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  • Featured Books
    • All Featured Books
    • Book of the Month Series
    • BHL at 20
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    • Garden Stories
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    • Page Frights
    • Her Natural History
    • Earth Optimism 2020
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Biodiversity Heritage Library - Program news and collection highlights from BHL
Blog Reel, Featured Books

Earth Day 2021: Exploring Earth’s Biodiversity through Books

background of yellow, white and red flowers with text "Happy Earth Day 2021"

Since its inaugural event on 22 April 1970, Earth Day has grown into an international annual celebration of the Earth and a movement to raise awareness about and support for environmental protection. This year’s theme, Restore Our Earth, emphasizes that, “As the world returns to normal, we can’t go back to business-as-usual.” As we face widespread climate change and unprecedented biodiversity declines—with one million species threatened with extinction—immediate, online access to essential literature is ever-more important, allowing scientists to conduct research more quickly and efficiently and improving our ability to respond to these crises. For fifteen years, the Biodiversity Heritage Library (BHL) has worked as a global consortium to provide this vital access, empower research, and make a real difference in our ability to improve the health of our planet for every species that calls it home.

This year, several of our global partners have selected a few titles from the BHL collection to commemorate Earth Day. From exploring Asia’s vast and unique biodiversity to inspiring conservation through a popular publication on birds, providing practical methods for conducting surveys and using the data to support conservation practices, and marveling at the extraordinary biodiversity of past ages, these titles highlight the richness of our planet’s biodiversity and remind us of the importance of protecting the wonderful, wild, and beautiful life on Earth.

Asian Biodiversity: An Essential Contributor to Our Beautiful Earth

By Zheping Xu, Xuejuan Chen, and Tian Jiang (National Science Library, Chinese Academy of Sciences)

Biodiversity is essentially everywhere, ubiquitous on Earth’s surface and in every drop of its bodies of water [1]. Biodiversity conservation makes great contributions to the restoration of the earth.

As a continent with the largest area and the most population, Asia holds vast biodiversity, from the equatorial region to the Arctic area, and from the coast of the western Pacific to the borders of Europe and Africa. Here, we introduce several books that review Asian biodiversity, from mammals and insects to some distinctive species from the continent.

Mammals of Eastern Asia (1947) is the first general work on mammals of eastern Asia [2]. The book’s carefully prepared chapters and fine original pen sketches are interesting, useful and invaluable to the amateur as well as the professional zoologist regarding the habitats, relationships, life histories and idiosyncrasies of the widely diversified faunas.

Map of Eastern Asia and pen sketches of some mammals.

Map of Eastern Asia and pen sketches of some mammals. Source: Tate, G. H. H. (George Henry Hamilton). Mammals of Eastern Asia. 1947. Contributed in BHL from MBLWHOI Library.

Cerambycidae of Northern Asia (1988) describes the morphology, geographic distribution, and biology of cerambycid beetles in Northern Asia of four sub­families (Prioninae, Disteniinae, Lepturinae, and Aseminae), comprising 124 species. Many cerambycid species are invasive pests of environmental concern, causing severe damage to forests and crops. Long-term field investigations were conducted on the composition and biology of cerambycids in different parts of northern Asia. Tens of thousands of larvae, pupae, and adult insects were raised in the laboratory for experiments. Keys to taxa of the family Cerambycidae based on different developmental stages are presented in this work for the first time. This book provides important information for informing broad theoretical principles and in resolving practical problems of pest infestation in forests.

Cerambycidaes: adult insects with their larvas and pupas.

Cerambycidaes: adult insects with their larvas and pupas. Source: Cherepanov, A. I. (Aleksei Ignatevich). Cerambycidae of Northern Asia. 1988. Contributed in BHL from Smithsonian Libraries and Archives. CC-BY-NC-SA.

Asia is home to endemic and highly distinctive focal species. Tracking tigers (Published in 1998) gives a comprehensive overview of the wild status of the Tiger, Asian Elephant, Gaur and Banteng in Indochina. On this basis, it recommends future survey and management needs, and provides background discussion on issues to be addressed by national action plans. The Philippines’ fauna is characterized by large numbers of endemic and highly distinctive species. During the 1980s, the extent of rain-forest habitat destruction became apparent and underscored the need for extensive and detailed documentation of biological diversity to guide development and conservation for the benefit of both wildlife and the human population of the Philippines. The Mammals and birds of Camiguin Island, Philippines, a distinctive center of biodiversity (published in 2006) presents studies of Camiguin Island, a small island province in the Philippines and an ideal natural laboratory in which to investigate many aspects of the evolution and conservation of biological diversity.

photo of a tiger and illustration of green and red birds and brown rodents

Left: The tiger in Indochina. Source: Duckworth, William and S. Hedges. Tracking tigers. 1998. Contributed in BHL from Smithsonian Libraries and Archives. CC-BY-NC. Right: “Two species of mammals and one species of bird live only on Camiguin Island: Apomys sp. ([…] center left), Bullimus gamay ([…] lower right), and Loriculus sp. ([…] upper center). The distinctive volcanic peaks of Camiguin form the background.” Source: Heaney, Lawrence R. The Mammals and birds of Camiguin Island, Philippines, a distinctive center of biodiversity. 2006. Contributed in BHL from University Library, University of Illinois Urbana Champaign. CC-BY-NC-SA.

Biological species in Asia are important components of Earth’s biodiversity. Biodiversity is closely related to human well-being, but human activities caused rapid changes in biodiversity over the past decades. To restore our Earth, we must identify and assess drivers of biodiversity loss, including habitat change, climate change, invasive alien species, overexploitation, and pollution [1].

[1] Duraiappah, A. K., Naeem, S., Agardy, T., Ash, N. J., Cooper, H. D., Diaz, S., Faith, D. P., Mace, G., McNeely, J. A., Mooney, H. A., Oteng-Yeboah, A. A., Pereira, H. M., Polasky, S., Prip, C., Reid, W. V., Samper, C., Schei, P. J., Scholes, R., Schutyser, F., & Van Jaarsveld, A. (2005). Ecosystems and human well-being: biodiversity synthesis; a report of the Millennium Ecosystem Assessment. World Resources Institute. http://www.millenniumassessment.org/documents/document.354.aspx.pdf.

[2] -S., T. Mammals of Eastern Asia. Nature 161, 188 (1948). https://doi.org/10.1038/161188e0.

Our Southern Birds and Emma Bell Miles: Inspiring Appreciation for and Protection of Birds

By Tomoko Y. Steen, Ph.D. and Alison Kelly, MLIS (Science, Technology & Business Division, Library of Congress)

Illustrated book cover featuring two birds and title "Our Southern Birds"

Cover. Miles, Emma Bell. Our Southern Birds. Copyright 1919. Contributed in BHL from Library of Congress.

Emma Bell Miles (1879-1919) was a talented artist, writer and naturalist whose writings reflect her love of the Tennessee mountains where she spent most of her life. In Our Southern Birds, copyrighted in 1919, she recorded her detailed observations and knowledge of the birds of Appalachia, an area that had received little attention in the popular publications on birds until that time. Through this and her other works capturing the essence of natural life in the Southern mountains, Emma Bell Miles drew attention to the importance of preserving biodiversity and habitat.

colored illustration of a bird, fox sparrow, brown with blue head and cream belly sitting on branch with green leaves

Fox sparrow. Miles, Emma Bell. Our Southern Birds. Copyright 1919. Art by Miles. Contributed in BHL from Library of Congress.

In the introduction to this, her last book, she stated:

…while the scientific study of birds is beyond most of us, yet an intimate understanding of them and their ways is within reach of everyone, and may enrich life with a new depth of interest… Go out alone in early morning, keep the sun at your back, be careful to do nothing that will startle these timid creatures, and see what you will see.

Our Southern Birds includes many beautiful illustrations by Miles, who, as a young woman, left her home in the mountains to study art in St. Louis. Plagued by homesickness for the mountains, she returned to Appalachia after two years and married a mountaineer. Their marriage was a difficult one, marked by poverty and illness, and she was often the sole supporter of the family by selling her writings, art and poetry.

Written for all levels of readers, this engaging book will appeal to anyone with an interest in birds. Part of the genius of Emma Bell Miles’ work is that she succeeds in presenting not only a careful description of over 100 birds and their habitats, but captures the individual personalities and demeanor of any given species through words and pictures. Her desire to recruit readers to active birdwatching is shown in the inclusion of blank pages for recording observations.

black and white illustration of a bird, chuckwill's widow, hiding within foliage

Chuckwill’s widow. Miles, Emma Bell. Our Southern Birds. Copyright 1919. Art by Miles. Contributed in BHL from Library of Congress.

“Shadows from the Past,” the final chapter of the book, mentions several species that are extinct or close to extinction. “Let the disappearance of these winged lives from their one-time haunts lead us to set a higher value on those that remain,” she writes. In poetic language she goes on to describe the tragic extinction of the passenger pigeon, concluding with an appeal that we can learn from the past: “…it is not too late to learn from the mistakes of our fathers, and though we have lost some valuable species, we may yet save others that are following these to extinction”.

In celebration of Earth Day we want to shine a light on Emma Bell Miles, whose skills in observing and recording the natural world around her will inspire readers to appreciate and preserve biodiversity in their own special place on Earth.

Environmental Evaluations Using Birds and Their Habitats

By Samantha Lindgren (University Library, University of Illinois Urbana-Champaign)

A blue and white bird sitting on a birdhouse roof with a background of trees.

A female Belted Kingfisher. Courtesy of Tyler Ingram, CC BY-NC-ND.

In their 1976 book, Environmental Evaluations Using Birds and Their Habitats, Jean and Richard Graber offer practical methods for surveying birds in Illinois with the purpose of curating data for environmental impact statements. Published as one of the Illinois Natural History Survey’s Biological Notes, the book details the data they have collected from these methods, including bird populations and habitat acreage. Throughout the book are also tables, graphs, and images supporting their methods and findings. While the book was published 45 years ago, it came at a time when concerns for environmental protection was just beginning to affect change, and it remains relevant in its advocacy for environmental conservation and restoration.

Earth Day 2021’s theme is Restore Our Earth. This theme resounds throughout the book in details of habitat surveying and restoration. As the authors posit, Illinois is a large state with diverse habitats and niches, some of which are difficult to redevelop once they are threatened. The authors discuss seven categories of gross habitats found throughout the state: forest, shrub, marsh, residential, grassland, small-grain fields, and row-crop fields. Some of these habitat types are more specific to regions of Illinois than others—such as natural marshes occurring most frequently in northeastern Illinois—however each mention comes with information on habitat replacement cost (the time required for restoration of a habitat or community), acreage data, and associated flora and fauna. Alongside this information, the authors also describe their experimental surveying methods. Through these factors, the authors garner concern for habitat conservation and restoration.

black and white aerial photo

“Fig. 8 – Aerial photograph showing a portion of the experimental impact area used to test the method presented in this paper.” Graber, Jean W. and Richard R. Environmental evaluations using birds and their habitats. 1976. Contributed in BHL from University Library, University of Illinois Urbana Champaign. CC BY-NC.

The methods discussed for collecting data on bird populations garner this concern as well. As the authors state, “…in the conservation of species we must be concerned for the welfare of all the populations that comprise the species” (11). In the context of this book, this means assigning a fair value to birds when applying an avifaunal index during surveying. However, this sentiment can be applied to Earth Day 2021 as well; in the restoration of our Earth, we must be concerned with the welfare of all aspects of Earth. Moreover, the authors supplement discussions of how and why to collect data on bird populations by speaking in-depth about the derivation of their models, and using them in practice. In this way, the authors are not only advocating for conservation and restoration, they are also providing tangible means to implement conservation and restoration practices.

Environmental Evaluations Using Birds and Their Habitats is a great representation of how to turn concern for Earth’s restoration into meaningful action, and should serve as an example that all levels of skills and fields of interest can be utilized to help Restore Our Earth.

Description of the Skeleton of an Extinct Gigantic Sloth

By Cat O’Carroll (Natural History Museum Library & Archives, London)

Side-view of the skeleton of the Mylodon robustus

Plate One. Side-view of the Mylodon robustus. Owen, Richard. Description of the skeleton of an extinct gigantic Sloth, Mylodon robustus, Owen, with observations on … Megatherioid quadrupeds in general. 1842. Contributed in BHL from the Natural History Museum Library & Archives.

In the year 1841, a discovery by M.Pedro de Angelis in Argentina unearthed the skeletal remains of a long extinct species……

Following on from the theme of Earth Day 2021 to Restore Our Earth, and raising issues of climate change, I’ve reflected on a title which highlighted a once extraordinary species which used to roam the earth, Description of the skeleton of an extinct gigantic Sloth, Mylodon robustus, Owen, with observations on … Megatherioid quadrupeds in general by Richard Owen (1842).

Owen, once curator at the Hunterian Museum, Royal College of Surgeons, was later in his career put in charge of the British Museum (Natural History) collections. As a result, he campaigned that a new building was needed to house the ever-expanding collections, which later built in 1881, became the Natural History Museum (NHM) in London as we know it today.

After exhuming the finds of the Mylodon robustus, it was then purchased by the Royal College of Surgeons and shipped over to London. In November 1841, it arrived in many pieces and fragile, in need of much restoring. Fossils discovered by Charles Darwin indicated several species of large quadrupeds had become extinct in South America. Owen compares descriptions of fossil remains of the Mammalia, which were collected by Charles Darwin during the voyage of the Beagle and accounted in The zoology of the voyage of H.M.S. Beagle … during the years 1832-1836.

Side-view of the skull of the Mylodon robustus, natural size

Plate Two. Side-view of the skull of the Mylodon robustus, natural size. Owen, Richard. Description of the skeleton of an extinct gigantic Sloth, Mylodon robustus, Owen, with observations on … Megatherioid quadrupeds in general. 1842. Contributed in BHL from the Natural History Museum Library & Archives.

Megatherium (so named and described by Cuvier, 1795), discovered in the 18th century, was shipped to the Museo Nacional de Ciencias in Madrid. However, if you happen to walk down Fossil Way at the Natural History Museum today, you cannot miss the full Megatherium skeleton cast which stands on display. In terms of scale, Owen compares some of the bones of the Mylodon to that of Megatherium and a full-sized elephant.

Comparison of certain bone size between Mylodon, Megatherium and an Indian Elephant

Comparison of certain bone size between Mylodon, Megatherium and an Indian Elephant, page 176. Owen, Richard. Description of the skeleton of an extinct gigantic Sloth, Mylodon robustus, Owen, with observations on … Megatherioid quadrupeds in general. 1842. Contributed in BHL from the Natural History Museum Library & Archives.

The Life of Richard Owen (1894), by his Grandson Rev. Richard Owen, summarizes how Owen was puzzled by the habits of these extinct creatures: “Their teeth showed, by their simple structure, that they lived on vegetable food, and probably on the leaves or tender twigs of trees”. It was hard to see how, like sloths today, they could possibly adapt to climbing trees given their sheer size and weight. Owen conjectured that they may have pulled the branches down from the trees instead of climbing them. Mylodon was also furnished with a “long tongue like a giraffe’s, which would help it to reach its leafy food”.

Upper, or anconal surface of the bones of the left fore-foot

Plate Fifteen. Upper, or anconal surface of the bones of the left fore-foot. Owen, Richard. Description of the skeleton of an extinct gigantic Sloth, Mylodon robustus, Owen, with observations on … Megatherioid quadrupeds in general. 1842. Contributed in BHL from the Natural History Museum Library & Archives.

The NHM Library & Archives holds a large collection of natural history drawings and original artworks amongst its collections. In November of 2019, the Images of Nature Gallery saw the installation of George Johann Scharf’s (1786-1860) watercolour drawing of a Megatherium on full display. Completed in 1842, this one drawing comprises of fourteen sheets approximately 2463 x 5745 mm which Scharf completed for Owen. A MEGA task in itself!

George Johann Scharf (1786-1860) Watercolour drawing of a Megatherium. N.p., 1842.

George Johann Scharf (1786-1860). Watercolour drawing of a Megatherium. N.p., 1842. Print. From the Library and Archives, Natural History Museum, London.

April 22, 2021by michelle.underhill
Blog Reel, Campaigns, Her Natural History

Graceanna Lewis: A Naturalist and Abolitionist

Black and white portrait of a person wearing glasses.

This post originally published on the Smithsonian Libraries and Archives’ blog, Unbound.

“To her mind the truths of science seem revealed.”

That’s how Phebe A. Hanaford, author of Daughters of America (c. 1882), described naturalist Graceanna Lewis, one of the first three woman to be accepted into the Academy of Natural Sciences. But Lewis was not only one of the first professionally acknowledged women naturalists; she was also an abolitionist and social reformer who worked for the advancement of science as well as human rights. Researchers can find many publications by and about this intriguing woman in the Smithsonian Libraries and Archives’ Digital Library and the Biodiversity Heritage Library.

Born in 1821, Lewis benefitted from an egalitarian Quaker upbringing, one that encouraged education in daughters as well as sons. Lewis told Hanaford that she learned to love natural history from her mother, Esther Lewis. Esther had been a teacher before marriage and continued to educate her own young children, sending her daughters to nearby Kimberton Boarding School as they grew. There, Graceanna was influenced by Abigail Kimber, a woman botanist who had discovered and identified several species. In 1842, Lewis’ uncle, Dr. Bartholomew Fussell, started a new boarding school for girls, and Lewis came on board as a teacher. She taught astronomy and botany, among other subjects.

Black and white portrait of a person wearing glasses.

Portrait of Graceanna Lewis. The Underground Rail Road (1872). Digitized by Smithsonian Libraries and Archives.

From her family, Graceanna Lewis inherited not only an interest in science and education but also a deep concern for social issues. Uncle Bartholomew was an active abolitionist, and the family formed a local auxiliary of the American Anti-Slavery Society. The Lewis sisters, Graceanna, Mariann and Elizabeth, were profiled in William Still’s The Underground Rail Road (1872), which described them as “among the most faithful, devoted, and quietly efficient workers in the Anti-slavery cause”.

One of Graceanna’s earliest publications, written in the 1840s, was “An Appeal to Those Members of the Society of Friends Who Knowing the Principles of the Abolitionists Stand Aloof from the Anti-Slavery Enterprise”. It implored fellow Quakers to join the Anti-Slavery movement. The Lewis farm in Pennsylvania became a frequent and successful point on the Underground Railroad, described in detail by Still. The family helped transport those seeking freedom and provided clothes and supplies.

Eventually, Lewis moved away from the family farm to Philadelphia. She had studied birds and other natural sciences on her own, but this move allowed her to take advantage of the specimen and library collections at the nearby Academy of Natural Sciences, and it propelled her into a network of naturalists. In 1862, she met John Cassin, ornithologist and curator of birds at the Academy. Cassin had written, with George N. Lawrence and the Smithsonian’s own Spencer Baird, The Birds of North America (1860), a work Lewis found particularly inspiring.

Cassin would be an invaluable friend and mentor to Lewis, even naming a bird for her, Icterus graceannae, the White-edged oriole. Lewis also corresponded frequently with Baird for years, seeking advice and asking for copies of Smithsonian publications. In 1870, the year after Cassin’s death, Lewis became one of the first three women admitted as members to the Academy.

Icterus graceannae, black and yellow bird.

Icterus graceannae, or white-edged oriole, Plate XI. Ibis. Series 5, Volume 1. No. 1-4. (1883). Contributed in BHL from Smithsonian Libraries and Archives.

Lewis had channeled her interested in ornithology into her first scientific publication, Natural History of Birds : lectures on ornithology, in ten parts (1868). It was intended as an inexpensive overview of American birds for a general audience. In it, she also proposed a new classification scheme based on embryology, the characteristics of eggs. Unfortunately, only the first part was published, as funding for the remaining nine was never secured. She continued to research and publish on birds, alongside the leading naturalists of her time. Her articles in The American Naturalist, “The Lyre Bird” (August 1870) and “Symmetrical Figures in Birds’ Feathers” (November 1871) are available in the Biodiversity Heritage Library.

Lewis’ interests and publications grew beyond ornithology, into the classification of natural history and a “tree of life”, which she exhibited at the Centennial Exhibition in 1876. The Development of the Animal Kingdom (1877), available in the Biodiversity Heritage Library, is a twenty-page overview of her theories. It was prepared for the fourth meeting of the Association for the Advancement of Women. The group was formed in 1868 with the goal of presenting practical methods for improving women’s role in society, including education on a variety of subjects. Unsurprisingly, Lewis was active on the group’s Committee on Science.

Cover, The Development of the Animal Kingdom (1877)

Cover. The Development of the Animal Kingdom. (1877). Contributed in BHL from Smithsonian Libraries and Archives.

Lewis told Phebe A. Hanaford in 1882, “I feel that my life’s work is before me, in lecturing on zoology to girls just blooming into womanhood”. For the next twenty years, Lewis continued to teach and write about various natural history topics. Her article “On the Genus Hyliota”, discussing the distinction of two rare African birds, was published in The Annals and magazine of natural history in 1883. Her social reform interests turned to temperance and suffrage, serving stints as secretary for her local chapter of the Women’s Christian Temperance Union and suffrage association.

Graceanna Lewis died in 1912 in Media, Pennsylvania at the age of 90. Her contributions to both science and social progress leave a remarkable and inspiring legacy.

Further Reading

Baird, Spencer Fullerton, John Cassin and George N. Lawrence. The Birds of North America (1860).

Baird, Spencer Fullerton. Spencer Fullerton Baird Papers. Record Unit 7002. Smithsonian Institution Archives.

Bonta, Marcia. “Graceanna Lewis, Portrait of a Quaker Naturalist”. Quaker History, Volume 74, Number 1, Spring 1985, pp. 27-40.

Hanaford, Phebe A. Daughters of America (1883).

Lewis, Graceanna. “An appeal to those members of the Society of Friends who knowing the principles of the abolitionists stand aloof from the anti-slavery enterprise”. [between 1840 and 1849?].

Lewis, Graceanna. The Development of the Animal Kingdom (1877).

Lewis, Graceanna. “The Lyre Bird”. The American Naturalist (August 1870), pp 321.

Lewis, Graceanna. “On the genus Hyliota”. The Annals and magazine of natural history, Series 5, Volume 12, No. 67, pp. 210-212.

Lewis, Graceanna. “Symmetrical Figures in Birds’ Feathers” . The American Naturalist (November 1871), pp. 675-678.

Lewis-Fussell Family Papers, SFHL-RG5-087, Friends Historical Library of Swarthmore College.

Still, William. The Underground rail road (1872).

Truitt, James. “Digitizing the Papers of Graceanna Lewis, Ornithologist and Activist”. Cassinia. No. 77 (2017-2018), pp. 40-41.

Warner, Deborah Jean. Graceanna Lewis, scientist and humanitarian (1979).

March 30, 2021by Pedro Gonzalez Fernandez
Blog Reel, Featured Books

The Life and Work of Robert Alexander Gilbert: Empowering New Insights through Digitization and Transcription of Archival Materials

Black and white photo of a group of people standing on the porch of a log cabin.

This post is part of a series from the Ernst Mayr Library exploring the digitization and transcription of ornithologist William Brewster’s archival materials and the insights and scholarship made possible thanks to this work.

Black and white photo of a group of people standing on the porch of a log cabin.

Robert A. Gilbert, far right, at William Brewster’s cabin at Pine Point, Umbagog Lake, Maine. From the collection of the Museum of American Bird Art, Massachusetts Audubon Society and reproduced with their permission.

Robert Alexander Gilbert (1870-1942) was a Black photographer interested in ornithology and chemistry who worked for ornithologist William Brewster from the mid 1890s until Brewster’s death in 1919 and at various tasks around the Museum of Comparative Zoology (MCZ) at Harvard University beyond 1919. He was an Associate of the American Ornithologists’ Union.

Gilbert was not officially recognized for his photographic work with William Brewster, although Brewster did not claim credit for all the images in his collection. It was assumed that Brewster took all the photographic prints bequeathed to the Ernst Mayr Library and Archives of the MCZ (EMLA) upon his death. However, while conducting research for a book, author John Hanson Mitchell, former editor of the Massachusetts Audubon Society’s (MAS) Sanctuary magazine, discovered over 2000 of Brewster’s glass plate negatives in the attic of a building owned by the MAS. One of the images in particular, a photograph of a young, well-attired Black man standing in front of a rustic cabin in the wilderness, captured his interest. Mitchell was curious as to the identity of this young man. Later, in the mid-1970s, Mitchell had a chance encounter with an Archives Assistant at the MCZ who suggested to him that all of Brewster’s photographs were, in fact, taken by Brewster’s assistant, a young Black man named Robert Gilbert. This piqued Mitchell’s interest and launched his journey to discover more about Gilbert.[1] The quest culminated with the publication in 2005 of Mitchell’s Looking for Mr. Gilbert: the Reimagined Life of an African American. In 2014 an e-book edition was published as well.

Mitchell’s publication helps provide new insight into Robert Gilbert’s life and work. Brewster’s journals and diaries, now digitally available on the Biodiversity Heritage Library (BHL), are also valuable records attesting to Gilbert’s contributions in a variety of areas. While only a handful of Brewster’s photographs in the MCZ collection can be positively attributed to Gilbert, it is clear that Gilbert was with Brewster for photo sessions during the years they worked together. The photographic relationship between Brewster and Gilbert is intriguing. There is new enthusiasm to examine Brewster’s journals and diaries more closely now that they are digitized and being transcribed, to clarify Gilbert’s role in photographic collaboration with Brewster. As a result of identifying connections between the collections in the Museum of American Bird Art at the Massachusetts Audubon Society and the EMLA, a cooperative research project is underway.

Robert Gilbert was born and raised in the rural town of Natural Bridge, Virginia, in the valley of Broad Creek. In 1886, at the age of 16, he moved to Boston, Massachusetts where he would reside for the remainder of his life. Gilbert had an assortment of odd jobs during his first ten years in Boston, including working as a laboratory assistant for Dr. Arthur P. Chadbourne of Harvard Medical School, an amateur ornithologist and acquaintance of William Brewster. The records are unclear as to the actual year, but sometime between 1895 and 1897, work in Chadbourne’s lab slowed down and he recommended Gilbert to Brewster, who was in need of a temporary assistant to help him set up his personal bird museum. Gilbert met with Brewster, who showed him his extensive specimen collection and the tasks at hand, and for the next ten weeks Gilbert helped Brewster establish his new museum on the grounds of his home in Cambridge, MA. Afterward, Gilbert returned to working for Dr. Chadbourne, but shortly thereafter the laboratory experiments were completed whereupon Brewster hired Gilbert as his full-time assistant.[2] Brewster’s first mention of Gilbert in his journals is in his entry for March 31, 1897.

Black and white photograph of a brick house.

Brewster’s museum on the grounds of his home in Cambridge, MA. From the collection of the Ernst Mayr Library of the Museum of Comparative Zoology, Harvard University. Call number bBr 97.70.12.19.

It is clear from Brewster’s diaries and journals that the tasks performed by Gilbert in Brewster’s employ were many and varied. Glover M. Allen, Curator of Mammals at the MCZ, described Gilbert as “Mr. Brewster’s trusted assistant, looking after innumerable details at his museum or his camp, doing everything from photographic work to preparing and serving meals, and always with a quiet dignity and devotion that never for a moment failed.”[3] Gilbert quickly became Brewster’s right-hand man as evidenced by the innumerable references to him from 1897 to 1919 in his diaries and journals. Here are a few examples:

Journal, June 8, 1897. As a field assistant, note Gilbert’s observational skills and attention to detail as he documents the behavior of a Whistler Duck for Brewster:

“Gilbert who had been to the boat for his breakfast came to relieve me and to keep guard while I had mine. It was arranged between us that if the Whistler began taking out her young while I was absent he would shout a few times to let me know of the fact. I had just finished breakfast when I heard this signal and jumping into the St. Lawrence skiff rowed as hard as I could pull for the nest but as soon as I came in sight of it I knew I was too late for Gilbert was standing up in his boat and paddling slowly towards the tree. Here is his account of what happened during my absence: At 6.45 the old Duck appeared at the entrance (the lower hole) to the nest where she sat for five minutes moving her head continually and looking about in every direction included within her field of vision; then she sank back out of sight reappearing at the end of a minute and looking about as before for another five minutes. At the end of this second period of observation she flew down to the water and swam around the stub three times clucking and calling. On completing the third round she stopped directly under the hole and gave a single loud call or cluck when the ducklings at once began scrambling up to the entrance from the nest and dropping down to the water falling on top of one another. In other words the brood literally poured out of the nest much as shot would fall from one’s hand. One or two hesitated or paused for an instant reaching the mouth of the hole but the greater number toppled out over the edge as soon as they appeared. All used their tiny wings freely beating them continuously as they descended. They did not seem to strike the water with much fear.”

Journal, November 5, 1897. Bird observations reported to Brewster: “Gilbert counted fourteen Chickadees in one flock on Ball’s Hill this morning. With them was a Downy, two Tree Sparrows & two Juncos. He also saw five Black Ducks passing over the meadows at evening.”

Journal, March 24, 1898. Work at Brewster’s cabin in Concord, MA: “Spent the forenoon clearing out the path behind the hill, Gilbert helping me.”

Diary, March 6, 1909. Photographic work: “Lizzy Fuller came over at 8 P.M. She with C. & E.R.S. [Caroline and Elizabeth R. Simmons] spent evening in Museum where I showed them about 100 lantern slides that Gilbert has just made.”

Diary, January 9, 1918. Work in Brewster’s museum: “Gilbert is now going through the collections in search of Anthrinae [Anthrenus] & other insect pests. Thus far he has found traces of them in the cans only.”

In the 1890s Brewster was earnestly transitioning from collecting bird specimens with his shotgun to field observation and photography. He had, in Robert Gilbert, an assistant knowledgeable in ornithology and capable with photography and photographic processing. It is unfortunate that in the Ernst Mayr Library collection of over 1,700 of Brewster’s photographic prints, only six have an inscription on the verso stating that the photograph was taken by Robert Gilbert. Below are two such photographs:

Black and white photograph of a stone wood-house in the woods.

From inscription on verso: “Wood-shed, Hemlock Grove, Concord, Mass., April 1904, taken by R.A. Gilbert.” From the collection of the Ernst Mayr Library of the Museum of Comparative Zoology, Harvard University. Call number bBr 97.70.7.23.

Black and white photograph of a garden.

Brewster’s garden. From inscription on verso: “Garden, Cambridge, Mass. July 30th 1904. Taken by R. A. Gilbert.” From the collection of the Ernst Mayr Library of the Museum of Comparative Zoology, Harvard University. Call number bBr 97.70.12.59.

It is possible that many other photographs were taken by Gilbert, but we don’t know for sure. There are a number of occasions recorded in Brewster’s writings where it is clear that Brewster himself was doing the photography. In his journal entry for May 18, 1897, for example, Brewster writes:

“I visited the Hermit’s nest in the Brown clearing taking five photographs of it. The [female] was on the nest and for a Hermit sat very closely allowing me to set up the camera & focus on her at a distance of about 4 ft. but gliding away just as I was about to expose a second plate. She would not return to her eggs, however, while the camera was in position although I waited for her nearly an hour.”

Whether or not Gilbert was taking the picture, it is clear that he played a major role assisting with various aspects of Brewster’s photography. Inscriptions on the verso of photographic prints reveal that Gilbert owned darkroom apparatus and copied glass plate negatives to make prints. In a journal entry dated May 29, 1897 Brewster writes: “In the forenoon I took several photographs (with Gilbert’s help) in the gulf at the head of Great Island and along the western shore of the Sweat Cove.” Though Brewster was taking the pictures, Gilbert was assisting in some fashion.

It is evident that Gilbert was an invaluable assistant and friend who greatly facilitated Brewster’s ornithological accomplishments. Gilbert remained in Brewster’s employ until the latter’s death in 1919. Brewster arranged for the MCZ to hire Gilbert upon his death, another attestation to Brewster’s high regard for him.

There is little on record describing Gilbert’s tasks at the MCZ, but the Annual Report of the Director sheds some light. In the Report of the Director for 1931/1932 Thomas Barbour writes: “Robert Gilbert, aided by several young men, has done excellent work in rearranging some of the exhibition halls.” In the 1933/1934 Annual Report Glover Allen writes in his Report on Mammals: “In the ever-present work of cleaning skulls and skeletal material French and Gilbert have latterly borne a helpful hand, developing some skill.” Were Gilbert doing similar tasks today, he would likely be given the title Curatorial Assistant in the MCZ. Barbour’s report intimates that, among many other skills, supervision and at least familiarity with exhibit design properly belong on Gilbert’s resume. No doubt, Gilbert’s work in Brewster’s museum prepared him well for his tasks in the MCZ.

Gilbert worked at the MCZ until his death in 1942. In his 1941/1942 Director’s report, Barbour provided the following tribute:

“On January 7, 1942 Robert A. Gilbert died. For years before he came to the Museum he had helped Mr. Brewster in many ways and his sterling personal characters of integrity, affection, courtesy, and loyalty made him not only a [sic] honor to his race but one who was proud to do everything which he did as well as he could do it, and who was beloved by us all.”

Robert Gilbert’s many talents as well as his passion, curiosity and integrity enriched Brewster’s life and pursuits. It is evident that he brought these same qualities to his work at the MCZ.

The Ernst Mayr Library is actively transcribing the digitized journals, diaries and correspondence of William Brewster, enabling full-text searching of these resources in the Biodiversity Heritage Library. It is our hope that this will facilitate digital scholarship and further interest in the life and work of Robert Gilbert. In the next blog post we will discuss this transcription work.

References

[1] Mitchell, John Hanson. 2005. Looking for Mr. Gilbert: The Reimagined Life of an African American. Washington, DC: Shoemaker.

[2] Mitchell, John Hanson. 2014 e-book edition. Looking for Mr. Gilbert: The Unlikely Life of the First African American Landscape Photographer. New York, New York : Open Road Distribution.

[3] Allen, Glover M. 1942. Obituaries. Robert A. Gilbert. The Auk 59.3: 467. JSTOR. Accessed on 25 January 2021. https://www.jstor.org/stable/4079251.

February 23, 2021by michelle.underhill
Blog Reel, Campaigns, Earth Optimism 2020, Featured Books

Nature Conservation and William Brewster: Insights From a Lifetime of Scientific Observations

This post is part of a series from the Ernst Mayr Library exploring the digitization and transcription of ornithologist William Brewster’s archival materials and the insights and scholarship made possible thanks to this work.

Black and white photo of a man sitting on the doorstep of a log cabin in the woods.

A black and white photograph of William Brewster sitting on the front doorstep of his cabin in Concord, Ma. The small, one-story log cabin is set in a hillside and surrounded by small trees and shrubs. The back of the photograph has the note: “Concord, Mass. May 20, 1892.” (Ernst Mayr Library Special Collections, call no. bBr97.70.7.)

The Ernst Mayr Library and Archives of the Museum of Comparative Zoology (MCZ), Harvard University, holds a unique and extensive collection of photographs, letters, manuscripts and field notes of William Brewster, a prominent ornithologist/naturalist of the late 19th and early 20th centuries. His published work is lauded as providing authoritative and novel additions to ornithology.

Brewster published more than 300 ornithological papers and several books which are widely available in academic and research libraries. He was the first president of the Massachusetts Audubon Society and was a founding member of the Nuttall Ornithological Club, out of which grew the national organization, the American Ornithologists’ Union. Brewster served as President of the American Ornithologists’ Union from 1895 to 1898, and the organization has awarded a medal in Brewster’s name since 1921.

Brewster’s ornithological studies covered the United States, although he worked most extensively in New England. Brewster was a Curator of Ornithology in the Harvard University Museum of Comparative Zoology from 1885 to 1902, continuing to work in the MCZ until his death in 1919. He deposited his bird specimen collection in the MCZ and his associated works such as his journals, diaries, correspondence and some photographic works in the Ernst Mayr Library & MCZ Archives. Brewster’s extensive specimen collection, in combination with his large body of published work, secures his place in ornithological history.

In 2012, the Ernst Mayr Library began digitizing Brewster’s journals, diaries, letters, and photographic prints. Many have been digitized as part of the CLIR-funded BHL Field Notes Project. To date, virtually all of Brewster’s more than 60,000 pages of notes, correspondence and images have been digitized and nearly 10,000 pages of the handwritten notes and diaries have been transcribed. All materials are in the process of being deposited in the Biodiversity Heritage Library, with more than half of the collection, including all of the journals and diaries, now available. The materials have been collated into the William Brewster Papers Collection.

Brewster kept journals and diaries, mostly devoted to his birding activities, for 54 years from the time he was 14 until he died in 1919. These written records afford us a glimpse into the daily inner workings of this scientist’s mind. The Ernst Mayr Library is fortunate to have his full set of journals and diaries, most of his correspondence and some of his photographs and glass negatives. This is indeed a treasure trove of information, now made more accessible as it is digitized and made openly available in BHL. This collection is more than a record of changing landscapes, bird lists, temperature and weather recorded for each day of writing. It shows us how Brewster developed his ideas, how he thought about the world, and how his thinking changed through his life. In his later correspondence with Frank Chapman (a then-young ornithologist that Brewster mentored into a more mature career), they debated about and revised how to do science with less killing of birds.

handwritten page from a field notebook.

Excerpt of a letter from Frank Michler Chapman to William Brewster. 15 June 1890. Contributed in BHL from the Harvard University, Museum of Comparative Zoology, Ernst Mayr Library.

“This miserable collecting. It is the cause of all higher failing, it lowers a true love of nature through a desire for gain. I don’t mean a specimen here and there, but this shooting right and left, this boasting of how many skins have been made in a day or season. We are becoming pot-hunters. We proclaim how little we know of the habits of birds and then kill them at sight. Sometimes I am completely disgusted with our ways and myself in particular… I long for an outing where the gun will be secondary, recorded observations primary, where I shall be entirely alone or with a companion whose object is my object … The question with me is, how am I going to change this?… Will you embark with me on a novel ornithological expedition, whose aim shall be to really observe birds to learn something of them. Where the gun shall be a servant, not a master, where days may pass without a skin being made, where there will be time to speculate and discuss the habits of birds observed, where systematic observation of certain phaenomena may be attempted.” 15 June 1890, Correspondence, Frank Michler Chapman to William Brewster.

Brewster’s detailed, long-term observations and notes are the key to his published contributions to ornithology and are a unique resource. His diaries, journals and correspondence are a gold mine of unpublished observations, journal notes, sketches, weather reports, specimen lists and travel narratives: these records are primary source data at its most raw and unevaluated. Historical collections of field notes may be the only documentation of a scientist’s thought processes, ideas and observations, particularly if only some of the writer’s material was ever published.

Brewster documented local environmental changes and gradual declines in number and presence of bird species over many years. He was concerned about vanishing wildlife, urbanization and landscape changes. He talked about ecological succession before the concept was officially published.

handwritten page from a field notebook.

Excerpt of a page from William Brewster’s 1896 journal, in which he documents the impact of roadwork on local wildlife. Contributed in BHL from the Harvard University, Museum of Comparative Zoology, Ernst Mayr Library.

“Where the road passes through the woods … the roadworkers last May cut away the mountain maples, [cornels] and other shrubs and low trees that made such a beautiful border to the forest clearing in their places a broad belt of bare rocks half covered with the fallen brush wood. This deed of vandalism was performed while I was here and at the time I feared that years must elapse before Nature, with all her diligence, could repair the injury. I underrated her powers for already this thicket of road is, if anything, more beautiful than ever. Fire weed, Eupatorium, Impatiens, Asters, Golden rod and several other tall and rank flowering plants have shot up through and almost perfectly concealed the unsightly brush and stone heaps and I have rarely seen a more brilliant or attractive display of wild flowers.” 15 August 1896, Lake Umbagog, Maine, Journals of William Brewster

Brewster helped develop legislation to discourage excessive hunting and the use of feathers in women’s hats, although at the same time advocating for the continued, but regulated, collection of scientific specimens. His conservation work led him to become the first president of the Massachusetts Audubon Society. The photographs and negatives from the collections chronicle landscape changes through time. Brewster’s growing concerns about the killing of wildlife, even for scientific purposes, can be seen developing in his field notes and correspondence.

handwritten page from a field notebook.

Excerpt of a page from William Brewster’s 1907 journal, which captures his transition from collecting bird specimens with his shotgun to field observation and photography. Contributed in BHL from the Harvard University, Museum of Comparative Zoology, Ernst Mayr Library.

“If he would become really familiar with the wood folk and their ways, let him go among them unarmed and in a spirit of peace and loving kindness towards them all. Then he will learn many things which the bearers of guns do not know and cannot be made to believe.” August 1907, Journals of William Brewster.

The availability of Brewster’s notebooks enhances contemporary studies and makes the entire research cycle of this scientist’s work available for analysis by historians of science, scientists, social scientists and humanists or anyone interested in the process of discovery, by creating a richer and more interactive history of science resource. Brewster’s careful observations enable comparisons of his birding lists with contemporary observations (100 years plus later), helping to document environmental changes that might not be evident otherwise.

References

Emmet, Alan. November-December 2007. William Brewster: Brief life of a bird-lover 1851-1919. Harvard Magazine. https://harvardmagazine.com/2007/11/william-brewster-html

Meyer, Elizabeth. April 5, 2018. From ‘Shotgun Ornithology’ to nature conservation: scientific stories and data from the field notes of William Brewster. https://blog.biodiversitylibrary.org/2018/04/from-shotgun-ornithology-to-nature-conservation-scientific-stories-and-data-from-the-field-notes-of-william-brewster.html

Meyer, Elizabeth. April 6, 2017. Notes from William Brewster: The evolving field of zoology. https://blog.biodiversitylibrary.org/2017/04/notes-from-william-brewster-evolving.html

Meyer, Elizabeth. September 9, 2016. Notes from William Brewster: Ecological change in the Maine woods. https://library.mcz.harvard.edu/blog/notes-william-brewster-ecological-change-maine-woods

Mitchell, John Hanson. 2014 e-book edition. Looking for Mr. Gilbert: The Unlikely Life of the First African American Landscape Photographer. New York, New York : Open Road Distribution.

Mitchell, John Hanson. 2005. Looking for Mr. Gilbert: the Reimagined Life of an African American. Washington, D.C. : Shoemaker & Hoard : Distributed by Publishers Group West

Randall, Patrick. June 5, 2014. Transcribing the field notes of William Brewster. https://blog.biodiversitylibrary.org/2014/06/transcribing-field-notes-of-william.html

Rinaldo, Constance, Linda Ford and Joseph deVeer. 2018. Museum, library and archives partnership: Leveraging digitized data from historical sources. Poster presentation at Society for the Preservation of Natural History Collections, August 2018, Dunedin, New Zealand.

Sears, M. 2020. Celebrating Robert Gilbert. Ernst Mayr Library Blog post: https://library.mcz.harvard.edu/blog/celebrating-robert-gilbert

February 22, 2021by michelle.underhill
Blog Reel, Featured Books

The Untold Story of Virginia and José Correia: Scientific Explorers in Search of Rare Birds

collages illustrations of various bird heads and feet

Digitization projects often shed light on stories hidden in plain sight. This is the story of a husband-and-wife team that served as field collectors for the American Museum of Natural History from 1912–1945¹. They were American immigrants who came from humble beginnings, dreamt of a new life, and found one.

•     •     •

Photo collage of the Correia’s and their travels.

Photo collage of the Correia’s and their travels. Bryan, E. H. (1924) (photographer). Journal of Edwin H. Bryan, Jr. while with the Whitney Expedition of the American Museum of Natural History on the schooner France. Contributed in BHL by the American Museum of Natural History Library. Digitization sponsored by the Council on Library and Information Resources as part of the BHL Field Notes Project.

José and Virginia Correia are one of history’s most prolific bird collecting teams. For over three decades, they participated in many scientific exploring expeditions for the American Museum of Natural History, including the Whitney South Sea Expedition from 1922 to 1926.²

Although the published literature is scant regarding their scientific contributions, their story is certainly worth telling. Described by The Standard-Times (New Bedford) as a “life reading like fiction”,³  their work has emerged from obscurity with the digitization of José’s field notes from the Whitney South Sea Expedition (1920–1941) as part of the BHL Field Notes Project funded by the Council on Library and Information Resources (CLIR). Now audiences far and wide can enjoy this quintessential American story of two immigrants propelled by fate, hard work, and a sincere desire to improve one’s lot in life.

Black and white photo of a man and a women with light skin, dark hair, dressed in early 19th century clothes.

“Virginia and José Gonsalves Correia,” Unknown (photographer). Department of Ornithology Archives, AMNH, accessed September 3, 2020.

From José’s journal entries, we learn what daily life for a field collector was really like. Traveling to exotic locales, encountering Indigenous cultures, and sampling undiscovered flora and fauna might sound alluring, but José’s private notes reveal the harsh realities of turn-of-the-century collecting expeditions.

black and white photo of a schooner at sea.

Whitney South Sea Expedition schooner, the France, in the waters of Tuamotu, 1922. Beck, Rollo Howard, 1870–1950 (photographer). AMNH Research Library | Digital Special Collections, accessed November 1, 2020.

The work was hard and the days were long aboard the schooner France. Work typically commenced at dawn in the field and ended at dusk preparing specimens.⁴ Only exceptionally rugged individuals who were able to endure constant and extended deprivations — mind and body — could make such journeys.

Two people in a canoe.

Mr. and Mrs. Correia are in a canoe ready to start back to Pukapuka from Motu Koe, facing S.W., toward the S.E. bay of the lagoon. Bryan, E. H. (1924) (photographer). Journal of Edwin H. Bryan, Jr. while with the Whitney Expedition of the American Museum of Natural History on the schooner France. Contributed in BHL by the American Museum of Natural History Library. Digitization sponsored by the Council on Library and Information Resources as part of the BHL Field Notes Project.

As if these daily irritations weren’t enough, extreme weather in the form of cyclones, gale force winds, and rogue waves provided plenty of near-death experiences.

“…we ran into the center of a strong cyclone on June 2nd. Everybody in the ship thought that they were never going to see land again, but God did not forget us in the middle of the furious ocean.” June 19, 1926, J. Correia.⁴

Four years and 12,000 miles later, the Correia’s had the misfortune of contracting malaria, effectively ending their service aboard the France in 1926.⁶ But the Whitney South Sea Expedition wasn’t their first field collecting trip, nor would it be their last. They would go on to explore some of the most remote places on Earth.

Illustration of a map with several aquatic locations highlighted.

The American Museum of Natural History collecting expeditions took the Correias all over the globe.⁷ Ford, Jacqueline. (2020) Datawrapper: Create Charts and Maps [Software]. Available from https://www.datawrapper.de/.

It’s clear why the Correias continued to endure the hardships of collecting life. Not only did they believe birds held important keys to understanding the natural world, they had become a part of the scientific community who knew that time was running out. Their efforts were likely to be humanity’s only shot at cataloging, describing, and studying unknown bird species.

Black and white portrait of a man in a suit and tie.

Dr. Robert Cushman Murphy [Photograph]. (1860). Retrieved from https://ark.digitalcommonwealth.org/ark:/50959/g158bt570.

José’s fateful friend, Robert Cushman Murphy, Curator of the American Museum of Natural History’s Ornithology Department, describes the moral imperative driving the Whitney South Sea Expedition:

“That it is high time for such an expedition to obtain examples of the Polynesian life is evidenced by the decrease in the population of birds and other animals at nearly all of the inhabited isles. For many years extinction has been approaching, and it is well known that certain kinds of birds secured by 18th century naturalists, have long since been wiped out of existence.”⁸

In one of Murphy’s more personal memoirs, A Logbook for Grace, he tells of his first collecting expedition in 1911, working as a field collector on a brig named the Daisy. It’s here that we get a first glimpse of a young José who enlisted as the Antarctic voyage’s cooper — the liquid-tight barrels made under his charge were crucial to the operation, transporting whale spermaceti back to America.

A small Cooper’s Howell plane with a Stanley #3 plane blade.

A small Cooper’s Howell plane with a Stanley #3 plane blade. Note on bottom: “Made on board the New Bedford Whaling Ship, brig DAISY in 1912 during the South Georgia Trip by IS (sk), Cooper José G. Correia.” Correia, J. G. (1912). Cooper’s Howell plane [Photograph]. New Bedford Whaling Museum | Grimshaw-Gudewicz Reading Room and Archives.

Aboard the Daisy, the two men would become fast friends discussing everything from Arabian Nights to the Papacy. Murphy describes José as “profound” and a “voracious reader”⁹ and came to rely on the cooper’s help after realizing his natural drawing aptitude and skill for specimen preparation:

“One day when Dr. Murphy was preparing bird specimens Mr. Correia offered to help. His first attempt was so good that Dr. Murphy placed it in his collection and sought help again and again from the ship’s cooper.”¹⁰

collages illustrations of various bird heads and feet

Correia’s field note illustrations, now available on the Biodiversity Heritage Library. Correia, J. [Illustration](1930–1941). Whitney South Sea Expedition of the American Museum of Natural History, v. 2. Contributed in BHL by the American Museum of Natural History Library. Digitization sponsored by the Council on Library and Information Resources as part of the BHL Field Notes Project.

In 1913, Correia was sought out by the American Museum of Natural History to work as a collector and preparateur on their next expedition after his friend, Mr. Murphy, showed officials at the American Museum Correia’s fine work.³

Black and white photo of two men working in a bird specimen preparatory setup.

“A workshop discussion: José G. Correia (left) with bird specimens aboard the France, Tuamotu [1920–1940],” Beck, Rollo Howard, 1870–1950 (photographer). AMNH Research Library | Digital Special Collections, accessed November 1, 2020. https://images.library.amnh.org/digital/index.php/items/show/60749.

From Humble Beginnings

Before embarking on scientific expeditions, José worked as a whaling cooper (where he met Murphy) and a textile worker. In fact, between stints with the American Museum of Natural History, he would unassumingly return to work as an operative at Kerr Mills of the American Thread Company in Fall River, Massachusetts. When asked by fellow workers where he had gone, he would smile and simply reply “just away.”¹⁰

black and white photo of a textile mill weave room.

“Textile mill weave room. New Bedford, 1920”. Thomas, J., Sualniers, A., White, N., McCabe, N., & Avila, J. (Eds.). (2016). A Picture History of New Bedford (Vol. 2). Spinner Publications, Inc.

Correia’s humility came from memories of a very impoverished childhood. In his writings, he remarks that shoes were a luxury, reserved to be worn only “on feast days.” He was born in 1881, in Flamengos, a rural agrarian town on Faial, one of the nine islands in the Azorean archipelago. Like many Azorean youth, he had heard stories of America’s greatness from the Baleeiros (Azorean whalers), and he dreamed of the fabled land of opportunity.¹¹

At the age of 19, he left Faial and found warm welcome in New Bedford, Massachusetts, a burgeoning port city with a booming textile industry. The only thing José brought with him to America was a new suit, a sack of clothing, and his knowledge.¹¹ From his father, he had learnt the precise art of barrel-making and was taught the value of respect, dignity, and hard-work. These characteristics would serve him well throughout his life and helped him deal with both opportunity and tragedy. When he married Virginia in 1920, he was already a widower, having lost his first wife Rosa Silva in 1906 with whom he had one daughter, Mary.¹

Black and white photo of a woman with short dark hair, wearing glasses, holding a bird.

“Virginia Correia”, Unknown (photographer). Department of Ornithology Archives, AMNH, accessed September 3, 2020.

Of Virginia Correia (née Aguiar), considerably less is known. Born in 1900 in Lajes, Terceira, Azores, she also immigrated to New Bedford at a young age.¹² Certainly she was a dedicated wife, joining her husband on difficult field expeditions and suffering all the aforementioned discomforts these journeys entailed.

Acting as her husband’s field assistant, she trained and became quite adept at the delicate art of preserving specimens. Character details can be gleaned from José’s journals, where he cites her as source of consistent strength and support. For example, during the Whitney South Sea Expedition, José and expedition lead, Rollo Beck, had seething enmity towards one another. José felt greatly disrespected by Beck and thought that the entire crew had turned against him under his influence. With a touch of sadness, he privately wrote, “The only person whom I can count on to help me is my wife. As for the others, I cannot rely on them.”

Nine years after his last expedition to South America20, a 73-year old Correia attended a party in New Bedford’s South End that would be his last. He was stricken by a heart attack and died on 26 April 1954.¹¹ Virginia would live out the rest of her life in their shared New Bedford home at 23 Harrison Street, passing in 1987.¹²

One million North Americans make up the Azorean diaspora — four times the current population of the islands.¹³ José and Virginia are representative of a distinctly intrepid sea-faring culture. In spite of ever-present danger, their adventurous spirit would take them to the farthest reaches of the globe. In that vein, the Correias would go on to build a dichotomous double-life: immigrant factory workers with intermittent scientific travels around the world in search of undocumented bird life.

black and white photo of a woman and a man standing in a garden outside of a house.

“Virginia and José posing outside their home at 23 Harrison street, New Bedford, Massachusetts”. Unknown (photographer). Department of Ornithology Archives, AMNH, accessed September 3, 2020.

Despite strong ties to their homeland, they always came back to America — the place that had given them a life that “read like a fiction.”

Preserving the Correia Legacy

Over the course of their career, the Correias collected more than 10,000 bird specimens.¹⁴ Their efforts, alongside other historic field collectors, would help the American Museum of Natural History build one of the largest ornithology collections in the world.¹⁵ While the collection of wildlife specimens is controversial today, no longer done at this scale, these historic collecting efforts have provided the scientific foundation and necessary physical records for effective description and study of a species’ biology.¹⁶

The Whitney South Sea Expedition was the most extensive bird collecting expedition ever conceived at its time.⁷,¹⁷ The expedition spanned two decades, covered roughly one-third of the planet, and brought back over 40,000 specimens to the American Museum of Natural History.¹⁸ The scientific bounty has greatly enriched our understanding of the natural biota from the Pacific region.

Notably, Ernst Mayr’s seminal argument for geography’s role in the origin of new species draws on the study of bird specimens gathered by the expedition.⁷ More than six decades later, Jared Diamond and Ernst Mayr’s book Birds of Melanesia would use the specimens gathered by the expedition to provide the most comprehensive study to-date on how speciation occurs (the process by which new and distinct species evolve).

Paul Sweet, American Museum of Natural History’s Ornithology Collection Manager, believes the number of specimens contributed by the couple could be far greater than is currently recorded due to poor labeling. Curation efforts are ongoing to improve data accuracy. One such effort is mentoring high school students to transcribe location data from crew field notes. Through these efforts, the France’s journey through the Pacific is being precisely charted, providing an interactive journey of species sightings. Explore the project here.

three people looking at an open drawer of green and red bird specimens

Regina Hashim (left) and Angelic Henry (right) inspect Blue-crowned Lorikeet specimens collected during the Whitney South Sea Expedition with AMNH ornithology collections manager Paul Sweet (center). Langas, A. (2019, June 6). A Treasure Trove of 40,000 Bird Specimens Brought to Light. Audubon. https://www.audubon.org/news/a-treasure-trove-40000-bird-specimens-brought-light.

Museum specimen collections are, in essence, great libraries of Life — still rich in discoveries waiting to be made and perhaps even holding the keys to understanding our current public health crisis.

“Museum collections contribute unique and invaluable insights to the study of pathogens, vectors of disease, and environmental contaminants. Moreover, these collections have played a crucial role in fields at the forefront of the biological sciences, including the study of biodiversity and its loss, biological invasions, and global climate change. We argue that the storage and maintenance of museum collections is inexpensive compared with the potential costs of their absence.”¹⁹

To honor the great personal sacrifices made by historic field collectors like José and Virginia Correia, the call is being made to support the ongoing maintenance and digitization of museum collections. Their enduring utility should not be forgotten in these uncertain times. Museums across the country are facing difficult decisions and budget shortfalls due to the COVID-19 pandemic, and the ongoing preservation and maintenance of these hard-won collections hangs in the balance.

•     •     •

black and white photo of a man and woman in expedition clothing standing in a jungle.

The Correias about to enter the heart of the African jungle. “New Bedford Man, Off On 4-year Expedition for Museum, Has Life Reading Like Fiction.” (1936, September 16). Standard-Times (New Bedford), p. 3.

If you would like to honor Virginia and José Correia’s life’s work, consider making a gift to BHL to ensure that the historic data contained in field notes and scientific publications are freely available to support ongoing research around the world. You can also support the ongoing maintenance of museum collections by donating to natural history institutions like the American Museum of Natural History.

Acknowledgements

This story was made possible by a CLIR Digitizing Hidden Special Collections and Archives Grant, which provided funding to the American Museum of Natural History (AMNH) and the Biodiversity Heritage Library to digitize the Whitney South Sea Expedition (1920–1941) field notes. A personal thanks to Grace Costantino, BHL’s Outreach and Communication Manager, and Erin Willigan for the opportunity to showcase this untold story. Thanks also to Paul Sweet, Thomas Trombone, and Mai Reitmeyer at AMNH for providing primary source materials, data, and most importantly, their time. To the librarians at the Peabody Essex Museum, the New Bedford Whaling Museum, and the New Bedford Free Public Library, who helped tracked down difficult to find newspaper articles and books, thank you.

References

[1] Shatzman, C. (2016, November 7). Correia, José G., 1881–1954. Retrieved October 10, 2020, from https://data.library.amnh.org/archives-authorities/id/amnhp_1000443.
[2] Correia, J. (1930–1941). Whitney South Sea Expedition of the American Museum of Natural History. The Biodiversity Heritage Library. https://www.biodiversitylibrary.org/bibliography/121444.
[3] New Bedford Man, Off On 4-year Expedition for Museum, Has Life Reading Like Fiction. (1936, September 16). Standard-Times (New Bedford), p. 3.
[4] Correia, J. (1930–1941). Whitney South Sea Expedition of the American Museum of Natural History. v. 2. The Biodiversity Heritage Library. https://www.biodiversitylibrary.org/item/214343.
[5] Mayr, E. (n.d.). Joining the Whitney expedition. Web of Stories. Retrieved October 30, 2020, from https://www.webofstories.com/play/ernst.mayr/13.
[6] Murphy, R. (1936). Oceanic birds of South America : a study of species of the related coasts and seas, including the American quadrant of Antarctica, based upon the Brewster-Sanford collection in the American Museum of Natural History. The Biodiversity Heritage Library. p. 6. https://www.biodiversitylibrary.org/page/12471284.
[7] American Museum of Natural History. (2019). American Museum of Natural History | Research Library | Authorities | Expeditions [Dataset]. https://data.library.amnh.org/archives-authorities/results/?q=recordId:*amnhc_2*.
[8] Beck, R. H. (1930–1941). Whitney South Sea Expedition of the American Museum of Natural History. The Biodiversity Heritage Library. https://www.biodiversitylibrary.org/page/52734313.
[9] Murphy, R. C. (1965). Logbook for Grace. Time, Inc.
[10] Local Mill Operative Also Is Bird Expert for Scientific Expeditions. (1941 July 6). Standard-Times (New Bedford),p. 7.
[11] Agostinho, J. (1952). Um Emigrante Acoriano Jose Goncalves Correia. Boletim Do Instituto Historico, no.10, 204–238. http://ihit.pt/codeigniter/assets/upload/pdf/e3a418659d67d6609e2e58e7210779cb.pdf.
[12] Shatzman, C. (2016, November 7). Correia, José G., Mrs, 1900–1987. Retrieved October 10, 2020, from https://data.library.amnh.org/archives-authorities/id/amnhp_1002477.
[13] Minder, R. (2015, June 4). Azorean Diaspora Can’t Resist the Powerful Pull of Home. The New York Times. https://www.nytimes.com/2015/06/05/world/europe/azores-diaspora-holy-christ-of-miracles.html.
[14] Search: Collector “Correia”. (2006). Retrieved October 10, 2020, from https://sci-web-001.amnh.org/db/emuwebamnh.
[15] Research: Ornithology | AMNH. (2020). American Museum of Natural History. https://www.amnh.org/research/vertebrate-zoology/ornithology.
[16] Newton, B. E. (2017, January 9). Is specimen collecting justified? Lateral Magazine. http://www.lateralmag.com/articles/issue-18/is-specimen-collecting-justified.
[17] American Museum of Natural History. (1923). Annual report of the American Museum of Natural History for the year. Biodiversity Heritage Library. https://www.biodiversitylibrary.org/item/137096.
[18] Giraldo, S. (2016, October 20). Mapping the historical biodiversity of the Solomon Islands with the American Museum of Natural History. CARTO Blog. https://carto.com/blog/mapping-solomon-islands/.
[19] Suarez and Tstutsi. (2004). The Value of Museum Collections for Research and Society. BioScience, 54(1), 66. https://doi.org/10.1641/0006-3568(2004)054[0066:TVOMCF]2.0.CO;2.
[20] Newell, G. (2020, January 8). Askoy Expedition (1941-1945). Retrieved 24 November, 2020, from https://data.library.amnh.org/archives-authorities/id/amnhc_2000430.

December 3, 2020by [email protected]
Blog Reel, Campaigns, Earth Optimism 2020

Birds Brought Back from the Brink

Large white bird with a yellow beak standing on a beach looking at the ocean.

April 2020 marks the 50th anniversary of Earth Day. Organizations around the world have commemorated the occasion by participating in the global Earth Optimism movement — an initiative spearheaded by the Smithsonian to “turn the conservation conversation from doom and gloom to optimism and opportunity”.

Throughout 2020, the Biodiversity Heritage Library (BHL) and our partners are joining the movement by sharing conservation success stories from and made possible by the BHL collection. Follow our blog for conservation stories — past and present — and visit our website for more information and to explore our Earth Optimism book collection.

———————

We often think of natural history libraries serving as memorials for lost species—animals like the passenger pigeon and the dodo living on only in books, photos, and illustrations that tell sad cautionary tales of once-abundant populations lost to overhunting or habitat destruction.

However, historic records also tell stories of hope, providing valuable resources for modern scientists working to protect threatened wildlife. Since it was founded in 2006, BHL’s historical documents have supported the work of conservationists devoted to saving everything from Caribbean mammals to rare wetland plants. Not only are accessible records that describe the historic ranges, populations, and other characteristics of a species essential for researchers, but they help remind the public of how vibrant historical ecosystems were—and the importance of protecting what is left.

“The real advantage of BHL is keeping our ecological memory intact, and not allowing us to collectively forget how beautiful, wild, and diverse ecosystems of the past were,” wrote historical ecologist Dr. Joshua Drew in a blog post from BHL’s 2020 Earth Optimism campaign. “If we succumb to this collective amnesia, we risk setting our conservation bar too low and allowing the dulling of our natural environments to continue without even recognizing our losses.”

As part of BHL’s Earth Optimism series, we’re sharing the conservation success stories of four bird species, all prominently featured in the BHL collection, whose impending losses were reversed through the efforts of concerned citizens and researchers.

Bald Eagle (Haliaeetus leucocephalus)

Large bird white a white head and brown body standing over a fish.

Plate [36], the Bald Eagle (Haliaeetus leucocephalus). Wilson, Alexander. American Ornithology, v. 4 (1811). Contributed in BHL from Smithsonian Libraries.

The United States’ emblematic bird was almost lost in the mid-20th century. The eagle officially made the nation’s symbol in 1782 and received special attention in early natural history texts documenting the country’s wildlife. Alexander Wilson (1766-1813), the first naturalist to publish a complete ornithology of North American birds, noted that they were, “as the adopted emblem of our country, entitled to particular notice.”

Overhunting caused the decline of bald eagle populations in the early 1900s. While the hunting of the birds was prohibited in 1940, the widespread use of the pesticide DDT—a chemical that collects in fish, a staple of the eagles’ diet—reduced their numbers to only 417 mating pairs in 1963. As researchers raised awareness of the eagles’ plight, conservationists rallied to save them, and bald eagles became some of the first species protected under the US Endangered Species Act of 1973. Since then, they have made an impressive recovery, thanks to the restriction of DDT use and reintroduction programs.

Wood Stork (Mycteria americana)

A large bird with a black head and feet and a white body standing on a sandy shoreline looking out at a pond. Green grass is behind the bird and in the pond, a branch extends from the water and two other birds sit on it.

Plate 44, the Wood Stork (Mycteria americana). Studer, Jacob Henry. The Birds of North America. 1895. Contributed in BHL from Smithsonian Libraries.

Populations of the wood stork plummeted in the late 20th century, until efforts to protect its delicate wetland habitat raised its numbers. In The Birds of America (1827 -1838), John James Audubon described wood storks (then known as wood ibises) as being “abundant in Florida and lower Louisiana” and wrote that he had seen flocks of thousands. By 1984, the once-populous wood stork was labeled as federally endangered. While the birds had previously nested primarily in Florida, changes to the hydrology in their habitat from the late 60s to early 80s had resulted in a significant decrease in their population, driving them north.

“By the 1970s, almost the entire population of wood storks were dependent on the nesting success that the birds had here,” said conservationist Charles Lane in an interview with the Oak Spring Garden Foundation. Lane is a leader of the ACE Basin Taskforce, which aims to protect the basin around South Carolina’s Ashepoo, Combahee and Edisto rivers—one of the largest undeveloped estuaries on the Atlantic coast.

A three-decade effort from Lane and other concerned landowners to restore and manage the ACE basin wetlands for wildlife caused a marked increase in wood stork populations. The basin now supports the largest concentration of wood stork nesting colonies in the nation, and the bird was removed from the endangered species list in 2014.

American White Pelican (Pelecanus erythrorhynchos)

Large white bird with a yellow beak standing on a beach looking at the ocean.

Plate 6, the American White Pelican (Pelecanus erythrorhynchos). The Cabinet of natural history and American rural sports, with illustrations. v.1 (1830). Contributed in BHL from Smithsonian Libraries.

Another wetland bird whose impressive size and curious appearance drew the attention of early naturalists, the white pelican was nearly lost in the mid-20th century, largely due to habitat degradation. The birds primarily breed on isolated islands located in the North American interior, and the use of pesticides, as well as the draining of wetlands, caused breeding populations to nosedive. However, the national ban on DDT in 1972—as well the implementation of more stringent environmental protection laws, including the US Endangered Species Act—resulted in a reversal of fortune for the birds. As of 2014, their population has increased roughly tenfold since the late 1960s, resulting in the species’ conservation status being changed from “endangered” to “threatened” in 2016 in Washington State. Along with the wood stork, they can be seen in South Carolina’s ACE Basin.

Bobolink (Dolichonyx oryzivorus)

two birds, one standing on the ground, another standing on a branch above the bird on the ground. The bird on the branch is brown. The one on the ground has a gold head, white back, and black body.

Plate 14, the Bobolink (Dolichonyx oryzivorus). Catesby, Mark. The natural history of Carolina, Florida and the Bahama Islands, v. 1 (1729-1732). Contributed in BHL from Smithsonian Libraries.

The distinctive characteristics of the bobolink have captured the attention of writers, artists, and scientists for centuries. Early colonists knew them as rice birds due to their annual descent on southern rice fields; in the Natural History of the Carolinas, Florida, and the Bahama Islands (1729-1747), Mark Catesby wrote that the male birds’ black-and-yellow plumage was “so singular and extraordinary . . . I cannot pass it over without notice.”

Long a fixture in hayfields and grasslands throughout the United States, the bobolink has declined by around 65% over the past several decades, largely due to the loss of their easily-developed habitat. However, as grassland bird conservationists work with landowners to change their land management practices, researchers have observed an increase in bobolinks in certain areas over the past few years. One of those regions is Northern Virginia, said Amy Johnson, Program Director at Virginia Working Landscapes.

“…Folks are setting aside that acreage to allow these birds to breed,” Johnson told the Oak Spring Garden Foundation. “I would say anecdotally that we’re seeing an increase in bobolinks in that area, right around Upperville.”

To learn more about how the Oak Spring Garden Foundation is working with other organizations to protect declining bird species, visit the OSGF blog.

October 29, 2020by Joel Richard
Blog Reel, Campaigns, Earth Optimism 2020

No Egrets: The Story of Fashion and Feathers Through Books

Black and white photo of a woman in a Victorian dress wearing an elaborate adorned with bird feathers. She stands in a forest.

April 2020 marks the 50th anniversary of Earth Day. Organizations around the world have commemorated the occasion by participating in the global Earth Optimism movement — an initiative spearheaded by the Smithsonian to “turn the conservation conversation from doom and gloom to optimism and opportunity”.

Throughout 2020, the Biodiversity Heritage Library (BHL) and our partners are joining the movement by sharing conservation success stories from and made possible by the BHL collection. Follow our blog for conservation stories — past and present — and visit our website for more information and to explore our Earth Optimism book collection.

———————

Feathers have been used in fashion throughout history, but the trend became more widespread from the late 18th century when the Industrial Revolution made luxuries more available to the masses. In the 19th century, new technology improved the speed of production and the millinery industry boomed [1]. Hats with feathers became a status symbol coveted by a new mass market and were produced on an industrial scale.

Birds were hunted around the world to supply plumes to centres of fashion such as London and New York. In 1886, American Museum of Natural History’s ornithologist, Frank Chapman, infamously observed on a walk in New York some 40 native bird species on women’s hats, some with an entire stuffed bird attached [2]. Indeed, women were oft blamed for the trend: in The Ibis in 1887 [3], women were pointed to as “the indirect, but real, instigators of this slaughter”. The author continues: “all that can be hoped for is that the freaks of feminine vanity may take some other and less harmful direction.”

The issue also arises in a letter [4] dated 1865 from ornithologist John Gould to Museum Victoria’s first director, Sir Frederick McCoy, who had previously written to Gould asking him to procure bird specimens for the burgeoning museum’s collections. In the letter, Gould ironically writes:

“The Ladies, the Ladies, have however, so stripped us of birds for their bonnets that but few are now in the market and these of course are high priced.”

Black and white photograph of a woman in Victorian dress with an elaborate hat adorned with bird feathers. She stands in a forest.

Photograph of Flo Tuckfield wearing a hat featuring a large plume of feathers in Merrigum, Victoria, circa 1910s. Credit: Lilian L. Pitts / Source: Museums Victoria, MV000061572.

While women were loudly condemned for their role in consuming feathers, they were also instrumental in the campaigns to raise awareness of the devastating effects of plume hunting on bird populations. For instance, in 1896 the American socialite and amateur naturalist Harriet Hemenway and her cousin Minna Hall led a boycott of feathered hats which attracted 900 participants and led to the formation of the National Audubon Society and passage of the Weeks-McLean Law (aka the Migratory Bird Act), which outlawed market hunting and the interstate transport of birds [5].

As documented by Herbert K. Job in his 1905 book Wild Wings [6], at the turn of the 20th century, an ounce of feathers was worth $32—almost twice as much as an ounce of gold. Job states that during 1902, over 1600 packages of heron plumes were sold at just one London auction house:

“A package is said to average in weight 30 ounces. This makes a total of 48,240 ounces. As it requires about four birds to make an ounce of plumes, these sales meant 192,960 herons killed at their nests, and from two to three times that number of young or eggs destroyed. Is it, then, any wonder that these species are on the verge of extinction?” (p.146)

In Australia, egrets, herons, lyrebirds, bowerbirds and emus were amongst the species targeted by plume hunters.

A brown bird with long, pink tail feathers illustrated on a grassy platform

Illustration of a lyrebird from An account of the English colony in New South Wales by David Collins (1804). Contributed in BHL by Museums Victoria.

Lyrebirds are ancient Australian animals: the Australian Museum in Sydney has fossils of lyrebirds dating back around 15 million years [7]. The Lyrebird reportedly came close to extinction in the early 1900s as it was hunted for its ornate tail feathers. In the 1911 publication, Pros and cons of the plumage bill, bird protectionist James Buckland states that “over 400 lyre-birds were killed in one district in a single season to supply the London plumage market” [8].

In 1901, the Australian Ornithologists’ Union (AOU) was founded to promote the study and conservation of the native bird species of Australia and adjacent regions. One of its members, Tom Tregellas, regularly camped out in a large hollow tree trunk over a period of seventeen years in Sherbrooke Forest, Victoria observing and photographing lyrebirds. Noticing a decrease in the population over time, he crusaded for the protection of lyrebirds and legislation was eventually passed to protect the birds.

The rapid decline of several species whose feathers were used in ladies’ fashion were seen during this period, and some bird species were not as fortunate as the lyrebird. The Huia of New Zealand was declared extinct in 1907, and it is also believed that the use of Great Auk feathers for down partially contributed to its extinction [9].

Periodicals, along with books and public lectures, were one of the key means of circulating information and inspiring action around bird preservation at that time. In volume seven of the journal of the AOU, The Emu, two articles by Australian ornithologist Arthur H. Mattingley are published side-by-side. In the first from November 1906 [10], Mattingley recounts a visit to the Murray River where he photographs egret and heron nests. In the second [11], written only a few weeks later, Mattingley returns to the same area and is horrified to discover that nearly one-third of the birds were killed, with the young left to starve in their nests.

Orphaned baby egrets at nests begging for food.

Photographs accompanying the article “Plundered for their plumes” by A.H. Mattingley, in The Emu, Vol.7 (1907). Contributed in BHL by American Museum of Natural History Library.

The second article, Plundered for their plumes, contains vivid photographs that caused quite a stir internationally. These photos are widely regarded as a tipping point in changing attitudes towards the use of feathers in fashion.

In England, the Royal Society for the Protection of Birds (RSPB) posted the photos on billboards and in shop windows, and in 1911 men carrying enlargements of the story patrolled the West End of London to protest the cruelty of wearing feathers. As a result, the story gained attention throughout the UK, as well as in Paris, Amsterdam, Italy, Spain, Denmark, Australia and the United States [12].

From this point on, the interest of amateur ornithologists changed from bird collection to identification. An Australian Bird Book, by John Albert Leach (1911), and Neville Cayley’s What Bird Is That? (first published in 1931) are two Australian publications that reflect this shift.

Collage of various birds illustrated in color.

Illustration from What bird Is That? by Neville Cayley (1947). Contributed in BHL by Museums Victoria.

Feathered hats did make a reappearance from the 1930s-1960s, but the decades after this saw hats lose popularity as they were no longer a standard item of women’s daywear. Worryingly, feathers have been making a comeback since clothing adorned with marabou and ostrich feathers appeared in a couture runway show in 2017, and PETA have been campaigning against the use of feathers in fashion ever since. The use of down in jackets is also a contentious issue today, and many major international brands have stopped selling down in favour of high-tech synthetics.

While mass market fashion continues to have serious environmental repercussions, this history shows that wide scale attitudinal shifts around such issues are possible. Efforts on this front, however, need to be widespread and sustained.

References

  1. Ehrman, E. (2018) Fashioned from nature, V&A Publishing, London, pp. 97-98.
  2. Callahan, D. (2014) A history of birdwatching in 100 objects, Bloomsbury, London, p.72.
  3. The Ibis (1887) Recently published ornithological works, Ser.5, Vol.5, no.20, p.458, viewed 27 February 2020. https://www.biodiversitylibrary.org/page/8521969.
  4. Letter from John Gould dated 20 December 1865, in Museums Victoria Archives, MV ARCHIVES – NATIONAL MUSEUM OF VICTORIA – Inwards Correspondence – 1863-1876 Gould, J., OLDERSYSTEM~02618.
  5. Souder, W. (2013) How two women ended the deadly feather trade, Smithsonian Magazine, viewed 27 February 2020. https://www.smithsonianmag.com/science-nature/how-two-women-ended-the-deadly-feather-trade-23187277/.
  6. Job, H. (1905) Wild wings; adventures of a camera-hunter among the larger wild birds of North America on sea and land, Houghton, Mifflin & Co, Boston, viewed 27 February 2020. https://www.biodiversitylibrary.org/item/48785.
  7. Boles, W. (2006) ‘The avian fossil record of Australia: an overview’, In: Merrick, J.R. et al. (eds.) Evolution and biogeography of Australasian vertebrates, auscipub, Oatlands, pp.387-411.
  8. Buckland, J. (1911) Pros and cons of the plumage bill, printed by Edmund Evans, p.13, viewed 27 February 2020. https://viewer.slv.vic.gov.au/?entity=IE6076556.
  9. Callahan, D. (2014) A history of birdwatching in 100 objects, Bloomsbury, London, p.72.
  10. Mattingley, A.H. (1907) A visit to heronries, The emu: official organ of the Australasian Ornithologists’ Union, Vol.7, pt.2, pp.[65]-71, viewed 27 February 2020. https://www.biodiversitylibrary.org/page/8517730.
  11. Mattingley, A.H. (1907) Plundered for their plumes, The emu: official organ of the Australasian Ornithologists’ Union, Vol.7, pt.2, pp.71-73, viewed 27 February 2020. https://www.biodiversitylibrary.org/page/8517740.
  12. Cronin, J.K. (2018) Art for animals : visual culture and animal advocacy, 1870-1914, Pennsylvania State University Press, University Park.
October 15, 2020by Joel Richard
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The Biodiversity Heritage Library (BHL) is the world’s largest open access digital library for biodiversity literature and archives. BHL operates as a worldwide consortium of natural history, botanical, research, and national libraries working together to digitize the natural history literature held in their collections and make it freely available for open access as part of a global “biodiversity community.”

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