All posts tagged with birds

Not many birds bedazzle as thoroughly as the adult male Painted Bunting. No matter how many you’ve seen or how often, every one remains a source of startlement, whether it is emerging shyly from a Florida thicket, swaying on a heavy grass halm in the deserts of Arizona, or chewing steadily at a feeder in snowy Massachusetts. This, the most gaudily colored bird north of Mexico, is guaranteed to create a stir.

That stir was even greater three hundred years ago, when European natural historians first confronted this novel beauty. So colorful was the bird that the first scientists to describe it believed that it must be native to regions even more exotic than America. Eleazar Albin, in the notes accompanying his or his daughter Elizabeth Albin’s 1737 engraving of the species, reported that the bird had been brought to England from China for the pleasure “of a curious Gentleman” (Albin 1738). A dozen years on, Linnaeus, having failed to find the bird described or depicted in the handbooks available to him, diagnosed it as a new species, which he inscrutably named Emberiza ciris, and determined that with so brightly colored a plumage, the specimens could have come only from India (Linnaeus 1750).

With the benefit of nearly three centuries’ hindsight, such wild geographic speculation was strictly speaking unnecessary. As early as the 1720s, the natural historian Mark Catesby had seen, drawn, and described the Painted Bunting in southeastern North America, an account that he published in London in 1729 (Catesby 1729).

Recently, we spent three weeks on student placement at Museums Victoria Library and were fortunate enough to be involved with the digitisation of the beautiful title The birds of Norfolk & Lord Howe Islands and the Australasian South Polar quadrant by Gregory M. Mathews. It was an eye-opening experience, making us aware of the patience and attention to detail that is a necessity for book digitisation.

The beautiful lithographs produced by Elizabeth Gould show lively birds of all shapes and colors performing mating displays, protecting their young, and interacting with their environments. A far cry from the dead-bird-on-stick approach to book illustration of the 18th century and prior, Elizabeth’s birds are reminiscent of the more dynamic figures depicted by John James Audubon; in fact, distinguished ornithologist Prideaux John Selby proclaimed “I like [Elizabeth’s illustrations] as well as Audubon’s.”

Vanity, an art installation by Joseph Gregory Rossano created for and with the support of the Museum of Glass (MOG) in Tacoma, Washington, tells the story of eleven species and subspecies, presumed extinct, presented through the lens of humanity’s role in their demise. The exhibition features historical accounts detailing each species’ “discovery” (collection date, type locality, collector, scientific illustrations, etc.), humanity’s role in its extinction, and the year it was declared “Extinct”. To produce these species tales, Rossano collaborated with Sandra I. Berríos-Torres, MD. Berríos-Torres served as author of the 11 historical accounts and as Editorial Director of the exhibition catalogue, on behalf of Joseph Gregory Rossano.

The Biodiversity Heritage Library was a crucial resource for Berríos-Torres. Consulting dozens of publications in BHL while conducting research for Vanity, she ultimately cited 16 of them in the historical accounts that were incorporated into the exhibition and catalogue.

As an early work in the history of Linnaean taxonomy, Beredeneerde catalogus van eene, by uitstek fraaye en weergaalooze verzameling, zoo van inlandsche als uitheemsche vogelen, viervoetige en gekorvene dieren (i.e. Vroeg’s Catalogue, 1764) by Adrian Vroeg is the source of dozens of new species of birds. Published just six years after the 10th edition of Linnaeus’ Systema Naturae — considered the starting point of zoological nomenclature — the work is extremely rare, with only a handful of copies known to exist worldwide.

Because of the work’s age and rarity, first-hand access to the title has been difficult, and many researchers have had to rely on secondary sources for Vroeg’s names, which may have introduced errors or even overlooked the priority of a name established by Vroeg.

“It is absolutely rare that the scientific community gets access to such an early work in which new names were established after 1758,” explains Dr. Francisco Welter-Schultes of the Zoological Institute of Göttingen University in Germany. “Imagine being able to finally view an original spelling of a name that might not have been verified for more than 100 years. Generations of scientists never reliably saw the correct spellings of these names.”

The passenger pigeon’s demise is one of the most infamous examples of human-caused extinction. Once the most abundant bird species in North America, it was hunted relentlessly, with large-scale commercial hunting facilitated by railroad distribution placing excessive pressure on the species. The population declined from billions to none in less than one hundred years.

The last passenger pigeon, Martha, died at the Cincinnati Zoological Garden at about 1pm on September 1, 1914.

While stories of passenger pigeon flocks blackening the skies underscore the species’ once staggering abundance, its distribution was concentrated in the eastern United States. But could there have been resident populations in the western U.S.?

Passenger pigeon bones uncovered from the La Brea Tar Pits in Los Angeles, California inspired Dr. Libby Ellwood to ask this very question and embark on a research project empowered by the Biodiversity Heritage Library’s collections.

More volumes from the Wilson Ornithological Society are now on BHL!  Spanning back to 1893, the publications The Wilson Bulletin and The Wilson Journal of Ornithology are a great example of the kind of legacy literature that distinguishes BHL.

The Wilson Ornithological Society is the second largest ornithological society in North America. The organization of professional scientists and dedicated amateurs is named for Alexander Wilson, known as the “Father of American Ornithology”.

The Wilson Journal of Ornithology is a quarterly peer-reviewed journal that replaces its predecessor, The Wilson Bulletin. BHL had previously added some earlier public domain volumes of The Wilson Bulletin, but was able to expand the collection thanks to the Expanding Access to Biodiversity Literature (EABL) project, funded by the Institute of Museum and Library Services. The Wilson Ornithological Society granted permission to share these titles on BHL with a 5-year embargo on the most recently published volumes, so that now BHL has The Bulletin from 1894-2005 and The Journal from 2006-2010.