All posts tagged with hernaturalhistory

The Language of Flowers genre is at the intersection of botany, horticulture, natural history, art, poetry, and women’s studies. This popular literary trend in the 19th century, presented the world of botany through dictionaries of flowers and associated meanings, floral poetry and prose, offering a sentimental view of natural history. A properly arranged bouquet was said to convey a “secret message” for the recipient. The “social media” of its day, this Victorian fad, led to many editions of works published, with multiple titles by successful authors.

Frances Sargent Osgood edited two works in this genre, Poetry of Flowers and Flowers of Poetry and The Floral Offering.

Anna Botsford Comstock (1854-1930) held a significant role as a proponent of nature education at Cornell University in Ithaca, New York, at the turn of the 20th century. Comstock was born in New York State, the only child to Quaker parents at the edge of the pioneer era. The doctrine of her parents, Marvin and Phoebe Botsford, was one of appreciating a higher creation in all things natural. It is in this philosophy in which a young Comstock was raised, and it was her mother who particularly influenced her child’s curiosity, and knowledge, of the surrounding natural wonders of the world.

“Towards the latter end of November, 1860, a proposal was made to organize a Botanical Society. There being no such Institution in operation in Canada, it was thought that much benefit might result from its establishment.”

So begins the first volume of the Annals of the Botanical Society of Canada, published in 1861 following the Society’s founding in Kingston, Ontario in 1860.

The Society—founded by members of the Queen’s College (now Queen’s University) natural history department—welcomed men and women as equal members and met regularly in Kingston. One hundred people attended the first meeting in January 1861, despite temperatures of –20 Celsius! The following month, 200 people were in attendance, including a young woman named Catharine (Kate) Crooks. She joined the Society on that occasion, along with her brother-in-law, Alexander Logie. Crooks and Logie had travelled from Hamilton, Ontario—southwest of Toronto—and presented the Society with a flora of Hamilton.

BHL’s digital library provides free and open online access to over 250,000 volumes from the 15th-21st centuries on a wide range of biodiversity subjects. These collections offer great resources to support distance learning.

All of our content can be accessed online for free and in full through our digital library portal at biodiversitylibrary.org. No login, account, or membership is required. You can also freely download anything in our library in a variety of formats. Our FAQ provides information on how to search the library and download content.

In addition to our general collections, we’ve identified a selection of materials that may be of particular interest to educators and students. Explore these resources below.

In 1868, one of the first serious botanical works in Canada was published. Entitled Canadian Wild Flowers, the work treated nearly three dozen of “the most remarkable” wildflowers found in Canada. The publication is notable for more than its position as an early work on Canadian botany. During a time when women were largely unwelcome in the male-dominated scientific world, this pioneering book was written and illustrated by women.

Canadian Wild Flowers was authored by naturalist Catharine Parr Traill (1802-99), a trailblazer in research on Canada’s natural history. The plates were drawn and lithographed by her niece, Agnes Dunbar Moodie Fitzgibbon Chamberlin (1833–1913). An expensive undertaking and sold by subscription, the work went on to be published in several editions.

“Catharine Parr Traill is arguably Canada’s most famous 19th century botanist, though she never thought of herself as a professional botanist because women weren’t employed as such in those days,” explains Dr. Dawn Bazely, University Professor in the Department of Biology at York University in Toronto.

The first edition of The Fishes of Illinois was published in 1908 by the Illinois State Laboratory of Natural History, representing several decades’ work to document species, distributions, and ecology. The work features detailed, color paintings of fishes attributed to Lydia M. (Hart) Green and Charlotte M. Pinkerton. In the first edition were 55 images representing 53 species, with 20 images representing 18 additional species added for the 1920 second edition. Images were not credited to specific artists in either edition.

Most of the originals were kept by State Laboratory (now Illinois Natural History Survey), and are being reviewed in preparation for accession into the University Library, University of Illinois at Urbana-Champaign. Artists have been identified for most color plates in the 2 editions: 33 by Green, 24 by Pinkerton. Three paintings bearing the name of Max Bihn (one published) were also found among the paintings long assumed to be the work of Green and Pinkerton alone. Green routinely applied a distinctive signature in ink to the front of her work.

This year, the Biodiversity Heritage Library (BHL) and our global partners celebrated Women’s History Month with an international social media campaign: Her Natural History: A Celebration of Women in Natural History.

We were delighted with the outcomes and impact of the campaign. #HerNaturalHistory had reached over 7.5 million people, with over 52 million impressions on content and over 3,100 accounts participating on social media. The campaign allowed BHL to expand its reach and engagement with existing and new audiences in notable ways, resulting in a 35% average increase in overall social reach and a 41% increase in overall social engagements compared to 2018 averages. #HerNaturalHistory also encouraged increased engagement with the works of women in BHL, fostering a 122% increase in views on books in the Women in Natural History Book Collection compared to 2018 monthly averages.

We invite you to explore the results on the campaign in-depth within the Her Natural History campaign report.