the featured speaker at the 2018 Cornell Reunion, where he will present on “The Modern Emergence of a Historic Drink”. His presentation will be live-streamed on 8 June 2018 starting at 10am ET via the Mann Library Facebook page. You can view a recording of the talk on YouTube.

In conjunction with the Reunion and in collaboration with Peck, Cornell University Library has developed an exhibit on cider-making entitled Apples to Cider: An Old Industry Takes Fresh Root. Located in Cornell’s Mann Library lobby, this free exhibit is open to the public and will be on display through October 2018. 

To complement the exhibit, Cornell Library has created a new “Pomology: Apples and Cider” collection in BHL, featuring books on a variety of cider and apple-related topics, many of which were recently digitized by Cornell and are featured in the exhibit. The illustrations from some of the most visually-stunning of these books are available for your browsing enjoyment on Flickr.

All this week, Cornell University Library is highlighting the Reunion, Dr. Peck’s work, and the exhibit on social media with #CornellCider. We’re joining the celebrations by sharing some of our favorite books from the “Pomology: Apples and Cider” collection through the @BioDivLibrary feeds. On Thursday, 7 June 2018, we’ll take a deeper look at one of the titles in the Pomology collection, The Herefordshire Pomona, in a special edition of our book of the month blog series.

Illustration of two red apples on a vine with the caption "The Cowarne Red”

The “Cowarne Red” apple. Knight, Thomas Andrew. Pomona Herefordiensis. 1811. Digitized by Cornell University Library. https://biodiversitylibrary.org/page/55941787.

Don’t miss out on all the cider fun this week! Follow #CornellCider for a sweet dose of apple delight, and be sure to tune into the livestream of Dr. Peck’s keynote speech on Friday, 8 June at 10am ET to learn more about his work and the wonderful world of cider-making.

[1] Allied Market Research. 2018. “Global Cider Market Expected to Reach $16,252 Million by 2023 – Allied Market Research.” PR Newswire, January 24. Accessed on April 26, 2018. https://www.prnewswire.com/news-releases/global-cider-market-expected-to-reach-16252-million-by-2023—allied-market-research-670847853.html.

[2] Wilson, Mel. “English Apples: Foxwhelps.” Sutton Elms. Accessed May 2, 2018. http://www.suttonelms.org.uk/apple81.html.

June 5, 2018by michelle.underhill
Blog Reel, Featured Books

Seeds in the Stacks: A Closer Look at Two Seedsmen from the Golden Age

The National Agricultural Library (NAL), Special Collections has one of the world’s largest collections of nursery and seed trade catalogs totaling over 200,000 from American as well as international companies. This collection, representing businesses located in all states plus over 50 countries, was named after its long-time curator, Henry G. Gilbert. The earliest catalog is from William R. Prince & Company dated 1771. NAL continues to collect modern-day catalogs.

The collection was begun by Percy Ricker, U.S. Department of Agriculture’s first economic botanist. Through the course of his work, he traveled to many plant nurseries throughout the country and collected duplicate copies of their catalogs. When he retired in the 1940s, he had amassed over 70,000 catalogs, and the collection grew from there.

NAL has been systematically digitizing its seed trade catalogs with over 41,000 catalogs available online through the Biodiversity Heritage Library (BHL) as well as Internet Archive. The bulk of the holdings begin in the late 1800s, which is considered the golden age of mail order catalogs.

James Vick and Peter Henderson are two men who epitomized that golden age.

James Vick and Sons

James Vick (1818-1882) started in the seed business in 1860. Born in England, he immigrated with his family to New York in 1833 and would go on to influence the nursery and seed trade catalog business with beautiful color illustrations and much more.

vicksfloralguide1889jame_00061.jpg

James Vick and Sons Charles, James, and Frank. Vick’s Floral Guide, 1889. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

Prior to getting into the seed business, Vick was a printer for newspapers, experience which helped make his Floral Guides eye-catching. The first one was published in 1862. Vick used chromolithography in several of the guides, creating beautiful horticultural images. In fact, he was a pioneer in mass-producing color illustrations in mass-market catalogs as demonstrated by his 1864 catalog that contained a full-page chromolithograph of double zinnias. His images became so popular that he produced a set of large prints that were either sold separately or given with large orders.

vicksgardenflora1898jame_00411.jpg

Vick’s Garden and Floral Guide, 1898. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

In addition to being a skilled printer, Vick was a successful writer, editor, publisher, and owner of several well-known horticultural publications, so he knew how to connect with people. He developed a personal, chatty style of communication. In addition to information on seeds and plants, his guides shared gossip, correspondence, gardening advice, and a special children’s section as well as space for a complaints forum (for example, the high price of postage).

vicksillustrated1873jame_0003.jpg

Vick’s Illustrated Floral Guide, 1873. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

Throughout Vick’s life, he was constantly trying to improve his business. In the mid-19th century, the best seeds came from Europe. American seeds had an inferior reputation at the time. He wanted to grow high-quality seeds in America and went to Europe to study the methods of the Old World (in particular the effects of climate). In the 1873 Vick’s Illustrated Floral Guide, he shared the results of his studies with readers.

vicksflowerveget00vick_0184.jpg

Vick’s Flower and Vegetable Garden, 1878. Digitized by Smithsonian Libraries.

In addition to his guides, he published a book titled Vick’s Flower and Vegetable Garden and Vick’s Illustrated Monthly magazine. He followed a pattern with lovely etchings, essays, conversation, and beautiful color plates.

vicksfloralguide1881jame_0014.jpg

Vick’s Seed House, 1880. Vick’s Floral Guide, 1881. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

James Vick and Sons was extremely successful, growing the business to include flower farms and a five-story seed house that included a printing office, bindery, box-making establishment, and artists’ and engravers’ rooms. It was a self-contained business and was one of the largest and most well-run seed houses of its time. It had 300 orders and 3,000 letters a day, and its publications reached an annual circulation of 250,000. While its products were excellent, much of its success was due to James Vick and his understanding of the power of connecting and engaging with the customer. His sons carried on that tradition until the early 20th century when the company was sold to Burpee Seed Company.

Peter Henderson

Another nurseryman whose catalogs enjoyed widespread distribution during the “Golden Age” of the mail order catalog business was Peter Henderson (1822-1890). One of the leading authorities on commercial floriculture of the time, he simplified and improved methods of handling plants for commercial purposes. He was head of Peter Henderson & Company, a seed and supply business. The company’s thick catalogs reflected Henderson’s sales concept of “Everything for the Garden” and offered seeds, bulbs, fertilizers, insecticides, and gardening and lawn tools. A prolific writer, Henderson gained popularity through his willingness to share horticultural techniques in his descriptive catalogs, books, articles, and letters.

Bailey_Cyclopedia_Horticulturists_Henderson.jpg

Peter Henderson, Bailey’s Standard Cyclopedia of Agriculture, 1881.

peterhendersonco1886frontpete_27_0003.jpg

Peter Henderson & Co.’s Manual of Everything for the Garden, 1886. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

Born in Scotland in 1822, Henderson showed an early aptitude for handling plants. Perhaps his talent was inherited from his maternal grandfather who was a nurseryman and florist. Beginning at age 16, he apprenticed to head gardener George Sterling at Melville Castle. The following year, Henderson won a gold medal for the best herbarium of native and exotic plants submitted to the Royal Botanical Society of Edinburgh for a competition throughout Great Britain.

buistsprizemedal1894robe_0003.jpg

Scottish nurseryman Robert Buist’s property. Buist’s Garden Seeds, 1894. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

In 1843, he immigrated to the United States and obtained employment as a gardener for several other Scottish nurserymen, including George Thorburn and Robert Buist. He remodeled Charles F. Spang’s greenhouses and grounds. In 1847, Peter and his brother James began a business growing vegetables in New Jersey and marketing them in nearby New York City.

Several years later, the brothers parted ways. Peter began growing and selling ornamental plants from his Jersey City property. In 1871, he founded Peter Henderson & Company and established a seed house and store in New York on Cortlandt Street. In 1880, from his property in nearby South Bergen, he erected state-of-the-art greenhouses with innovative heating and ventilation systems. The location of these greenhouses in the Jersey City area meant that his inventory could be transported conveniently across the country by means of rail and water ways.

peterhendersonco1886back.jpg

Peter Henderson & Co. located at 35-37 Cortlandt Street, New York City. Peter Henderson & Co.’s Manual of Everything for the Garden, 1886. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

peterhendersonco18pete_26_0148_1885back.jpg

Peter Henderson & Co. greenhouses. Peter Henderson & Co.’s Manual of Everything for the Garden, 1885. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

Henderson was willing to share his knowledge on gardening topics with the public, even though it meant letting his competitors know about his research. He contributed articles to magazines such as Hovey’s Magazine of Horticulture, The Horticulturist, Gardener’s Monthly, The Country Gentleman, and Moore’s Rural New-Yorker. His son Alfred wrote in Henderson’s biography that the American Agriculturist desired all his writings so they “…paid him a price per column that has been considered perhaps the largest rate ever paid an American writer.”

Henderson_Gardening-for-Profit.jpg

Gardening for Profit, revised in 1874. Copy in BHL digitized by the Library of Congress.

The U.S. Department of Agriculture asked him to write an article on market gardening for the Report of the Commissioner of Agriculture for the Year 1865. The public’s interest in the subject led to Henderson writing his first book, Gardening for Profit (1866), the first of its kind about commercial marketing of vegetables. He went on to author four more books, including Practical Floriculture (1868), Gardening for Pleasure (1875), Garden and Farm Topics (1884), and Henderson’s Hand Book of Plants (1881). He co-authored How the Farm Pays (1884) with William Crozier, one of the most successful farmers in the United States.

“““““““““““

“To supply a population of a million inhabitants daily, throughout the year, with fresh vegetables would, it might be supposed, require an immense tract of land. Such, however, is not the case.”

Peter Henderson, “Market Gardening in the Vicinity of New York.” Report of the Commissioner of Agriculture for the Year 1865. (Page 243)

“““““““““““`

everythingforgar1909_0190.jpg

Peter Henderson & Co.’s Manual of Everything for the Garden, 1909. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

Henderson’s popular articles and books attracted customers for his plant and seed business. He wrote his own plant descriptions for his catalogs until 1890. He created clever and original advertisements. In fact, he was the first to use a heavy black border around his advertisements. Another reason for his popularity was his prompt and detailed response to correspondence. According to son Alfred in 1890, “…in the last thirty five years he wrote or dictated at least one hundred and seventy-five thousand letters.” He replied to correspondents the same day he received their letters, no matter how tired he was from the rigors of outdoor work and running a business.

peterhenderson1892bulbsplantss0082.jpg

An illustration of a gardener frequently appears in Henderson’s catalogs. Perhaps this figure represents Henderson. Bulbs, Plants, Seeds for Autumn Planting, Peter Henderson & Co., 1892. Digitized by the U.S. Department of Agriculture, National Agricultural Library.

Henderson even traveled long distances to give advice to entrepreneurs on such topics as land suitability, best plants to raise on the property, and greenhouse construction. It was the willingness of this leading florist, seed merchant, and horticultural writer to share knowledge that advanced horticulture from an art form to a science.

James Vick and Peter Henderson were shrewd businessmen who had great influence on the nursery and seed trade business through their catalogs, innovation, and personal styles. They became like friends to their readers and Vick’s seeds or Henderson’s opinions were often sought after. But, these were men who cared about horticulture both as art and science as well as business. They believed that gardening was an uplifting, healthy pursuit and wanted to promote the beauty of horticulture in addition to running successful businesses.

Bibliography

Bailey, Liberty Hyde. The Standard Cyclopedia of Horticulture. Volume III -F.-K. Page 1579. New York: The MacMillan Company, 1915.

Becker, Robert F. “Peter Henderson: Plant Pioneer.” American Horticulturist, 74, no. 12 (December 1995): 24-30.

Christopher, Thomas. “Heirloom Seed Catalogs.” Horticulture 63, no. 12 (December 1985): 24-27.

Henderson, Alfred. Peter Henderson, Gardener-Author-Merchant: A Memoir. New York: McIlroy and Emmet. 1890. Accessed on March 19, 2018. https://archive.org/details/peterhendersonga01hend.

Henderson, Peter. “Market Gardening in the Vicinity of New York.” Report of the Commissioner of Agriculture for the Year 1865. Washington, D.C.: Government Printing Office, 1866.

McIntosh, W.H. History of Monroe County, New York: With Illustrations, Descriptive of its Scenery, Palatial Residences, Public Buildings, Fine Blocks, and Important Manufactories 1788-1877. Philadelphia: Everts, Ensign and Events, 1877.

“Peter Henderson and Company – Peter Henderson and James Henderson.” Jersey City Past and Present. Accessed on March 12, 2018. http://www.njcu.edu/programs/jchistory/Pages/H_Pages/Henderson_Peter.htm.

Ricker, Percy L. and Magdalene R. Newman. The Nursery and Seed Trade Catalog Collection of the United States Department of Agriculture. Washington, 1945. Accessed on April 17, 2018. http://archive.org/details/CAT31064290.

Van Ravenswaay, Charles. A Nineteenth-Century Garden. New York: Universe Books, 1977.

“Vick, James (1818-1882).” n.d. Accessed March 13, 2018. http://www.sil.si.edu/SILPublications/seeds/vickjames.html.

May 24, 2018by Joel Richard
Blog Reel, Featured Books

“Abnormal apples” and “proliferous potatoes” – Uncovering the stories behind Kew’s Museum of Economic Botany Collection.

What is Economic botany?

Economic botany can, in a nutshell (excuse the pun), be described as the use of plants by people. This relationship spans thousands of years and includes both individuals and cultures – making this subject a rich and fascinating link between botany and anthropology. Economic botany collections can essentially be described using the term biocultural.

Kew’s Museum of Economic Botany.

The Economic Botany Collection at the Royal Botanic Gardens, Kew holds around 100,000 objects from around the globe. Established as the Museum of Economic Botany by Kew’s first official Director, Sir William Jackson Hooker, in 1847, it was cited as a public repository for ‘all kinds of useful and curious Vegetable Products, which neither the living plants of the Garden nor the specimens in the Herbarium could exhibit’.

Raw materials are housed in the Collection, alongside objects ranging from jewellery, musical instruments and an array of dyes and medicines. Many of these items were acquired by Kew during the peak of colonial expansion, with the majority dating from around 1847 to 1930. Kew staff are currently working with indigenous cultures and partner institutions to ensure that traditional crafts, such as the use and manufacture of Tapa (Pacific barkcloth), are being kept alive and in some cases revived in the communities where they first originated.

EcBotWoodColln_IMG_5764_hero_web.jpg

Economic botany wood collection samples

The Mobile Museum Project.

In parallel with this research and outreach, Kew’s Museum of Economic Botany has recently embarked on a project called The Mobile Museum: Economic Botany in Circulation. This is, in effect, where the Royal Botanic Gardens Kew, Library, Art & Archives and Biodiversity Heritage Library comes in.

As part of the Mobile Museum project, Kew is digitising and making available online through BHL the Collection’s “Entry and Exit books”. These huge tomes each consist of thousands of entries made by Kew staff over the years, listing every specimen either sent out from or sent in to the Museum of Economic Botany from 1847 right up to the present day. Each book is in the process of being scanned and uploaded to BHL, and the project team, including a number of dedicated volunteers, are working hard to transcribe each page so that there will be both a physical and digital record of these unique and invaluable logbooks. This data transcription is initially being entered into searchable Excel spreadsheets, which will then be transferred into an Access database and raw data files from this will be available to download from the project website.

The existing Kew Economic Botany Database will also be enhanced, with all objects located in other institutions being added. This will mean that interested parties will soon be able to search not just for objects currently in the collection, but also objects that were once at Kew and are now housed elsewhere.

The first of these books, which is now freely available on BHL, is entitled “Specimens Distributed” and spans from 1881 to 1901. It is a fascinating continuous record of specimens, materials and artefacts that were sent from Kew to over 1000 institutions worldwide, including other botanic gardens, schools and universities and local museums.

SpecimensDistributed1881-1901_0057.jpg

The first page of records for Specimens Distributed, which includes entries for “fossil leaves” and “petrified woods”

Specimens distributed.

The first thing that I noticed when researching this blog, as I skimmed through the hundreds of pages of handwritten entries, was just how many plant parts the Museum of Economic Botany held. On first thought, you may think of a few important parts of a plant that could be held in this sort of collection – bark, petals, seeds, stems or similar. But what struck me was the sheer scope of plants and all their various facets that were collected – resins, gums, fibers, bulbs, fruits, roots, pods, pulps, rubbers, even galls (a kind of benign growth on the external tissue of some plants, usually a reaction to parasites or bacteria).

As I browsed the book, I became engrossed in 6 pages in particular entitled November 14th 1887 – Sir James Paget, Royal College of Surgeons – A large collection of specimens of vegetable morphology.

SpecimensDistributed1881-1901_0203.jpg

Page 147 of Specimens Distributed, showing the beginning of the distribution list for Sir James Paget at the Royal College of Surgeons

Sir James Paget.

As I looked over these pages, I noticed that words such as “undeveloped”, “abnormal” and “malformation” were preceding plant names or plant parts. It occurred to me that the plants being described had possibly been collected due to their interesting morphological or biological anomalies – and they were being sent out, maybe for further investigation, to Sir James Paget at the Royal College of Surgeons. This name rang a vague bell, so I did a little research.

Sir James Paget is considered one of the most outstanding medical researchers of the 19th century and is known as the father of British pathology. He described diseases including Paget’s disease of the bone and Paget’s disease of the nipple, and throughout his career he stressed how vital science research was for medical practise.

Interestingly, Paget was a close friend of Charles Darwin, who helped his medical research by sharing thoughts and musings. Darwin also sent Paget books, including a book that he wrote on earthworms, prompting this response from Paget: “It seems to me the best that ever you have written in showing the splendid and great truths that may be found in common things”.

Sir-James-Paget.jpg

Sir James Paget, the father of British pathology (Credit: The Paget’s Association)

The next chapter.

As part of the Mobile Museum Project, Kew are also in the process of digitising the Museum of Economic Botany’s “School Letter Books”. These are logbooks containing hundreds of letters of correspondence between the Museum of Economic Botany and schools across the UK – the first book spanning from 1877 – 1894. These letters are mainly requests from teachers and lecturers who asked Kew for educational objects and samples, either to use as teaching aids or to help establish their own small collections.

The Economic Botany Collection at Kew has a rich and varied history that spans over three centuries. By making these unique books available online through BHL, we hope that more people can make use of the fascinating information held within them that has been so meticulously recorded throughout the years.

 

April 26, 2018by Joel Richard
BHL News, Blog Reel

Chicago Botanic Garden’s Lenhardt Library Receives over $200,000 to Digitize Language of Flower Books for BHL

illustration with a portrait of a woman surrounded by flowers

The Lenhardt Library of the Chicago Botanic Garden has received over $200,000 from a National Endowment for the Humanities (NEH) grant awarded to the Chicago Horticultural Society for the conservation and digitization of 62 rare and unique “language of flower” books published in the 19th century. The Lenhardt Library has been a BHL Affiliate since 2014.

Over the next three years, the volumes will be conserved and digitized by expert staff at the Northeast Document Conservation Center.  The charming books with colorful illustrations of flowers, bouquets, and floral poetry will be subsequently uploaded to the Biodiversity Heritage Library where they will be freely available to a global audience for research and enjoyment.

Want to get a sneak peek of some of the books that will be digitized as part of this grant? Explore a selection of titles below.

book with light binding and imprint of woman on cover

Hooper, Lucy. The lady’s book of flowers and poetry; to which are added, a botanical introduction, a complete floral dictionary, and a chapter on plants in rooms. New York: J.C. Riker, 1845. To be digitized from the collection of the Lenhardt Library of the Chicago Botanic Garden and added to the Biodiversity Heritage Library as part of a recent NEH grant. Image credit: Leora Siegel.

illustration with a portrait of a woman surrounded by flowers

Hooper, Lucy. The lady’s book of flowers and poetry; to which are added, a botanical introduction, a complete floral dictionary, and a chapter on plants in rooms. New York: J.C. Riker, 1845. To be digitized from the collection of the Lenhardt Library of the Chicago Botanic Garden and added to the Biodiversity Heritage Library as part of a recent NEH grant. Image credit: Leora Siegel.

Hooper, Lucy. The lady’s book of flowers and poetry; to which are added, a botanical introduction, a complete floral dictionary, and a chapter on plants in rooms.
New York: J.C. Riker, 1845.

Lucy Hooper (1816-1841), an American poet, combines botany and poetry in this work. She describes specific flowers through poetry and presents scientific concepts, organizing flowers by species, and includes a practical guide to growing houseplants and a “Botanical Introduction” based on Linnaean taxonomy.

book with red binding and imprint of gold flowers

Osgood, Frances Sargent, editor. The floral offering, a token of friendship. Philadelphia: Carey and Hart, 1847. To be digitized from the collection of the Lenhardt Library of the Chicago Botanic Garden and added to the Biodiversity Heritage Library as part of a recent NEH grant. Image credit: Leora Siegel.

Osgood, Frances Sargent, editor. The floral offering, a token of friendship.
Philadelphia: Carey and Hart, 1847.

Frances Sargent Osgood (1811-1850), author of The Floral Offering, was an influential American female writer and prolific contributor to the leading periodicals of the day, a published poet, and author of Puss in Boots.

a book with a blue, white, and red cover that reads "the floral fortune teller"

Edgarton, Sarah Carter. The floral fortune-teller: a game for the season of flowers. Boston: A. Tompkins, 1847. To be digitized from the collection of the Lenhardt Library of the Chicago Botanic Garden and added to the Biodiversity Heritage Library as part of a recent NEH grant. Image credit: Leora Siegel.

Edgarton, Sarah Carter. The floral fortune-teller: a game for the season of flowers.
Boston: A. Tompkins, 1847.

One of the earliest complete American floral fortune telling books, Floral Fortune-teller combines poetry and flowers of different colors to answer questions. Popular literature such as this offered women a publishing outlet during a time of a male dominated printing industry.

Congratulations to the Lenhardt Library on this amazing news, and we can’t wait to see the books in BHL.

See the awards press release from the National Endowment for the Humanities.

The National Endowment for the Humanities: Exploring the human endeavor.

Any views, findings, conclusions, or recommendations expressed in this email, do not necessarily represent those of the National Endowment for the Humanities.

April 23, 2018by michelle.underhill
Page 5 of 15« First...«4567»10...Last »

Help Support BHL

BHL's existence depends on the financial support of its patrons. Help us keep this free resource alive!

search

About BHL

The Biodiversity Heritage Library (BHL) is the world’s largest open access digital library for biodiversity literature and archives. BHL operates as a worldwide consortium of natural history, botanical, research, and national libraries working together to digitize the natural history literature held in their collections and make it freely available for open access as part of a global “biodiversity community.”

Join Our Mailing List

Sign up to receive the latest news, content highlights, and promotions.

Subscribe Now

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 319 other subscribers

Subscribe to Blog Via RSS

Subscribe to the blog RSS feed to stay up-to-date on all the latest BHL posts.

Access RSS Feed

Inspiring Discovery through Free Access to Biodiversity Knowledge.

The Biodiversity Heritage Library makes it easier than ever for you to access the information you need to study and explore life on Earth…for free, anytime, anywhere.

 

64+ Million Pages of
Biodiversity Literature Online.

EXPLORE

Tools and Services
to Transform Research.

EXPLORE

300,000+
Illustrations on Flickr.

EXPLORE

ABOUT | HARMFUL CONTENT | PRIVACY | SITE MAP | TERMS OF USE