All posts in Featured Books

Two of the most important early contributors to our understanding of orchids were the artist Franz Bauer (1758-1840) and the English botanist and gardener John Lindley (1799-1865), who was to become known as the “father of modern orchidology”. The publication of the Illustrations of Orchidaceous Plants [from sketches prepared between 1792 and 1832] between 1830 and 1838 combined Bauer’s great skill and Lindley’s knowledge and industriousness to produce an invaluable artistic and scientific work. The Natural History Museum, London (NHM) has recently uploaded their copy of this volume to sit alongside the Missouri Botanical Gardens’ own volume.

At the end of the 18th century, French naturalist Jacques-Julien Houtou de Labillardière spent two years exploring and collecting plants in the Levant. The expedition ultimately resulted in the publication of a beautifully-illustrated work on the botany of the region, Icones plantarum Syriæ rariorum (“Rare Syrian Plant Images”).

On September 12, 1967 Ralph Axtell, of the Biology Department of Southern Illinois University, called the Smithsonian Institution using the teletype connected to his time-shared computer and asked for a [computer] program for the calculation of standard deviations. The Smithsonian then sent him two computer programs. This demonstrated that, using data communications equipment and telephone lines, “it is fast, practical, and feasible to exchange programs in the BASIC language, written for use by biosystematists, between institutions in the United States.” A revolution had begun that would transform museums, research, systematics and science.

The following day Dr. James A. Peters produced the inaugural issue of the MUDPIE (Museum and University Data Program and Information Exchange) Newsletter.

MUDPIE newsletter documents many early events in the adoption of computers and timesharing computing in museums and universities, and was founded and produced by Dr. Peters, the only editor in the newsletter’s publication history. Twenty-six issues of MUDPIE were produced and distributed over a five-year period, between September 1967 and September 1972. All issues are now digitally available at the Biodiversity Heritage Library thanks to the Smithsonian Libraries.

In 1805, the “Father of North American mycology”, Lewis David von Schweinitz (1780-1834), published an account of the fungi in Niesky, Germany with his friend and mentor, Johannes Baptista von Albertini (1769-1831). Documenting over 1,000 species, including 100 published as new-to-science, Conspectus fungorum in Lusatiae Superioris agro Niskiensi crescentium, e methodo Persooniana is still referenced to this day as a classic mycological text and ecological record.

The Conspectus is illustrated with 12 hand-colored plates based on drawings by Schweinitz, each featuring 6-10 figures of new species described. Whenever possible, Schweinitz based his drawings on fresh specimens, but when this was not an option, he referred to fungarium specimens or to a collection of earlier watercolors he’d created of representative specimens.

Today, these watercolor volumes are dispersed between several American institutions and offer a wealth of insight into the history and development of the Conspectus. The earliest volume of original watercolors related to the Conspectus is the Icones Fungorum Niskiensium, created (ca.) 1798-1802 and held in the archives of the Farlow Reference Library of Cryptogamic Botany at Harvard University. This volume served Schweinitz as a sketchbook of sorts, which he used to inform the final paintings in the Conspectus itself.

Natural history illustrations often aim to show life-like flora and fauna. Depictions of birds poised to take flight, fish swimming upstream, and mammals mid-stride are common in 18th and 19th century zoology and botany publications. What is lost in these often lavish illustrations is a certain truth about the way many naturalists interacted with their objects of study: many species of plant or animal were first encountered not in the wild, but in the display case, in the form of carefully prepared specimens.

One British naturalist, Captain Thomas Brown (1785-1862), made the practical observation that mounted animal specimens allowed naturalists to “contemplate, without dread, the most destructive and furious quadrupeds, and the most noxious reptiles.”

This post originally appeared on the Smithsonian Libraries blog and has been republished at the permission of the author, Julia Blakely.

As a commemoration of the Imperial collection of shells in Vienna, the printed folio of Testacea Musei Caesarei Vindobonensis of 1780, is splendid. The eighteen engraved plates, carefully colored by hand, render individual specimens in the Habsburgs’ K.K. Hof-naturalien-Cabinet as if pieces of jewelry, casting shadows on a plain background of the thick, hand-made paper. Dedicated to the Empress of Austria, Maria Theresa (1717-1780), this production was also a work of science, as the task of arranging the shells in the Cabinet and describing them for publication was given to one of the leading scientists of the day, Ignaz Edler von Born (1742-1791).

At first glance one notices the unusual oblong-shaped book at 9” x 7” x 3” in a deep brown leather binding.

Peeking inside, there are pages and pages of botanical woodcuts – more than 1,020 – each with at least two woodcuts per leaf. For our purposes, a woodcut is an illustration engraved into a block of wood.

What is this copiously-illustrated work?

Eicones plantarum seu stirpium, arborum nempe, fructicum, herbarum, fructuum, lignorum, radicum, omnis generis : tam inquilinorum, quàm exoticorum : quæ partim Germania sponte producit, partim ab exteris regionibus allata in Germania plantantur : in gratiam medicinæ reiâque herbariæ studiosorum, in tres partes digestæ : adiecto indice gemino locupletissimo [Francofurti ad Moenum: Nicolao Bassaeo, 1590], by Iacobus  Theodorus (1522 or 1525 – 1590).

Or, using an abridged, summarized, and modernized translated title, “Pictures of plants, trees, herbs, fruits, and roots that are native to Germany and foreign countries, which are used for medicinal purposes, for apothecary students, and divided into three parts with the addition of a double index”.