All posts tagged with book-of-the-month

The Biodiversity Heritage Library (BHL) is replete with publications which have had a seminal influence on their field. A highly-credentialed member of this category is John H. Day’s A Monograph on the Polychaeta of Southern Africa, published in 1967 in two volumes by the (then) British Museum (Natural History) in London. It is timely to celebrate this book now: on 24 August 2019 the author John Day would have had his 110^th birthday. And, as of this month, the author’s own copy of the book has been digitised for the BHL.

The venerable science journal the Biological Bulletin has been published in association with the Marine Biological Laboratory of Woods Hole, Massachusetts for over 130 years. Presently, the publisher is the University of Chicago Press, with the editorial office in Woods Hole managed by longtime Editor, Carol Schachinger.

The Marine Biological Laboratory (MBL) was founded in 1888 through the diligent efforts of working scientists and Boston community leaders deeply invested in the marine and associated biological sciences as a tools to conduct research and develop diverse educational opportunities for the study of marine model organisms, through experimental work ultimately leading to an improved understanding of the human condition.

The June 2019 issue of the Biological Bulletin (Volume 236, Number 3) has an informative and beautiful cover illustration of the venous return half of the circulatory system of the horseshoe crab (Limulus polyphemus), chosen to illustrate an article in the issue: Effects of the Biomedical Bleeding Process on the Behavior of the American Horseshoe Crab, Limulus polyphemus, in Its Natural Habitat. The cover of this issue of the Biological Bulletin was designed from a freely downloaded Biodiversity Heritage Library file, coincidentally from a monograph about the horseshoe crab: Recherches sur l’anatomie des Limules — an 1873 work by Alphonse Milne-Edwards, the French medical doctor, mammologist, ornithologist, and carcinologist (one who studies crustaceans) who was director of the French Museum National d’Histoire Naturelle from 1891-1900.

The first edition of The Fishes of Illinois was published in 1908 by the Illinois State Laboratory of Natural History, representing several decades’ work to document species, distributions, and ecology. The work features detailed, color paintings of fishes attributed to Lydia M. (Hart) Green and Charlotte M. Pinkerton. In the first edition were 55 images representing 53 species, with 20 images representing 18 additional species added for the 1920 second edition. Images were not credited to specific artists in either edition.

Most of the originals were kept by State Laboratory (now Illinois Natural History Survey), and are being reviewed in preparation for accession into the University Library, University of Illinois at Urbana-Champaign. Artists have been identified for most color plates in the 2 editions: 33 by Green, 24 by Pinkerton. Three paintings bearing the name of Max Bihn (one published) were also found among the paintings long assumed to be the work of Green and Pinkerton alone. Green routinely applied a distinctive signature in ink to the front of her work.

Charles Lathrop Pack was a principal organizer of the Victory Garden movement. Victory gardens, war gardens, or, as they were sometimes called, “food gardens for defense,” are gardens meant to be supplement and even improve upon the food supply in times of shortage and rationing due to war, providing a variety of home-grown vegetables, fruits, and herbs. Not limited to typical farming areas or countryside, Victory Gardens were planted in urban areas as well. They sprang up at private homes and in public parks and allotments in the United States, the United Kingdom, Canada, Australia, and Germany during World War I and again in World War II.

When Galen Clark’s The Big Trees of California, their History and Characteristics, was published, in 1907, he was 93 years old. It had been 50 years since he first came to live in the Mariposa Grove in Yosemite Valley. He had spent most of those years in the midst of the giant sequoias, serving as a guide and educator, and fighting for the protection of these natural wonders.

The noted naturalist and conservationist John Muir met Galen Clark on his first visit to Yosemite, and later, in his writing on The Yosemite, called him “the best mountaineer I ever met, and one or the kindest and most amiable of all my mountain friends.” Along with Muir, Clark was instrumental in Yosemite’s preservation and development as a national park.

Two of the most important early contributors to our understanding of orchids were the artist Franz Bauer (1758-1840) and the English botanist and gardener John Lindley (1799-1865), who was to become known as the “father of modern orchidology”. The publication of the Illustrations of Orchidaceous Plants [from sketches prepared between 1792 and 1832] between 1830 and 1838 combined Bauer’s great skill and Lindley’s knowledge and industriousness to produce an invaluable artistic and scientific work. The Natural History Museum, London (NHM) has recently uploaded their copy of this volume to sit alongside the Missouri Botanical Gardens’ own volume.

In 1805, the “Father of North American mycology”, Lewis David von Schweinitz (1780-1834), published an account of the fungi in Niesky, Germany with his friend and mentor, Johannes Baptista von Albertini (1769-1831). Documenting over 1,000 species, including 100 published as new-to-science, Conspectus fungorum in Lusatiae Superioris agro Niskiensi crescentium, e methodo Persooniana is still referenced to this day as a classic mycological text and ecological record.

The Conspectus is illustrated with 12 hand-colored plates based on drawings by Schweinitz, each featuring 6-10 figures of new species described. Whenever possible, Schweinitz based his drawings on fresh specimens, but when this was not an option, he referred to fungarium specimens or to a collection of earlier watercolors he’d created of representative specimens.

Today, these watercolor volumes are dispersed between several American institutions and offer a wealth of insight into the history and development of the Conspectus. The earliest volume of original watercolors related to the Conspectus is the Icones Fungorum Niskiensium, created (ca.) 1798-1802 and held in the archives of the Farlow Reference Library of Cryptogamic Botany at Harvard University. This volume served Schweinitz as a sketchbook of sorts, which he used to inform the final paintings in the Conspectus itself.