All posts tagged with catesby

Not many birds bedazzle as thoroughly as the adult male Painted Bunting. No matter how many you’ve seen or how often, every one remains a source of startlement, whether it is emerging shyly from a Florida thicket, swaying on a heavy grass halm in the deserts of Arizona, or chewing steadily at a feeder in snowy Massachusetts. This, the most gaudily colored bird north of Mexico, is guaranteed to create a stir.

That stir was even greater three hundred years ago, when European natural historians first confronted this novel beauty. So colorful was the bird that the first scientists to describe it believed that it must be native to regions even more exotic than America. Eleazar Albin, in the notes accompanying his or his daughter Elizabeth Albin’s 1737 engraving of the species, reported that the bird had been brought to England from China for the pleasure “of a curious Gentleman” (Albin 1738). A dozen years on, Linnaeus, having failed to find the bird described or depicted in the handbooks available to him, diagnosed it as a new species, which he inscrutably named Emberiza ciris, and determined that with so brightly colored a plumage, the specimens could have come only from India (Linnaeus 1750).

With the benefit of nearly three centuries’ hindsight, such wild geographic speculation was strictly speaking unnecessary. As early as the 1720s, the natural historian Mark Catesby had seen, drawn, and described the Painted Bunting in southeastern North America, an account that he published in London in 1729 (Catesby 1729).

This year for Color Our Collections, we’ve produced a coloring book with illustrations from books that represent the evolution of the art of printing. This week on our blog, we’ll explore the books featured in the coloring book and the printing techniques used for the illustrations.

In the early eighteenth century, English naturalist Mark Catesby set foot in a New World. After spending the better part of ten years, spread across two separate trips, exploring and documenting North America’s rich biodiversity, he would eventually publish his research and original artworks as the first fully illustrated book on the flora and fauna of North America.

A tiny corner of green in a bustling city landscape, the cemetery of Philadelphia’s Gloria Dei Church is the resting place of Alexander Wilson, who died 200 years ago today at the age of 47, his great American Ornithology almost finished.

Imagine away the accumulated knowledge of the past 250 years. Forget that there is such a thing as a field guide. Let google vanish from memory.

And put yourself into the forest primeval of southeastern North America on a warm summer night in the middle of the eighteenth century. Above the rasping of the cicadas and the creaking of the tree crickets, beyond the yowls and hoots and delicate whistles of the owls, you hear the strange syncopated whistles of what has to be a bird.

But which one?