All posts tagged with illustrations

I work as a web developer for the agency Cogapp, which is based in Brighton, UK. We create websites and other digital services for museums, art galleries, archives and the like, but every couple of months we hold a “hack day”. A hack day involves spending a day working on projects which generally revolve around a particular theme and which ideally we can do in one day. This allows us to get the creative juices flowing and to further our agenda of innovation.

The theme this past hack day at Cogapp was ‘Museum APIs’, but the looser interpretation was that we were to use open data provided by museums in our projects. I was inspired by the Biodiversity Heritage Library’s Flickr which is a massive collection of free-to-use scientific images. I immediately knew I wanted to utilise this resource as I love scientific illustrations of nature.

I’ve also had an interest in Machine Learning for a while and I recently discovered Derrick Schultz and his YouTube channel Artificial Images. Here he publishes videos of his Machine Learning courses which he runs for people who want to use ML for creative purposes.

I watched Derrick’s tutorials on training a StyleGAN Neural Network and the things he was saying made a degree of sense to me, plus he had published a handy Google Colab notebook with step-by-step code, so I decided it was something I might be able to have a go at.

Over a quarter of a million nature images are now freely available through the BHL Flickr!

Since 2011, we’ve been making many of the illustrations from BHL’s collection available via Flickr. While it has long been a community favorite amongst our audiences, in 2020 our Flickr’s popularity increased significantly when it received considerable media attention in outlets including Colossal, Laughing Squid, Český rozhlas, ZME Science, Cultura Inquieta, Hyperallergic, Graffica, Smithsonian Magazine, Open Culture, la Repubblica, Genbeta, My Modern Met (en Español), eCulture Greece, Daily Geek Show, Вокруг Света, Atlas Obscura, Shifter, Lifehacker, Indiehoy, Microsiervos, and Vice. As a result of this publicity in February 2020, we saw a 518% increase in daily views on Flickr images (2.5 million daily views compared to an average of 400,000) and an over 100% increase in visits and unique visitors to BHL. This popularity continued throughout the year, culminating in over 343 million views on images in 2020 alone—a 123% increase over 2019, bringing our all-time views to over 902 million!

Last year also offered a unique opportunity to substantially build our Flickr collection. With many of our partners working virtually in 2020 due to the COVID-19 pandemic, we focused on projects to improve our digital collections remotely. This work included uploading images to Flickr. In 2020, over 40 BHL partner staff and volunteers contributed to the upload of over 90,000 new images to Flickr—a nearly 200% increase in images uploaded compared to 2019.

The pineapple, indigenous to South America and domesticated and harvested there for centuries, was a late comer to Europe. The fruit followed in its cultivation behind the tomato, corn, potato, and other New World imports. Delicious but challenging and expensive to nurture in chilly climes and irresistible to artists and travelers for its curious structure, the pineapple came to represent many things. For Europeans, it was first a symbol of exoticism, power, and wealth, but it was also an emblem of colonialism, weighted with connections to plantation slavery.

Originating from the region around the Paraná and Paraguay Rivers (present-day Brazil, Paraguay, and Argentina), it was an important economic plant in the development of Indigenous civilizations in the Americas. The Tupi-Guarani and Carib peoples called the fruit, a staple crop, nanas (excellent fruit) and several varieties were grown. As well as food, the pineapple was a source of medicine, fermented to become alcohol, its fibers made into robes and bow strings and thread for cloth.

The venerable science journal the Biological Bulletin has been published in association with the Marine Biological Laboratory of Woods Hole, Massachusetts for over 130 years. Presently, the publisher is the University of Chicago Press, with the editorial office in Woods Hole managed by longtime Editor, Carol Schachinger.

The Marine Biological Laboratory (MBL) was founded in 1888 through the diligent efforts of working scientists and Boston community leaders deeply invested in the marine and associated biological sciences as a tools to conduct research and develop diverse educational opportunities for the study of marine model organisms, through experimental work ultimately leading to an improved understanding of the human condition.

The June 2019 issue of the Biological Bulletin (Volume 236, Number 3) has an informative and beautiful cover illustration of the venous return half of the circulatory system of the horseshoe crab (Limulus polyphemus), chosen to illustrate an article in the issue: Effects of the Biomedical Bleeding Process on the Behavior of the American Horseshoe Crab, Limulus polyphemus, in Its Natural Habitat. The cover of this issue of the Biological Bulletin was designed from a freely downloaded Biodiversity Heritage Library file, coincidentally from a monograph about the horseshoe crab: Recherches sur l’anatomie des Limules — an 1873 work by Alphonse Milne-Edwards, the French medical doctor, mammologist, ornithologist, and carcinologist (one who studies crustaceans) who was director of the French Museum National d’Histoire Naturelle from 1891-1900.

Prominent botanist and cataloger of gardens, William Sherard (1659-1728), was hired by an aristocrat to tutor her grandson in botany for “hee loving my diversion so well.” This was Mary Somerset, the first Duchess of Beaufort (1630-1715), an accomplished gardener and botanist in her own right. She sought solace in “natural learning” and tending plants, some cultivated in what she referred to as her “infirmary.” As detailed in landscape historian and conservator Mark Laird’s splendid A Natural History of English Gardening (2015), her gardening activities were a refuge from bouts of depression. She remarked in a letter of her cataloging: “When I get into storys of plants I know not how to get out.” Laird’s chapter on Mary Somerset, and other recent scholarly investigations, examine her work and help elevate her role in the history of science. Rather than simply a diversion from melancholia, she was dedicated in her studies, blossoming late in her life.

German ornithologist and herpetologist Hermann Schlegel hoped that the publication of good illustrations would stimulate public interest in reptiles and amphibians. Thus, he produced Abbildungen neuer oder unvollständig bekannter Amphibian (1837-44).