All posts tagged with women-in-science

In 1868, one of the first serious botanical works in Canada was published. Entitled Canadian Wild Flowers, the work treated nearly three dozen of “the most remarkable” wildflowers found in Canada. The publication is notable for more than its position as an early work on Canadian botany. During a time when women were largely unwelcome in the male-dominated scientific world, this pioneering book was written and illustrated by women.

Canadian Wild Flowers was authored by naturalist Catharine Parr Traill (1802-99), a trailblazer in research on Canada’s natural history. The plates were drawn and lithographed by her niece, Agnes Dunbar Moodie Fitzgibbon Chamberlin (1833–1913). An expensive undertaking and sold by subscription, the work went on to be published in several editions.

“Catharine Parr Traill is arguably Canada’s most famous 19th century botanist, though she never thought of herself as a professional botanist because women weren’t employed as such in those days,” explains Dr. Dawn Bazely, University Professor in the Department of Biology at York University in Toronto.

The first edition of The Fishes of Illinois was published in 1908 by the Illinois State Laboratory of Natural History, representing several decades’ work to document species, distributions, and ecology. The work features detailed, color paintings of fishes attributed to Lydia M. (Hart) Green and Charlotte M. Pinkerton. In the first edition were 55 images representing 53 species, with 20 images representing 18 additional species added for the 1920 second edition. Images were not credited to specific artists in either edition.

Most of the originals were kept by State Laboratory (now Illinois Natural History Survey), and are being reviewed in preparation for accession into the University Library, University of Illinois at Urbana-Champaign. Artists have been identified for most color plates in the 2 editions: 33 by Green, 24 by Pinkerton. Three paintings bearing the name of Max Bihn (one published) were also found among the paintings long assumed to be the work of Green and Pinkerton alone. Green routinely applied a distinctive signature in ink to the front of her work.

This year, the Biodiversity Heritage Library (BHL) and our global partners celebrated Women’s History Month with an international social media campaign: Her Natural History: A Celebration of Women in Natural History.

We were delighted with the outcomes and impact of the campaign. #HerNaturalHistory had reached over 7.5 million people, with over 52 million impressions on content and over 3,100 accounts participating on social media. The campaign allowed BHL to expand its reach and engagement with existing and new audiences in notable ways, resulting in a 35% average increase in overall social reach and a 41% increase in overall social engagements compared to 2018 averages. #HerNaturalHistory also encouraged increased engagement with the works of women in BHL, fostering a 122% increase in views on books in the Women in Natural History Book Collection compared to 2018 monthly averages.

We invite you to explore the results on the campaign in-depth within the Her Natural History campaign report.

“Language of Flowers”, a popular literary trend in the 19th century, presented the world of botany through dictionaries of flowers and associated meanings, floral poetry and prose, offering a sentimental view of natural history.  These charming books with colorful illustrations of flowers and bouquets are at the intersection of botany, horticulture, natural history, art, poetry, and women’s studies.  This Victorian fad saw many editions of works published, with multiple titles by successful authors.  The following provides a glimpse into the work of four women authors of this genre.

During the Victorian era, many gifted women participated in what has been called the “Golden Age of botanical art,” reflecting both a surge in gardening interests across English society, as well advances in book-making technology (Burns, Kramer). Though virtually unknown today, Anne Pratt (1806-1893) was one of the most prolific and popular artists and writers of this time, ultimately producing twenty published works that were loved for their handsome and accurate illustrations, and helping to create interest in flower study in the general public.

Nearly 100 years ago, a fresh faced journalism student at the Southern Branch of the University of California (now UCLA) walked into Ms. Pirie Davidson’s biology classroom (Campbell, 2000, 775). This young woman was not particularly interested in biology and, really, why would she have been? At the time, women were barred from attending any off-site field trips and science was thought to primarily be the work of men. However, it was not long before Hildegarde was captivated by the subject — so much so that she became Ms. Davidson’s lab assistant. Young Hildegarde was soon offered a position as a part-time day laborer sorting Smilodon (Saber toothed cat) fossils for renowned mammalian paleontologist Chester Stock at the Museum of Science, History, and Art of Los Angeles County (now known as the Natural History Museum of Los Angeles County) at Rancho La Brea.

The Harvard Botany Libraries recently acquired and digitized Henrietta Page’s [Sketchbook of drawings of fungi], volume II. The sketchbook was a gift from the Boston Mycological Club (BMC) where Page was a member and served on the executive committee for a time. She was also a member of the Boston Society of Natural History. The sketchbook mostly describes fungi collected during July and August when Page attended three-week long natural history classes held in Alstead, New Hampshire under the Alstead School of Natural History from 1899-1903.