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  • Featured Books
    • All Featured Books
    • Book of the Month Series
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Biodiversity Heritage Library - Program news and collection highlights from BHL
Blog Reel, Featured Books

Our Experience Digitising a Rare Book for the Biodiversity Heritage Library

illustration of blue and green birds
illustration of blue and green birds

Plate 18. Mathews, Gregory M. (Gregory Macalister). The birds of Norfolk & Lord Howe Islands and the Australasian South Polar quadrant. 1928. Art by Henrik Grönvold. Contributed in BHL from Museums Victoria.

Recently, we spent three weeks on student placement at Museums Victoria Library and were fortunate enough to be involved with the digitisation of the beautiful title The birds of Norfolk & Lord Howe Islands and the Australasian South Polar quadrant by Gregory M. Mathews. It was an eye-opening experience, making us aware of the patience and attention to detail that is a necessity for book digitisation.

In order to get suitably high resolution scans, a Zeutschel OS 16000 scanner is primarily used for Biodiversity Heritage Library (BHL) digitisations at Museums Victoria. The Australian branch of the project, BHL Australia, digitises the collections of 25 organisations across the country. It is hosted by Museums Victoria and funded by the Atlas of Living Australia.

As this title was rare, it was essential to handle it gently, and to protect the spine from excessive pressure. To ensure minimal impact, we wore gloves when in contact with the book, and scanned one page at a time. We scanned all right-hand pages first, before turning the book around and repeating the process for the left-hand pages. The glass pane normally used to pin pages down on ordinary books can’t be used on rare books, so getting pages to lie flat was a challenge in itself! This digitisation project has given us a chance to see a lot of this beautiful title, with its multitude of breathtaking illustrations.

Marina Hunt scanning The birds of Norfolk & Lord Howe Island for the Biodiversity Heritage Library.

Both of us are currently working towards the Master of Information Management qualification at RMIT University. Being involved with the BHL project has been invaluable to our understanding of the challenges and importance of digitisation. As digital technology continues to develop and evolve, digitisation provides exceptional opportunities for further access and research. As such, digitisation is likely to play a significant role in our careers in information management into the future, and we are highly grateful to have had the opportunity to be involved in such a project.

Brendan with Chris Healey, Technical Support Officer BHL.jpg

Brendan Bachman with BHL-AU’s Technical Support Officer Chris Healey.

The birds of Norfolk & Lord Howe Islands and the Australasian South Polar quadrant is a remarkable guide to the birds of some of Australia’s more outlying territories, specifically Norfolk and Lord Howe Islands and areas of the Antarctic. Published in 1928, the title contains detailed description and distribution information for a number of species, as well as beautiful illustrations of each bird. Many of the species covered in the book were extinct when the book was published, while others became extinct in the decades afterwards. This adds to the unique nature of this title. Only 225 copies of this work were produced, and around 57 are currently held in library collections worldwide.

illustration of green bird

Plate 43. Mathews, Gregory M. (Gregory Macalister). The birds of Norfolk & Lord Howe Islands and the Australasian South Polar quadrant. 1928. Art by Henrik Grönvold. Contributed in BHL from Museums Victoria.

The book was written by noted ornithologist Gregory Macalister Mathews. Born in 1876, Mathews grew up in Australia before moving to England, where his interest in birds became an obsession. Over his life Mathews contributed to a significant number of ornithological works, but none drew more attention than his Birds of Australia (which is also available on the BHL website, the final volumes of which were digitised by the BHL Australia project at Museums Victoria). During the creation of Birds of Australia, he regularly worked 16 hour days, and through the course of this work he acquired 30,000 skins and around 5,000 books.

Despite dedicating much of his life to their study, Mathews “was not really interested in the living bird”, and was “essentially a bibliophile” (Kloot, 1986). Mathews stressed that The birds of Norfolk & Lord Howe Islands was not a supplement to his far more famous Birds of Australia, but he did believe that the birds discussed should be considered part of any list of Australian birds. Certainly, it follows the same format, has the same publisher and should be considered a related work.

illustration of penguins

Plate 32. Mathews, Gregory M. (Gregory Macalister). The birds of Norfolk & Lord Howe Islands and the Australasian South Polar quadrant. 1928. Art by Henrik Grönvold. Contributed in BHL from Museums Victoria.

The birds of Norfolk & Lord Howe Islands includes 45 hand-coloured lithographs and monochrome plates, with this work being one of the last publications worldwide to include hand-coloured plates (Pasquier & Farrand 1991). These were the work of two illustrators — Henrik Grönvold and Frederick William Frohawk.

Grönvold was a well-known Danish naturalist and lithographer who predominately illustrated birds and their eggs. Born in 1858, he worked on a wide range of ornithological works, including Birds of Africa and The British Warblers, and he created a remarkable 600 plates for Mathew’s Birds of Australia.

Frederick William Frohawk was born in 1861 and had an interest in illustration and natural history from an early age, catching a rare pale clouded yellow butterfly at the age of seven. Despite losing virtually all sight in one eye during his school years, he went on to become a noted illustrator of butterflies and birds. Among his notable works is The complete book of British butterflies, which he both wrote and illustrated.

References

Kloot, T 1986, ‘Mathews, Gregory Macalister (1876–1949)’, Australian Dictionary of Biography, http://adb.anu.edu.au/biography/mathews-gregory-macalister-7517

Pasquier, R. F., & Farrand, J., Jr 1991, Masterpieces of Bird Art: 700 Years of Ornithological Illustration. Abbeville Press. pp. 180–181.

October 10, 2019by Joel Richard
Blog Reel, Featured Books, User Stories

Provenance and Library Stamps at Museums Victoria and on BHL

On the BHL blog, we often focus on the extensive biodiversity information made available through BHL and the innovative ways scientists are using the vast quantities of historical biodiversity data in BHL to conduct contemporary research. BHL is also useful for a range of non-scientific research, however, and is used by researchers in the arts and humanities as well as the sciences. Artists draw on the illustrations for inspiration, while humanities scholars use the digitised collections for historical research.

For librarians and book historians, BHL contains a wealth of provenance information, as well as the material to conduct comparative research. As a librarian in charge of a rare book collection specialising in natural history, I often use BHL to check if our copy of an item is complete, bound in the usual manner, or coloured in the same way as other copies.

A good example of this is Museums Victoria’s copy of Albertus Seba’s Locupletissimi rerum naturalium thesauri accurata descriptio (commonly referred to in English as his Thesaurus). Museums Victoria holds the only copies of Seba’s Thesaurus in Australian libraries; however, using the Biodiversity Heritage Library I have been able to compare our copy with copies around the world in libraries that I would be unlikely to visit. I have been able to identify that our copy is bound differently to the norm, with plates and text in separate volumes — presumably at the request of a previous owner. I was also able to deduce that the unusual teal nails on the opossum are intentional — we had thought it a quirk of hand-colouring! However, all coloured copies on BHL show the opossum sporting a teal mani pedi (fig. 1).

000080372c-39.jpg

Fig. 1. Tab XXXIX. Seba, Albertus. Locupletissimi rerum naturalium thesauri accurata descriptio. Plates to Volumes 1 & 2. 1734-1765. Digitized in BHL by Museums Victoria.

Lately, I have used our digitised items in conjunction with our Rare Book Collection to look at provenance and acquisition information in our collection. This was inspired by a fantastic course in “Provenance in Books” as part of London Rare Book School last year. Our instructor, David Pearson, took us through various aspects of provenance information in books, including bookplates, bindings, inscriptions, and annotations. Working in an institutional library, one of the things I was most interested in was different forms of library acquisition and provenance information. David told us of a project at the British Library to develop a research guide detailing the different stamps used across the institution’s history to assist in identifying when items had been acquired. I set out to develop something similar for our institution, and here is a sample of the work I have done so far, focusing primarily on one of our predecessor institutions, the National Museum of Victoria.

The National Museum of Victoria was established in the 1850s, and the library collection has been developed since its foundation. Accessioning practices have changed over the 160-plus year history of the library. The most consistent practice appears to have been to mark or apply stamps to the title page, or first few flyleaves, of a book. The stamps that appear on these pages are therefore usually the most reliable for dating an acquisition or to assist in narrowing a date range for archival research.

The information available in each library book varies. A book may include all or none of the following: accession number, date of acquisition, library stamp, inscription or bookplate of a previous owner. Books purchased between 1854 and the end of the nineteenth century are the least likely to carry acquisition information; many only bear a stamp, as shown below (fig. 2).

D'orbigny tp stamp.jpg

Fig. 2. Title page of Museums Victoria’s copy of Histoire naturelle : generale et particuliere des cephalopodes acetabuliferes vivants et fossils by Ferussac and d’Orbigny (Volume 2. 1835-1848) with National Museum Victoria stamp.

The practice from around 1900 seems to have been to write the accession date on the top left corner of the title page or the abbreviations ‘Entd.’ Or ‘E’ (fig. 3).

lewin tp stamp.jpg

Fig. 3. Title page of Museums Victoria’s copy of A natural history of the birds of New South Wales (3rd ed. 1822) by John Lewin. Unfortunately, Museums Victoria doesn’t hold a first edition of this work, however we have digitised the 3rd (1822) and 4th editions (1838) for everyone to enjoy!

The National Museum Melbourne stamp appears to have been used from around 1900 to 1930 (fig. 4).

Hahn tp stamp.jpg

Fig. 4. Title page of Museums Victoria’s copy of Monographia Aranearum (or Monographie der Spinnen in German) (1820-1836) by Carl Wilhelm Hahn with National Museum Melbourne stamp. This title is very rare, with only 13 complete copies recorded in Peter Sacher’s census in 1988.[1]

From the 1930s to late 1970s, dated stamps such as the examples below were in use, making purchases in this period very easy to date (figs. 5 & 6).

Fletcher tp stamp.jpg

Fig. 5. Museums Victoria’s copy of A popular sketch of the natural history of Queensland (1886) by Price Fletcher with dated stamp. With a specific date available, this acquisition would be easy to trace in our archives.

Turton tp.jpg

Fig. 6. Title page of Museums Victoria’s copy of William Turton’s A conchological dictionary of the British Islands (1819) with dated stamp. The acquisition number in the top right-hand corner makes this title even easier than the last example to trace in our archives. Keep looking through this item and you will spy some lovely additional illustrations added in the margins by a former owner.

While dated stamps continued to be used after the 1970s, a blind stamp was used for items that were being directly entered into the Rare Book Collection between the late 1970s and early 2000s (fig. 7).

Example of a blind stamp from Museums Victoria

Fig. 7. This blind stamp would have been considered less intrusive, while still clearly indicating ownership.

This is representative of a shift in library practice towards the designation and separate management of rare book collections. By the late 1970s, the Museums Victoria Library was housing its rare books separately from the general collection.

recent stamp crop.jpg

Fig. 8. A recent example of a dated stamp from 2017. National Museum of Victoria. List of meteorite specimens in the collection of the National Museum of Victoria, September 1972. 1972. Digitized in BHL by Museums Victoria.

Archival research is usually needed to confirm the date of acquisition. Items frequently bear multiple stamps, which may have been applied after accessioning. It appears that stamps were applied to the verso of plates retrospectively, while items may also have been routinely stamped if they were rebound.

While the stamps can be a bit confusing at times, having a general understating of them can help refine a date range for archival research. It also allows me to give a quick answer to a question often asked by tour groups — how long has this item been in your collection?

References

[1] Sacher, Peter 1988 ‘Commentary’ in Hahn, Carl Wilhelm, Monographie der spinnen (1820-1836), Leipzig, Zentralantiquariat der DDR.

Further Reading

Guide to researching provenance of books now in the British Library

Northcote Library – Stamps & Stickers

Daley, Jason. Bonn Library Recovers More Than 600 Books Looted After World War II, Smithsonian Magazine. April 15, 2019.

McGrane, Sally. What became of the Jewish books? New Yorker. February 28, 2014.

October 3, 2019by Joel Richard
Blog Reel, Featured Books

A Day for Worms on BHL

The Biodiversity Heritage Library (BHL) is replete with publications which have had a seminal influence on their field. A highly-credentialed member of this category is John H. Day’s A Monograph on the Polychaeta of Southern Africa, published in 1967 in two volumes by the (then) British Museum (Natural History) in London. It is timely to celebrate this book now: on 25 August 2019 the author John Day would have had his 110th birthday. And, as of this month, the author’s own copy of the book has been digitised for the BHL.

Years ago, this copy was loaned to me by John Day’s son, Professor Rob Day (also a marine biologist) from the The University of Melbourne — just down the road from my office and from the Australian node of BHL, both at Museums Victoria in Melbourne.  When my librarian colleagues discovered I had the copy, annotated in pencil by the author with a 2nd edition in mind, they were keen to digitise it, even though BHL had previously digitised another copy. (A new version of Day’s monograph was later prepared but never published, perhaps due to lack of funding.)

Polychaetes are important to marine biologists due to their weight of numbers: in nearly all seafloor environments anywhere in the world, polychaetes are just about the most numerous and the most species-rich invertebrate. Therefore, many marine ecologists spend a lot of time identifying polychaetes — usually a difficult task. Which is why John Day’s monograph was so influential. For decades before, and for decades after, there was nothing like it, and so the two volume work, known to most researchers simply as Day, was indispensable.

Day was a comprehensive synthesis of descriptions, diagnoses and drawings of this rich and diverse component of the marine fauna (currently there are about 12,000 described species of polychaetes). And because most polychaete families and genera occur worldwide, and because there was no other equivalent publication anywhere, Day was a vital reference for anybody anywhere who needed to identify their local marine fauna.

Day is still a model for anyone who sets out to write such a monograph, because of the simplicity and clarity of both text and illustrations. In particular, the introductory pages provide a visual overview and key to the numerous families.

day_1967_p23_400px.jpg

Page 23. Day, John H. A Monograph on the Polychaeta of Southern Africa. Volume 1, 1967. Author-annotated copy. Digitized in BHL by Museums Victoria.

These handful of pages encapsulate what would otherwise be an overwhelming variety; even beginners can begin to think that they may one day be able to interpret the myriad forms and structures of polychaetes. Thus, although the documentation of polychaete diversity has marched on, well-thumbed 50 year old copies of Day are still in regular use in marine laboratories world-wide.

It seems to me that John Day must have honed and improved his diagrams over many years of teaching (he was Professor of Zoology at The University of Cape Town) and that he must have given a lot of thought to the layout and presentation. Day had begun annotation of his own copy with species to be added, but he didn’t touch these introductory pages, suggesting that he too was satisfied with the published version. Even today, for me and many of my colleagues, there is nothing quite like it for introducing novices to the mysterious world of polychaetes — there have been numerous revisions and name changes in intervening decades, but the worms themselves still look the same.

JHDay_students_Durban_Bay_1951_400px.jpg

John H. Day (third from right) showing students a tray of specimens collected from an estuary mudflat.  Durban Bay, South Africa, 1951.  Photograph supplied by Rob Day, 2019.

John Day was ahead of his time in other respects too. Our understanding of evolutionary relationships of polychaetes, and how they should be classified within the phylum Annelida, has long seemed an intractable task. Many alternative classifications having been offered up in publications both before and since the publication of Day. The author himself took a purely pragmatic approach and followed earlier workers, arranging the families in two major groups, one per volume: Errantia (mostly mobile worms with similar segments and often with jaws) and Sedentaria (mostly tube dwellers often with a crown of feeding tentacules and modified body regions).

Even though Day only ever claimed this as an arbitrary arrangement, he would have surely been pleased to know that this practical solution has a lot in common with the most recent phylogenetic analyses based on DNA sequence data, which recognise many elements of the old Errantia / Sedentaria scheme and even retain the names! Nor, I think, would he have been dismayed by another discovery confirmed by DNA data: there is no such thing as “Polychaeta”, which is now known to comprise a variety of forms which do not all belong on a single branch of the annelid phylogeny. Furthermore, several other kinds of worms previously known as separate Phyla are now known to belong within the Annelida — a possibility also canvassed by John Day in the introduction to his monograph.  (I’ll nevertheless keep using polychaetes as an informal term.)

I never met John Day, but his no-nonsense attitude was evident in other ways. He had lost a leg when hit by flak on a bombing raid while flying as a navigator for the RAF during the Second World War (he was still able to provide a course before passing out and the tail gunner saved his life by limiting loss of blood until they returned to base). There are unconfirmed stories that after the war, on trips between Cape Town and London, he would bring preserved polychaete specimens for study through customs in his prosthetic leg.

Taxonomists nowadays are wont to criticise Day, and other publications of the era, for accepting as valid many “cosmopolitan species”.

day_1967_p146_400px.jpg

Page 146. Phyllodoce malmgreni and related taxa in the family Phyllodocidae. Page 146 from Day, John H. A Monograph on the Polychaeta of Southern Africa. Volume 1, 1967. Author-annotated copy. Digitized in BHL by Museums Victoria.

Phyllodoce_cf_malmgreni_F135127_dorsal_pharynx_400px.jpg

Phyllodoce malmgreni was described from the Red Sea, but has been much more widely recorded throughout the Indo-Pacific. This museum specimen of Phyllodoce cf. malmgreni is from Australia. Photograph Robin Wilson.

Typically, these were originally described from European localities but subsequently recorded (or rather very similar forms were found) from more widespread regions. If they could not be distinguished, specimens from widespread localities were assigned to a single species.

In recent decades, taxonomists have split many “cosmopolitan species” into a number of new species, each from a different ocean or region.  At first, this seemed an almost routine tidy up task. The advent of molecular systematics has shown that the situation is far more complex and interesting. DNA sequence data has repeatedly demonstrated that even within a region (for example northern Europe), what was thought to represent a single species is often discovered to comprise many species. Usually, these newly recognised species can barely, or not at all, be distinguished morphologically, yet they show very deep genetic divergences.  Understanding of how these taxa have evolved and dispersed (for example, is each instance a single global, monophyletic radiation?) is arguably among the most interesting questions in marine diversity studies today.

Whatever the answers turn out to be, it seems clear that many of these cryptic species will only be distinguishable through genetic analysis. Until such time as rapid genetic diagnoses become routine, ecologists and other non-taxonomists are likely to have to resort to some kind of species-complex definition to cope with messy nature. It seems that such species-complexes might look a lot like the often-maligned “cosmopolitan species” accepted by the pragmatic (and prescient?) John Day.

September 26, 2019by Joel Richard
BHL News, Blog Reel, Featured Books

The John Torrey Papers: Increasing Accessibility with Full Text Transcriptions in BHL

screenshot of a transcription in the from the page platform
black and white portrait of a young man, john torrey

Drawing of John Torrey by Sir Daniel MacNee. From the collection of Sir William Hooker, The Royal Botanic Gardens at Kew, England.

Since July 2016, the papers of taxonomic botanist John Torrey (1796-1873) have been the focus of a digitization and crowdsourced transcription project at the New York Botanical Garden (NYBG). Digitizing and Transcribing the John Torrey Papers, organized in coordination with the Biodiversity Heritage Library (BHL) and funded by the National Endowment for the Humanities and the Carnegie Corporation of New York, was created in an effort to digitize and make virtually accessible the correspondence of John Torrey and his colleagues, specifically letters received by Dr. Torrey.

Access to the correspondence of Dr. Torrey is particularly useful to natural scientists and natural historians alike as these letters provide a glimpse into the thought process and workflow for many of the 19th century’s greatest botanical minds. These letters are filled with a variety of different content, including commentary on plant taxonomy, personal biographical details, and anecdotal information on the daily lives of these natural scientists. The content within these letters aid in our understanding of the realities faced by these pioneering botanists, including the shift from the Linnaean system to the natural system and the systemic challenges faced by individuals in an emerging profession..

The John Torrey Papers collection contains over 9,500 pages from more than 350 correspondents, including Asa Gray, Amos Eaton, and Joseph Henry. The collection is organized alphabetically by correspondent then chronologically by the date each letter was written. Each page of each letter is scanned as a .tif file and uploaded to Macaw, BHL’s metadata management system, which aggregates the .tif file with a New York Botanical Garden MARC XML record. Once appropriate metadata has been applied in Macaw, the correspondence are uploaded to the Biodiversity Heritage Library Collection in the Internet Archive. The correspondence’s placement in the BHL Collection then allows for BHL to harvest new material from the Internet Archive on a weekly basis.

Digital content management is a crucial aspect of the project, but the heart of the process lies in the crowdsourced transcriptions done by volunteers from the New York Botanical Garden. These volunteers, recruited through citizen science outreach events, workshops, and tabling opportunities at various locations, work on the transcription platform From the Page, which is one of three transcription platforms whose exports are currently accepted by the Biodiversity Heritage Library, allowing the automatically-generated OCR for these items to be replaced with crowdsourced transcriptions, enabling full text search.

FTP Example Screenshot.PNG

A screenshot of a completed transcription from John Pierce Brace to John Torrey (May 1831) in From the Page.

The work done by these volunteers is a contribution to the project for two reasons. First, the handwriting, colloquialisms, and personal shorthand of many of Dr. Torrey’s correspondents are exceptionally difficult to read or interpret. With the correspondence of many correspondents containing several hundred pages, it takes a considerable amount of time for our volunteers to develop a proficiency capable of not only accurately deciphering poor handwriting but also of uncovering the intention or context of particular writings.

Second, the transcriptions produced by the Garden’s volunteers coupled with BHL’s new support for transcriptions facilitates full text searching of materials that would otherwise be unavailable. The introduction of full text searching to the world of transcriptions is extremely impactful as it allows researchers to execute a more thorough examination of resources available to them at a faster pace and with higher levels of productivity. A prime example of this is the Biodiversity Heritage Library’s page index of scientific names, as seen in the lower left hand corner of the figure below.

In effect, the Digitizing and Transcribing the John Torrey Paper’s volunteers are the bridge between the content we are looking for and how we look for it.

BHL Blog Screenshot.PNG

Screenshot of the completed John Pierce Brace page once the transcription and image files have been matched in BHL.

To date, more than 7,000 pages have been transcribed and more than 6,000 transcribed pages are available for view in BHL, but the goals of the Digitizing and Transcribing the John Torrey Papers project still have not been met.

With less than 1,500 pages remaining, the New York Botanical Garden is in search of new volunteers to help reach our goal and transcribe some of our most interesting correspondents remaining to be done such as William Jackson Hooker, the former Director of the Royal Botanic Gardens, Kew, and New England natural scientist Dewey Chester. While many of our volunteers are drawn to the project due to their interest in botany, many more are captivated by narratives not typically associated with botany, such as Carl Bogenhard’s struggles as an immigrant in the United States or Jacob Whitman Bailey’s experimentation with photography.

If you would like to become a volunteer transcriber for the Digitizing and Transcribing the John Torrey papers project, you can sign up online here or email [email protected] for more information or assistance with the sign up process.

If you would like to learn more about the life of John Torrey, works he published, or plants named after him, please visit out digital exhibit “John Torrey: American Botanist.”

September 24, 2019by Joel Richard
Blog Reel, Featured Books

Researching the American Horseshoe Crab: Connecting 19th and 21st Century Research with the MBLWHOI Library

Foldout illustration of a horseshoe crab
Photo of volumes of the Biological Bulletin on a book shelf.

Volumes of the Biological Bulletin, on the shelf of the MBLWHOI Library. Photo by: Matthew Person.

The venerable science journal the Biological Bulletin has been published in association with the Marine Biological Laboratory of Woods Hole, Massachusetts for over 120 years. Presently, the publisher is the University of Chicago Press, with the editorial office in Woods Hole managed by longtime Editor, Carol Schachinger.

The Marine Biological Laboratory (MBL) was founded in 1888 through the diligent efforts of working scientists and Boston community leaders deeply invested in the marine and associated biological sciences as a tools to conduct research and develop diverse educational opportunities for the study of marine model organisms, through experimental work ultimately leading to an improved understanding of the human condition.

Cover of the Biological Bulletin with a horseshoe crab on it.

Cover. Biological Bulletin (Volume 236, Number 3, June 2019). Image reprinted by permission of the Biological Bulletin.

The June 2019 issue of the Biological Bulletin (Volume 236, Number 3) has an informative and beautiful cover illustration of the venous return half of the circulatory system of the horseshoe crab (Limulus polyphemus), chosen to illustrate an article in the issue: Effects of the Biomedical Bleeding Process on the Behavior of the American Horseshoe Crab, Limulus polyphemus, in Its Natural Habitat. The cover of this issue of the Biological Bulletin was designed from a freely downloaded Biodiversity Heritage Library file, coincidentally from a monograph about the horseshoe crab: Recherches sur l’anatomie des Limules — an 1873 work by Alphonse Milne-Edwards, the French medical doctor, mammologist, ornithologist, and carcinologist (one who studies crustaceans) who was director of the French Museum National d’Histoire Naturelle from 1891-1900.

Foldout illustration of a horseshoe crab

Plate of the horseshoe crab (Limulus polyphemus) from “Recherches sur l’anatomie des Limules”, 5th Series, Tome 17, (1873) of the journal, Annales des Sciences Naturelles. Used for the cover of Biological Bulletin (Volume 236, Number 3, June 2019). Contributed in BHL from the MBLWHOI Library.

In the MBLWHOI Library this volume, interestingly, is shelved both in the climate controlled secure Rare Books Room and separately in the freely accessible journal stacks as an article in the 5th Series, Tome 17, (1873) of the journal, Annales des Sciences Naturelles. For important monographic works, multiple shelving locations in the pre-electronic age was common. Much of this content is also available in BHL in the multi-volume work partly edited by Alphonse Milne-Edwards: Mission scientifique au Mexique et dans l’Amérique Centrale : ouvrage publié par ordre de S.M. l’Empereur et par les soins du Ministre de l’instruction publique (1873). The introductory pages of this work speak of the ancient horseshoe crab, living over broadly distributed coastal swaths of the earth, yet the scientific community at that time was stumped as to how this creature was related to other similar species.

Black and white photo of a man with a mustache.

Photo (1883) of Alphonse Milne-Edwards, the author of “Recherches sur l’anatomie des Limules”, from which came the illustration of the horseshoe crab used on the cover of the Biological Bulletin, (Volume 236, Number 3, June 2019). By Th. Truchelut & Valkman, photographers. Upload, stitch and restoration by User:Jebulon – Bibliothèque nationale de France, Public Domain, Wikimedia Commons.

We noticed another aspect of the MBLWHOI Library Rare Books Collection copy of this monograph scanned into BHL. The title page is inscribed by the probable original owner of the volume: “Kingsley”. Looking at the History of the Marine Biological Laboratory’s online database of scientists, we see that biology professor John Sterling Kingsley (1854-1929) — who had appointments during his career at the universities of Indiana, Nebraska, Illinois, and Tufts University, and was editor of books such as The Riverside Natural History series (1885) — spent summers from the late 1880’s to the mid 1910’s doing research at the Marine Biological Laboratory in Woods Hole.

People often wonder how academic research libraries grow and become institutions unto themselves. This example illustrates one method of library growth. With Kinglsey’s name inscribed on page one of Recherches sur l’anatomie des Limules, the book was most probably given to the then-MBL Library by Kingsley or his heirs — one of thousands of volumes over 130+ years which became a part of the Library’s collection in that manner.

Black and white photo of a man in a suit.

Photo of John Sterling Kingsley, the original owner of the MBLWHOI Library copy of “Recherches sur l’anatomie des Limules”, available in BHL. Source: MBL archives. CC-BY-NC-SA.

We spoke with Biological Bulletin Managing Editor Carol Schachinger about the process of selecting a cover for a journal issue. She told us that out of the body of articles comprising a new issue published every two months, an appropriate cover image to be considered for publication often naturally rises to the top. In the case of V.236, n.3 of the Biological Bulletin, however, this did not initially happen, and even after contacting article authors for possible cover issue suggestions, Schachinger was still without a cover image as the issue headed towards completion.

Schachinger’s alternate plan was to begin making simple online image searches related to issue articles. As the horseshoe crab has been one of the most important studied marine organisms at the Marine Biological Laboratory, it was natural to look for images of this organism, and shortly, the plates from Milne-Edwards’ monograph appeared in simple Google website searches as distinct possibilities for a cover image.

At first, she did not realize the image she ultimately chose was from the holdings of the MBLWHOI Library, nor did she realize the image was from the Biodiversity Heritage Library. Carol was also not aware of the flickr feed of BHL images, which was another access point for this image (and many thousands of images extracted directly from the electronic pages of BHL content). However, when she selected plate 14 of the horseshoe crab circulatory system as the probable cover illustration for the June 2019 issue of the Biological Bulletin, she contacted the librarians at the MBLWHOI Library to ask about proper attribution and the workflow for downloading the out-of-copyright image. They directed her to the FAQ pages of BHL, where all of this information sits.

Thus the v.236, n.3 issue of the Biological Bulletin finally had cover art.

The MBLWHOI Library

In 1888, the sea-side Marine Biological Laboratory heeded the charge of its first Director, Charles Otis Whitman (1842-1910), with reference to the building of a working library to serve its scientists. Woods Hole on Cape Cod was just too far from the Boston research institutions for MBL to rely upon libraries there to provide library services to a small Cape Cod research institution (which would eventually grow into a biological research facility of global renown). Dr. Whitman said: “A library is a necessity in such a laboratory…We must have at a minimum to begin with, all the important journals now printed in the four principal languages.” Jump forward 120 years hence, the MBLWHOI Library (the joint library of the Marine Biological Laboratory and the Woods Hole Oceanographic Institution (WHOI, founded in 1930) was a founding partner of the Biodiversity Heritage Library, providing key technical and library staff support to BHL at its founding in 2006, and continuing to this day.

August 22, 2019by michelle.underhill
Blog Reel, Featured Books

A Heavy Hoax: The “Lying Stones” of Johann Beringer

Illustration of fake fossils

This blog post is part of a series from Smithsonian Libraries highlighting Unearthed, a new collection of paleobiology literature in the Biodiversity Heritage Library curated by Smithsonian Libraries in celebration of the opening of the National Museum of Natural History’s David H. Koch Hall of Fossils – Deep Time exhibit. Follow the series throughout 2019 as Smithsonian scientists and librarians discuss the collection, identify their favorite books within it, and explain the importance of paleobiology literature in research today.

This post was written by Alexandra K. Alvis, reference librarian in the Joseph F. Cullman 3rd Library of Natural History. The Cullman Library holds the Smithsonian’s collection of rare books in anthropology and the natural sciences. Its world-class collection contains approximately 20,000 volumes published before 1840, all of which are available for consultation in our reading room. The Cullman has contributed over 4,700 volumes to BHL, with more being added every week.

Illustration of fake fossils

Tab. I from Beringer’s Lithographia (1740). Contributed in BHL from Smithsonian Libraries.

Fake fossils are a difficult issue for modern paleontologists: there is a booming black market in forgeries, and well-intentioned researchers of the past have even managed to accidentally fool the curators of today with detailed reconstructions! The black market manufacturers have money on their minds and past researchers were simply doing their jobs to the best of their abilities, but one historical case of forged fossils stands out as particularly sinister. The victim was a certain Dr. Johann Bartholomew Adam Beringer (1667-1738), a professor at the University of Wurzburg. The perpetrators: Beringer’s very own colleagues, J. Ignatz Roderick and Georg von Eckhart.[1] This sordid tale resulted in unfortunate endings for all three of the parties involved, but also produced a curious monograph entitled Lithographia Wirceburgensis which can be found digitized in our Unearthed! digital collection.

This tale of stony deception began when the twenty-seven year old Beringer was named professor at the University of Wurzburg in 1694, only a year after achieving his doctorate in medicine there.[2] In 1695, he was summarily appointed keeper of the botanical gardens of the University. In this period, medicine was heavily anchored by botanical knowledge; the main components of most cures and salves were plant-based concoctions. Beringer was particularly enthralled by the natural history side of his career, and passionately expanded his personal cabinet of curiosities to display his collection of interesting objects from the natural world. He also began to pepper his lectures with references to “petrifactions,” a catch-all term for what modern science now understands as fossilized remains of plants and animals.

Illustration of a fake fossil

Detail, Tab XXI, Beringer’s Lithographia (1740). Contributed in BHL from Smithsonian Libraries.

Beringer’s rise through the academic ranks did not go unnoticed. J. Ignatz Roderick, a University of Wurzburg professor of geography, algebra, and analysis, and Georg von Eckhart, the University librarian, resented what they saw as Beringer’s arrogance[3] and plotted to deflate his ego. Aware of Beringer’s fascination with the fossils in the shell lime deposits of Mount Eibelstadt[4] and his collecting practices, Roderick and Eckhart formulated a plan to carve and plant fake fossils on the mountain. In 1725, they placed their first specimens and enlisted the assistance of Beringer’s “diggers”— three boys that Beringer had hired to search the mountain for “figured stones” for his cabinet— although only one of the boys knew the full extent of the deception.[5]

And so, their trap was laid: when the boys returned from the mountain with the first three fakes, Beringer was thrilled. News of the fantastic stones spread, and the boys began receiving requests for their stone-hunting abilities from local pharmacists, rich gentlemen, and even some of Beringer’s fellow medical doctors.[6] Beringer himself visited the mountain on several occasions, and remarked on the fact that the hillside which he had “frequented and examined in the past but had never scrutinized very closely, revealed a treasure.”[7] As the false stones continued to turn up, Beringer began to display them to friends and colleagues, not all of whom were as certain of their veracity as he was. He writes that “to dispel these misgivings from their minds, I led some companions on the pleasant jaunt to the site… where they dug out these portentous symbols of natural things with their own hands.”[8]

Illustration of a fake fossil.

Detail, Tab XXI, Beringer’s Lithographia (1740). Contributed in BHL from Smithsonian Libraries.

Many of the fossils found on the mountain were genuine, which certainly contributed to Beringer’s unwillingness to consider the possibility of deception in the more whimsical examples. Although his cabinet no longer survives, Beringer’s records show that it contained numerous specimens of these real fossils until Roderick and Eckhart began to surreptitiously contribute to his collection. He developed complex theories to explain the more fantastical items: the stones with writing, even with their occasional spelling and orthographical mistakes, were the work of God, to ensure that “when forgetful men grow silent, these mute stones might speak.”[9] The images of celestial activity such as shooting stars and radiant suns could be explained in reference to the Archimedian method of using a parabolic mirror to “collect [sunlight] in a bowl” in order to focus it to set fire to an enemy fleet.[10]

Illustration of fake fossils.

Tab. III from Beringer’s Lithographia (1740). Contributed in BHL from Smithsonian Libraries.

Beringer compiled these theories and justifications, along with engraved plates of the figured stones, into a dissertation to be titled Lithographia Wirceburgensis. As word reached Roderick and Eckhart that Beringer intended to publish on their hoax, it seems they felt a pang of guilt; they started a rumor that the stones had been false all along, and even sold some of them to him directly, later informing him of how they were made.[11] But Beringer put no stock their words, instead criticizing the rumor and confession as an attempt to discredit him in chapter 12 of the Lithographia.[12]

History does not record what catalyst finally changed Beringer’s mind about the origin of the stones; the story passed down through generations of scientists claims that, in translating one of the Hebrew inscriptions, he discovered his own name after the publication of the Lithographia. Disgraced, Beringer immediately sought to recall and buy back the printed sheets distributed to booksellers.[13] Historical lore describes how this process bankrupted him, although there is no evidence that this was ultimately the case. He subsequently brought a court case against Roderick, Eckhart, and the three diggers in 1726; the term “lying stones” (Lügensteine in German) was used in the case to describe the fraudulent fossils. In the course of the lawsuit, the boys were found not guilty, but the duplicity of Roderick and Eckhart was fully exposed.[14] Beringer spent his remaining thirteen years of life on staff at the University, where he published two further books.[15] But criticisms of his Lithographia have dogged his reputation as a scientist since, to the point that even his entry in the Dictionary of Scientific Biography is principally concerned with his mistake. Roderick and Eckhart suffered more immediate effects: Roderick was banished from Wurzburg, and Eckhart was denied further access to archives of the Duchy.[16] This dealt a crushing blow to his scholarship, much of which was left unfinished at his death.[17]

Frontispiece illustration for a rare book

Frontispiece illustration, Beringer’s Lithographia (1740). Contributed in BHL from Smithsonian Libraries.

The end of Beringer’s story is just the beginning for the Smithsonian Libraries’ copy of the Lithographia. It is housed in our Joseph F. Cullman 3rd Library of Natural History, and is somewhat of a bibliographic curiosity. While the title page of our copy claims it is the second edition, it is actually the second issue, incorporating the recalled sheets from the first printing. It is speculated that one of Beringer’s sons is responsible for this re-issue, perhaps to recoup some of the costs from their father’s failed effort.[18] Curiously, it lacks any sort of permanent binding, although material evidence of former binding structures suggests it had one in the past. Instead, it is loosely glued together with a scrap of a German map of Sardinia and Piedmont dated 1793. It further features its frontispiece bound in with the plates. The frontispiece is a work of art in itself, depicting the Roman poet Ovid in repose, gesturing to a mountain composed of Beringer’s figured stones as cherubs and other symbolic figures look on. In the foreground sits one of the stones surrounded by carving tools, meant by Beringer to be a nod to the divine hands that crafted them, but more ironically representative of Roderick and Eckhart’s deceit.

Detail of a fake fossil and excavation tools in a frontispiece illustration from a rare book.

Detail, Frontispiece illustration, Beringer’s Lithographia (1740). Contributed in BHL from Smithsonian Libraries.

Before coming to the Cullman, this copy of the Lithographia belonged to Austrian lawyer and botanist[19] Josef Bonaventura Holzinger (1835-1912). Holzinger was an avid antiquarian book collector with a distinctive bookplate, and the Cullman also holds another item from his collection, Euricius Cordus’ 1534 Botanologicon. But the Lithographia has a closer Smithsonian connection: it was most recently owned by Dr. Norman F. Sohl, a scientist with the United States Geological Survey. Dr. Sohl was an invertebrate paleontologist particularly interested in mollusks, and collected numerous fossil specimens that are still housed in the National Museum of Natural History. The Smithsonian Institution Archives also holds two boxes of Dr. Sohl’s papers.[20] Despite the fact that the items described in the Lithographia are known to be fakes, it is clear that the work is valuable to collectors in the field.

Holzinger’s bookplate

Holzinger’s bookplate from the Cullman copy of Beringer’s Lithographia (1740). Contributed in BHL from Smithsonian Libraries.

While Beringer and the Lithographia are now best remembered for the deception associated with them, his work is actually an important benchmark in the history of paleontology. As Melvin E. Jahn and Daniel J. Woolf describe in their 1963 work The Lying Stones of Dr. Johann Bartholomew Adam Beringer, the period in which the Lithographia was published was a time of seismic changes in how fossils and their origins were understood.[21] The very fact that Beringer presented numerous theories for the formation of his stones is indicative of how the science of the time was in flux. The Lithographia then is more than a reputation-shattering hoax, and is instead a window into paleontological thought of the 18th century. Its second issue is a precious survivor of a time before science was certain about fossils, and shows a crossroads between the theory that fossils were distributed in Great Flood of the Old Testament and the theory that the world is old enough to have changed dramatically over the ages.

References

[1] Melvin E. Jahn and Daniel J. Woolf, The Lying Stones of Dr. Johann Bartholomew Adam Beringer, Berkeley and Los Angeles: University of California Press, 1963. 3.

[2] Charles Coulston Gillispie, Dictionary of Scientific Biography, vol. 2, New York: Charles Scribner’s Sons, 1970. 15.

[3] Jahn and Woolf, 137.

[4] Gillispie, 15.

[5] Melvin E. Jahn, “Dr. Beringer and the Wurzburg ‘Lugensteine’,” Journal of the Society for the Bibliography of Natural History, vol. 4 (Jan. 1963). 143. https://www.euppublishing.com/doi/pdfplus/10.3366/jsbnh.1963.4.2.138

[6] Jahn and Woolf, 133.

[7] Johann Bartholomäus Adam Beringer, Lithographia Wirceburgensis : ducentis lapidum figuratorum, Frankfurt: Tobiam Goebhardt, 1767. 4.

[8] Beringer, 6.

[9] Beringer, 70.

[10] Beringer, 44.

[11] Jahn and Woolf, 129.

[12] Beringer, 80.

[13] Gillispie, 15.

[14] For a full record of the court proceedings, see Jahn and Woolf, 130-139.

[15] Jahn and Woolf, 139-140.

[16] Jahn, 144.

[17] Jahn and Woolf, 128.

[18] Gillispie, 16.

[19] As described in the University of Glasgow Library’s catalog record for a book once part of his collection, a c. 1483 edition of the Secreta Mulierum et Virorum of Psuedo-Albertus Magnus: https://www.gla.ac.uk/myglasgow/incunabula/a-zofauthorsa-j/albertusmagnuspseudo-secretamulierumetvirorumcumcommentostrassburgca1483/

[20] Accession 88-113. Find their record here: https://siarchives.si.edu/collections/siris_arc_229400

[21] 5.

August 8, 2019by Joel Richard
Blog Reel, Campaigns, Featured Books, Her Natural History

Lydia Moore (Hart) Green, Illustrator for The Fishes of Illinois

Illustration of a fish.

The first edition of The Fishes of Illinois was published in 1908 by the Illinois State Laboratory of Natural History, representing several decades’ work to document species, distributions, and ecology. The work features detailed, color paintings of fishes attributed to Lydia M. (Hart) Green and Charlotte M. Pinkerton. The first edition included 55 images representing 53 species, with 20 images representing 18 additional species added for the 1920 second edition. Images were not credited to specific artists in either edition.

Illustration of a fish.

Large Mouthed black Bass. Forbes, S.A. and R.E. Richardson. Fishes of Illinois. 1908. Illustration by Lydia Moore (Hart) Green. Digitized in BHL by University Library, University of Illinois Urbana Champaign.

Most of the originals were kept by State Laboratory (now Illinois Natural History Survey) and are being reviewed in preparation for accession into the University Library, University of Illinois at Urbana-Champaign. Artists have been identified for most color plates in the 2 editions: 33 by Green, 24 by Pinkerton. Three paintings bearing the name of Max Bihn (one published) were also found among the paintings long assumed to be the work of Green and Pinkerton alone. Green routinely applied a distinctive signature in ink to the front of her work.

Lydia Hart signature

Signature from Lydia Hart’s Fundulus notatus (INHS image 2181).

Lydia Moore (Hart) Green, was born in Quincy, IL in December 1864. She and Charles Arthur Hart, employed by the State Laboratory 1895-1918, were siblings. Lydia studied Art and Design at the University of Illinois during the 1887-1888 school year. Warrants listed in the Report of the Board of Trustees beginning in 1888 show Lydia was paid for tasks including “work in cabinets,” “work in museum,” “labelling specimens,” “making chart,” and “botanical drawings.” When artist A.M. Westergren left the State Laboratory in 1892, Lydia replaced him. Her illustrations appear in the Bulletin of the State Laboratory of Natural History, Reports of the State Entomologist, and elsewhere. Her 101 detailed illustrations of insects were a noted feature of the State Laboratory’s exhibit at the 1893 Columbian Exposition. She was frequently mentioned as an asset to the State Laboratory in Stephen A. Forbes’ reports to the Trustees. In 1898, Forbes secured for her a salary of $20.00 per month, or 35 cents per hour with additional pay possible if hours exceeded what the base salary would cover.

Work on illustrations for The Fishes of Illinois began in the summer of 1900.[1] Lydia worked at the Biological Station at Meredosia, where there was an aquarium set up to house her live models. Her work was supervised by the State Laboratory’s ichthyologist, Thomas Large.

In a letter to Forbes dated 30 June 1900, Lydia negotiated her pay, based on comparisons with the pay of her mentor, Westergren, and a Mr. Baldwin.

“But you know how inaccurate his drawings are—practically useless so far… It must be admitted that he was a fast worker, but his rapidity seems to have been largely the result of carelessness and was small gain in the end. In conclusion it would seem that $100 or 70c per hr. would be as low as fairness would permit and 60c the very lowest to be considered. From: Chief’s Correspondence, 1871-1909. University Archives. Series Number: 43/1/1

She was referring to A. H. Baldwin, who had received payment for fish drawings and specimens around this time. Baldwin was the illustrator of The Fishes of North and Middle America (Jordan & Evermann, 1900), which Forbes cited as a key reference for the Fishes of Illinois. Subsequent correspondence indicates Forbes was not swayed, and may have been offended.

In December 1900, Lydia traveled to Stanford University to work on illustrations for a work by Jordan on Japanese fishes, and Lydia’s illustrations are acknowledged in papers published by Jordan after this visit. Lydia wrote Forbes on 5 April 1901 from Palo Alto, sharing Jordan’s approval of her eel drawings and her observations on the speed of fellow illustrators there (Mrs. Sparks, and A. H. Baldwin). She also asked Forbes to send examples of her best work “the red fin, the garmani, and the plate of young bass for the purpose of getting criticisms from Hudson, who is expected soon.” In the same letter, she asked about resuming work on the Illinois fish, and the pay.

Illustration of an eel

The blotched snake-eel (Ophichthus erabo), synonym microdonophis erabo. Jordan, D. S. A review of the apodal fishes or eels of Japan, with descriptions of nineteen new species (1901). Illustration by Lydia Moore (Hart) Green. Digitized in BHL by Smithsonian Libraries.

Illustration of a puffer fish

The guineafowl puffer or golden puffer (Arothron meleagris), synonym Tetraodon meleagris. Jordan, D. S. A review of the gymnodont fishes of Japan (1902). Illustration by Lydia Moore (Hart) Green. Digitized in BHL by Smithsonian Libraries.

On 17 June 1901 in Urbana, Lydia married entomologist E. C. Green. In August, she was at the Illinois Biological Station in Ottawa working on fish illustrations, and reported to Forbes that, at his request to reduce expenses, she has given up her room in Ottawa for a much smaller one. Forbes had apparently offered 50 cents per hour plus expenses, but by September, the agreement was adjusted to $10 per finished painting, and Lydia was asking to have her expenses covered when there were no fish available to draw. Work on the fish illustrations continued through 1907, but Lydia left in 1902 for Texas when her husband took a position at Texas A&M. By January 1902, Forbes was seeking a replacement illustrator, and had contacted Charlotte M. Pinkerton through Seth E. Meeks at the Field Museum. The Chicago Tribune published a feature on Lydia and her work on 1 June 1902 that told the story of her discovery by the artist at the State Laboratory (presumably Westergren) and gave Lydia’s endorsement of scientific illustration as “admirable for feminine students”.

Illustration of an early 20th century woman

Lydia Moore (Hart) Green. Freeland Tribune. (Freeland, Pa.), 11 July 1902. Chronicling America: Historic American Newspapers. Lib. of Congress. Source: https://chroniclingamerica.loc.gov/lccn/sn87080287/1902-07-11/ed-1/seq-4/. Image originally appeared in a feature in the Chicago Tribune, “An Illinois woman who paints insects”.

After leaving her position at the State Laboratory and Illinois, Lydia visited Urbana regularly according to reports in the Daily Illini. She returned to Urbana to live in 1917, but I did not find evidence of further work for the Illinois State Laboratory of Natural History. Her husband was at this time working in Brazil on cotton insect control, and she made several extended visits there, applying for her first passport in 1918 for this purpose.

Photograph of an early 20th century woman

1918 passport photo of Lydia Moore Hart Green, United States Passport Applications, 1795-1925. Source: https://www.familysearch.org/ark:/61903/1:1:QV5B-X87G.

In 1930, Green produced fish illustrations for the Ohio Division of Wildlife. Nine years after Lydia’s death (in 1948), these images were published in Trautman, M. B. Fishes of Ohio with illustrated keys. Ohio State University Press, 1957.

[1] Stephen Alfred Forbes, report dated September 20, 1900 published in the 21st Report of the Board of Trustees of the University of Illinois.

July 25, 2019by Joel Richard
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