All posts tagged with oak-spring-garden-foundation

We often think of natural history libraries serving as memorials for lost species, animals like the passenger pigeon and the dodo living on only in books, photos, and illustrations that tell sad cautionary tales of once-abundant populations lost to overhunting or habitat destruction.

However, such records also tell stories of hope, providing valuable resources for modern scientists working to protect threatened wildlife. Since it was founded in 2006, BHL’s historical documents have supported the work of conservationists devoted to saving everything from Caribbean mammals to rare wetland plants. Not only are accessible records that describe the historic ranges, populations, and other characteristics of a species essential for researchers, but they help remind the public of how vibrant historical ecosystems were—and the importance of protecting what is left.

“The real advantage of BHL is keeping our ecological memory intact, and not allowing us to collectively forget how beautiful, wild, and diverse ecosystems of the past were,” wrote historical ecologist Dr. Joshua Drew in a blog post from BHL’s 2020 Earth Optimism campaign. “If we succumb to this collective amnesia, we risk setting our conservation bar too low and allowing the dulling of our natural environments to continue without even recognizing our losses.”

As part of BHL’s Earth Optimism series, we’re sharing the conservation success stories of four bird species, all prominently featured in the BHL collection, whose impending losses were reversed through the efforts of concerned citizens and researchers.

As we celebrate the role women have played in the natural history sciences, we can find many examples of successful women who have been under-appreciated for the meaningful work they did during their lives. Women like Maria Sibylla Merian, Mary Margaret Smith, and Evelyn Cheesman significantly advanced a variety of sciences, even if they have only recently been gaining attention for doing so. But historic relegation of women has also meant that countless people throughout history were denied the tools to achieve success in these fields. How many women could have been published artists or scientists, if it weren’t for societal expectations that never gave them the chance?

Within the collections of rare botanical texts and seldom seen manuscripts housed at the Oak Spring Garden Foundation is a beautiful work by a largely unknown artist, Dorothea Eliza Smith. Her Fruits of the Lima Market – a collection of watercolors that she completed between 1850 and 1853 – stands out as an exemplary creation made even more impressive by her relative obscurity and the sparse details of her life.

The Royal Botanic Gardens, Kew, has been partnering with the Oak Spring Garden Foundation to digitize works by women botanical artists held in Kew’s archives. One of these talented but largely unknown artists is Margaret Meen – whose botanicals graced the walls of royal palaces and scientific academies. In fact, though little remembered or written about today, Meen’s botanicals and her prowess as an instructor of fledgling artists left a lasting impression on British botanical illustration.

Historically, female botanists and botanical artists were rarely given as much credit as their male counterparts. Botanical art was often viewed as a pleasant pastime for women who had time on their hands whilst their husbands were at work, and the contribution that these women made to the advancement of scientific illustration was often undermined.

To highlight the importance of these historically, scientifically and socially significant collections, Kew’s Library, Art and Archives department, in collaboration with the Oak Spring Garden Foundation, is in the process of digitising its out of copyright work by women artists, spanning several centuries.

Kew holds over 200,000 prints and drawings, and this working resource is available to staff and visitors to the department, often providing a reference tool against preserved herbarium specimens. The ultimate aim of this collaborative effort is to ensure that high quality images of illustrations and their associated data is safely stored in digital format for future generations.