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Biodiversity Heritage Library - Program news and collection highlights from BHL
Blog Reel, Featured Books

Fantastic Worlds: Exploring the Ocean through Science and Fiction

In July 2015, BHL founding institution Smithsonian Libraries opened a new exhibit at the Smithsonian’s National Museum of American History entitled Fantastic Worlds: Science and Fiction 1780-1910. The exhibit invites visitors to explore the fantastic worlds of fiction inspired by 19th century scientific discovery and invention. It features fabulous natural history books on topics ranging from marine life to geology and dinosaurs and expeditions to the polar regions and interior Africa. Exhibit curators Kirsten van der Veen (Special Collections, Dibner Library, Smithsonian Libraries) and Doug Dunlop (Metadata Librarian, Smithsonian Libraries) not only walk visitors through some of the remarkable scientific discoveries of the Victorian era but also demonstrate the profound impact these advances had on popular fiction.

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Kingsley, Charles. Glaucus. 4th Ed. (1859). http://biodiversitylibrary.org/page/29363521.

In the exhibit section entitled “Sea Change: Underwater Worlds,” visitors can experience 19th century ocean exploration through the lens of publications, both scientific and fictional, produced during the time period. As the exhibit articulates:

“The sea was a vital part of 19th-century life: distant travel, commerce, and the livelihoods of many depended on it. Tales of sea voyages, both fact and fiction, were immensely popular. As scientists explored the depths of the oceans, however, stories began to take place not just on the sea, but in it.

In the early 1800s, scientists believed the deep sea simply could not sustain life. Knowledge of the oceans had largely been limited to shores and shallow waters, but the mid-19th century saw the start of our exploration of this immense underwater world. Technological improvements to submersible vessels and diving gear helped make the seas more accessible. The bold plan to lay a telegraph cable across the Atlantic Ocean made understanding the ocean floor essential, and helped drive deep-sea exploration further.

Victorian Britain had a fascination with the sea, and with the natural world in general. The pastime of shell collecting became very popular in the mid-1800s. As the middle class grew and people found themselves with leisure time, the seaside became a frequent holiday destination. Amateur naturalists and vacationers scoured the shores for specimens to add to their collections. Collecting and cataloging one’s findings was considered a morally appropriate, enriching activity, and a worthy antidote to idleness. This fascination mirrored the interests of the scientific community, as newly coordinated efforts to dredge for marine fauna and survey the coasts were initiated, to address the notable lack of new knowledge of the undersea world.

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Kingsley, Charles. Glaucus. 4th Ed. (1859). http://biodiversitylibrary.org/page/29363529.

Books on the identification of sea life, like Rev. Charles Kingsley’s Glaucus, or, The Wonders of the Shore, were very popular. Perhaps best known for his children’s book The Water Babies, Kingsley was a prolific writer of non-fictional works as well, including sermons, social commentaries, and scientific treatises. He was a capable amateur naturalist, too, well-versed in the scientific issues of the day (he and Charles Darwin corresponded) and a proponent of science education. Glaucus, named for an ancient Greek sea-god, encouraged personal and religious improvement through knowledge of the natural world, in this case the corals, mollusks, and anemones found at the seashore.

Interest in sea life found its way into the home in the 1850s as the first aquariums (or “aqua-vivariums”) appeared. Having a miniaturized version of the ocean floor at home became a mid-19th century fad. The first public aquarium opened in 1853 in London. Purveyors of aquatic plants and animals catered to aquarium enthusiasts. Books [such as Henry Noel Humphreys’ Ocean Gardens: The History of the Marine Aquarium. London, 1857] offered advice to enthusiasts on creating and maintaining their indoor “ocean gardens.”

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Humphreys, Henry Noel. Ocean gardens : the history of the marine aquarium, and the best methods now adopted for its establishment and preservation (1857). http://biodiversitylibrary.org/page/43084496.

As the exhibit shows, the public’s growing interest in the deep ocean can be clearly seen in the popularity of many of the fictional works of the time, especially Vingt Mille Lieues Sous les Mers (Twenty Thousand Leagues Under the Seas in English) by Jules Verne. Within the work, the famous Captain Nemo takes his captive guests on a journey through the oceans in his submarine. The work draws on many of the scientific advances, such as self-propelled submarines and diving suits, and features many of the exotic underwater species, that were captivating the public during the era.

Not only were the inventions and species featured in works like Twenty Thousand Leagues Under the Seas a reflection of the advances of the time, but the very idea of extended underwater expeditions like that undertaken by Captain Nemo also mirrored the scientific endeavors being launched. According to the exhibit:

“Britain’s Challenger expedition, a massive four-year undertaking begun in 1872, vastly increased knowledge about the deep sea. Its goal: to circumnavigate the globe and study the ocean’s depths. It was the first large-scale government-funded scientific expedition. The HMS Challenger was a British naval warship outfitted for scientific study and included a chemistry lab and a workroom for the study of specimens.

The expedition resulted in 50 volumes of scientific reports. More than 4,500 new species of marine life were recorded, and scientists were finally able to prove that life did indeed exist in the ocean’s depths. The hundreds of crates of specimens were painstakingly studied and illustrated by experts worldwide, like those by Ernst Haeckel [Report on the Scientific Results of the Voyage of H.M.S. Challenger during the years 1873–76…Zoology: Report on the Deep-Sea Keratosa. Edinburgh, 1889], and formed the basis for the marine collections at the Natural History Museum in London.”

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Haeckel, Ernst. Report on the scientific results of the voyage of H.M.S. Challenger during the years 1873-76. Zoology v. 32, pt. 82 (1889). http://biodiversitylibrary.org/page/2225158.

Many of the books featured in the “Sea Change: Underwater Worlds” section of the exhibit, such as Glaucus, Ocean Gardens, and Report on the Scientific Results of the Voyage of H.M.S. Challenger during the years 1873–76, can be found in BHL. You can learn more about underwater science and fiction in the Victorian period in the Fantastic Worlds online exhibit from Smithsonian Libraries. The exhibit at the Smithsonian National Museum of American History runs through February 26, 2017, and is free to the public. Be sure to visit the exhibit if you’re in Washington, D.C., or browse the online exhibit to learn more about the fantastic intersection of science and fiction in the Victorian era.

Exhibit Text Featured in this Post by: 
Kirsten van der Veen
Special Collections, Dibner Library of the History of Science and Technology, Smithsonian Libraries

January 21, 2016by michelle.underhill
Blog Reel, User Stories

BHL Isn’t Just For Biologists

Portrait version of the Biodiversity Heritage Library logo.

Charles Darwin is famous for the theory of evolution by means of natural selection. The theory hinges on the mutability of species, whereby the propagation of certain favorable traits within members of a species may gradually result in the evolution of that species. The question of when Darwin first came to believe in the mutability of species – when he became a “convinced transmutationist” – has long been a point of contention among historians of science.

There are two prevailing theories on the topic. The early conversion hypothesis states that Darwin developed a belief in the transmutation of species while on the Beagle voyage based on observed similarities between the fossils he was collecting and extant species in the area. The second theory, the late conversion hypothesis, holds that Darwin did not start believing that species were mutable until after the Beagle voyage, once experts in England had studied the specimens he collected. Today, most historians of science support the latter theory.

Dr. Paul D. Brinkman, Head of the History of Science Research Lab and Curator of Special Collections at the North Carolina Museum of Natural Sciences, finds the late conversion theory flawed.

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Paul D. Brinkman consorting with known pirates in Charleston, SC.

Brinkman has been studying the history of science for nearly twenty years. He specializes in late nineteenth- and early twentieth-century geology and vertebrate paleontology, especially in the American West, and is also interested in the spread of science from Europe to the New World and the trans-Atlantic exchanges of specimens and ideas. The question of when Darwin adopted a transmutationist viewpoint is of particular interest to Dr. Brinkman.

In a 2010 paper published in the Journal of the History of Biology entitled “Charles Darwin’s Beagle Voyage, Fossil Vertebrate Succession, and the ‘Gradual Birth & Death of Species,'” Brinkman argues that Darwin’s own journals from the Beagle voyage (which include discussions of the similarities between some of the fossils he was collecting and extant species – notably Glyptodontidae fossils and living armadillos – and reflections regarding fossil vertebrate succession – which Darwin himself later identified as a key element in his contemplation on the origin of species) suggest that Darwin’s adoption of transmutationism happened gradually but certainly during, and not after, the Beagle voyage.

Darwin’s journals and publications, as well as the books that Darwin was known to have in his Beagle library, provide key information that Brinkman used to support his arguments. As such, access to these materials is crucial to Brinkman’s research. Thanks to BHL, it’s easier than ever for him to obtain these resources.

Dr. Brinkman was introduced to BHL many years ago by Christine Giannoni, Museum Librarian at The Field Museum. Christine is a star promoter of BHL, having been involved with the program for many years; she currently serves as the Museum’s Member Representative to BHL. Thanks to her introduction, Brinkman is now a regular user of BHL.

“BHL is a wonderful resource,” lauds Brinkman. “I use a lot of old and obscure resources in my line of work, and BHL makes getting access to these sources a lot easier.”

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The cover of the American Naturalist of September, 1895, which Brinkman downloaded from BHL for a recent project entitled “Edward Drinker Cope’s final feud.” http://biodiversitylibrary.org/item/129692.

When conducting research, Brinkman often refers to BHL 8-10 times a day, reading articles online or downloading relevant pages as PDFs. He also downloads title pages and significant figures for use in lecture slides. And while he may refer to specialized material when conducting specific research, the most-common type of material that he consults on BHL may surprise you.

“I probably use old museum annual reports more than any other single resource on BHL,” explains Brinkman. “This is especially useful, as a lot of these old reports have been relegated to offsite storage at many university libraries, which can sometimes mean long delays. BHL, however, provides them at the click of a button!”

So, whether it’s helping a scientist confirm the identity of a specimen collected in the field or providing primary source evidence to support the work of historians of science, it’s clear that BHL greatly increases the efficiency of research for those working in a variety of disciplines. We think Darwin would approve.

December 17, 2015by ulib-libraryjobs
Blog Reel, Featured Books

Albertus Seba’s Cabinet of Wonder and Awe

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Dutch Apothecary Albertus Seba and his famous natural history collection

Contrary to what one might think, a curiosity cabinet is not a piece of furniture, rather it is an entire room(s) dedicated to the collection of objects that are meant to bring shock, awe, inspiration, and stimulating conversation to its viewers. During the 16th-19th centuries, the curiosity cabinet became a popular way for aristocrats and aspiring bourgeoisie to show off personal wealth and erudition. These “rooms of wonder” are considered the precursors to the modern museum. However, unlike a museum collection that is organized around a specific theme e.g. archaeology, art, natural history, and sculpture, a cabinet of curiosities celebrates its own bedlam, juxtaposing disparate objects in a jumbled mass to prompt serendipitous discoveries, new connections, and eureka! moments about the manifest world.

By the 18th century, order began to coalesce out of chaos and curiosity cabinets became a bit more focused. Such was the case with a famed apothecary from Amsterdam, Albertus Seba, and his cabinet of natural history curiosities. Today, we will examine what exactly was in Seba’s celebrated collection and see if we can still find hints of the fabulous, wondrous, exotic, and down-right strange. And how are we able to peer into this almost 300 year old room of wonder that is no longer in existence? Seba was thoughtful enough to record his collected specimens in this week’s Book of the Week: Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiosissimis expressio, per universam physices historiam : opus, cui, in hoc rerum genere, nullum par exstitit.

Accurate Description of the Richest Natural Treasures

Did you know that a copy of Seba’s Thesauri was sold in 2000 at a Christie’s auction for $442,500 US dollars? The pricey memento of a time past, published between 1734 and 1765, can now be enjoyed for by you on the BHL for free. It is composed of four volumes and 446 plates: 175 of which are double-page spreads. Seba commissioned 13 artists to draw every single specimen that he owned. Plate tinting was done at the buyer’s expense therefore most of the existing copies of Seba’s Thesauri are only found in black and white. For bibliophiles interested in scientific illustration, the BHL happily provides three copies of Seba’s work in both black and white and in color> Compare a butterfly from the three copies in the BHL:

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Museums Victoria
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Smithsonian
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MOBOT

Which is the prettiest? Which one provides you with the most information about the butterfly?

While the color copies are naturally prettier, it is widely known by the research community that black and white illustrations are better scientific resources because of their ability to convey details, texture and dimension in a way that color cannot. We’re just so glad to have access to all three. Let us all thank the Museums Victoria, the Smithsonian Libraries and the Missouri Botanical Garden for contributing their copies of this magnificent work.

At the time, the boundary between art and science had not yet been drawn. Hence, Seba’s snakes slither fancifully across the page and his crustaceans and shells are arranged in pleasing patterns for the sole purpose of delighting the reader:

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Seba’s Shocking Shells

Seba’s passion for collecting

18th century Amsterdam was the center or European international maritime trade largely due in-part to the Dutch East India Trading Company. There couldn’t have been a better home-base for a man such as Albertus Seba, an apothecary with a penchant for collecting exotic specimens of animals, plants, and minerals to use in his medicinal concoctions. According to accounts, Seba eagerly greeted sailors at the city’s port, especially those who arrived ill and in need of medicine, because it meant he would get first dibs on the newly imported stock. In exchange for his services, medicine, or a bargain price, the apothecary was able to purchase the choicest specimens for his ever-growing natural history collection. Quickly, the collection’s reputation grew and began to be widely used by scholars all over Europe. In 1717, the entire collection was bought by a long-time patron, Czar Peter the Great for 15,000 guilders. Our book of the week actually represents Seba’s second endeavor to amass an even grander collection than the first– and grander it was – with 72 drawers of shells, 32 drawers of 1,000 European insects, and 400 jars of animal specimens preserved in alcohol, many of them containing Seba’s favorite specimen: snakes.

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Sensational Slithering Snakes

More of Seba’s plates available for free download on Flickr.

5 reasons to explain all the hoarding

Seba like all serious collectors amassed specimens for both practical and more abstract reasons:

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Peter the Great (by Paul Delaroche)

1. Showing-off: Wealthy friends and respected colleagues came from all over Europe to use Seba’s collection and marvel at his magnificent treasures. The collection was a prestige magnet. As related earlier, Peter the Great was impressed.

2. Investment: Like modern collectors, owning rare and exotic items was viewed as a sound investment: “this mermaid hand will surely go up in value.”

3. Scientific Inquiry:  Apothecaries were some of the most avid collectors in Europe at this time, often experimenting with different natural compounds and searching for new cures and medicines. The work of the apothecary is regarded as the foundation of the modern sciences of pharmacology and chemistry.

4. Validation of Sensory Experience: Unlike us, Seba didn’t have the convenience of using Google Image Search to validate phenomena occurring in the natural world. To validate the existence of a new organism one needed to see, touch, hold, and experience it — in person. This might explain why it was so difficult at that time to distinguish between the veracity of a seven-headed hydra and a narwhal tusk. Both seem equally fantastic yet, we all know that the hydra is just a myth. Collecting was a way to prove to others that you weren’t crazy or just plain making stuff-up.

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Seba admits to being doubtful at first of the hydra’s existence, but  later became convinced that the specimen was true to nature based on first-hand accounts.

5. Provide a Microcosm of the Macrocosm: In Historian Michael Wintroub’s excellent paper, Taking Stock at the End of the World, he explains that the curiosity cabinet “contain(s) specimens of every category of things and help(s) to render visible the totality of the universe, which otherwise would remain hidden from human eyes,” he goes on to say that “The wonder cabinet was a response to the apparent disorder of the world; through it the collector sought not only to win prestige, but to piece the variegated and multifarious mosaic of existence into a coherent—microcosmic—whole” (405-407) Talk about a pretty philosophical and deep reason to collect!

Clearly the reasons behind collecting are multifaceted and complex but, bring obvious advantages and joy for the inquisitive.

The fate of the curiosity cabinet

Today, while curiosity cabinets still exist, much of the meaning and purpose behind them is lost. Our view of the natural world is much more complete than ever before and many scholars claim that the Internet is the ultimate ‘Cabinet of Curiosities.’ Old rooms full of weird stuff seem less relevant than ever. However, one might also argue that to digital natives, the analog experience becomes a curiosity in itself which might explain the popularity of aesthetic movements like Steampunk that celebrate anachronistic technology in a futuristic setting —  analog has become the new sexy. Whatever your view, it is important to recognize that the Curiosity Cabinet serves an important role in the history of information, science, and intellectual inquiry. It is the antecedent to the modern museum and digital curation platforms like Tumblr and Pinterest that essentially allow an individual to collect and curate objects based on personal interests. However, the nice thing about these virtual tools is that now we don’t have to stalk sailors with scurvy to add new objects to our collections.

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Check out the Biodiverisity Heritage Library’s Pinterest Board

Want to enjoy Seba in the comfort of your own home? Now you can. Taschen Books published a reprint of the Thesauri in 2006. You can own Seba’s Thesauri reproduction for a mere 40 dollars. For taxonomists, the very best thing about the 2006 edition is the fact that they have assigned the Linnaean binomials to all of Seba’s specimens. I can assure you that I will be adding the book to my very own cabinet of curiosities — guaranteed to prompt wonder, awe and stimulating conversation whenever things get boring.

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Ferrante Imperato’s Curisotiy Cabinet depicted in Dell’Historia Naturale(1599),

Read more about this first pictorial representation of a renaissance humanist’s cabinet of curiosities in BHL Blogger and Program Manager, Grace Constantino’s piece: The Good, the Bad, and Pest Control.

We hope you enjoyed this post. Interested in guest-blogging for BHL? We’d love that! Natural history, biodiversity and conservation topics are especially welcomed. Email us your ideas at [email protected].

For the Curious

  • BibliOdyssey: Wondertooneel der Nature (2008)
  • The Guardian UK: A Wonder Room (2011)
  • ‘MOMA’s 2008 exhibition ‘Wunderkammer‘ ‘
  • Sullivan, Andrew When storage was a stage.(2012)
  • Wintroub, Michael. Taking Stock at the End of the World: Rites of Distinction and Practices of Collecting in Early Modern Europe.”
January 17, 2013by [email protected]
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The Biodiversity Heritage Library (BHL) is the world’s largest open access digital library for biodiversity literature and archives. BHL operates as a worldwide consortium of natural history, botanical, research, and national libraries working together to digitize the natural history literature held in their collections and make it freely available for open access as part of a global “biodiversity community.”

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