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Since its inaugural event on 22 April 1970, Earth Day has grown to an international annual celebration of the Earth and a movement to raise awareness about and support for environmental protection. This year’s theme, Restore Our Earth, emphasizes that, “As the world returns to normal, we can’t go back to business-as-usual.” As we face widespread climate change and unprecedented biodiversity declines—with more than a million species threatened with extinction—immediate, online access to essential literature is ever-more important, allowing scientists to conduct research more quickly and efficiently and improving our ability to respond to these crises. For fifteen years, the Biodiversity Heritage Library (BHL) has worked as a global consortium to provide this vital access, empower research, and make a real difference in our ability to improve the health of our planet for every species that calls it home.

This year, several of our global partners have selected a few titles and authors from the BHL collection to commemorate Earth Day. From exploring Asia’s vast and unique biodiversity to inspiring conservation through a popular publication on birds, providing practical methods for conducting surveys and using the data to support conservation practices, and marveling at the extraordinary biodiversity of past ages, these titles highlight the richness of our planet’s biodiversity and remind us of the importance of protecting the wonderful, wild, and beautiful life on Earth.

A garden is a place to rest, relax, rejuvenate. It also provides an opportunity to learn about nature. Staff at Smithsonian Libraries and Archives are also learning and developing new skills. Some of these new skills are related to digitization and accessibility of biodiversity literature.

During these months of telework, I am assisting the Digital Library and Digitization Department to enhance page-level and image-level access to previously digitized books for the Biodiversity Heritage Library (BHL). This involves improving page-level metadata for items in BHL, uploading full-page illustrations to the BHL Flickr, and tagging the images in Flickr with species’ common and scientific names. These digitized books include a variety of content: plants, birds, mammals, reptiles, crustaceans, insects, and so much more. In the course of this work, I have the opportunity to view lovely illustrations. Recently a horticultural catalog caught my attention. The item is titled Vick’s Flower and Vegetable Garden (1878) by James Vick.

Dr. Margaret S. Collins (1922-1996), a renowned expert on termite ecology and distribution, taught as a professor and administrator at Howard University, Florida A&M University, and Federal City College (now University of The District of Columbia) for over 35 years. Upon her retirement from teaching, Collins continued her work on termites at the Smithsonian National Museum of Natural History as a research associate from 1983 to 1996.

Over the course of her career, Collins published more than forty articles spanning the biogeography, physiology, chemical defenses, and taxonomy of termites. Collins also collected specimens in the United States, Mexico, Costa Rica, Colombia, Barbados, Belize, Suriname, the Cayman Islands, Guyana, Guatemala, and Panama. When she contracted dengue fever on an expedition in Guyana in 1983-1984 and was forced into a long hiatus from field work, she turned her focus to updating and preserving the termite specimens at the Smithsonian National Museum of Natural History. Eventually Collins returned to field research in 1994 when she once again traveled to Guyana to collect termites. In April 1996, Collins died while conducting field work in the Cayman Islands.

Many of us have searched for silver linings during the COVID-19 pandemic of 2020-2021. For many in the library and museum profession, one positive outcome of the mandatory transition to remote work has been the resurrection of some long-postponed projects. These are activities put on hold during normal times in deference to ever-proliferating, higher-priority onsite tasks. One such project in the Ernst Mayr Library and Archives (EMLA) of the Museum of Comparative Zoology (MCZ) at Harvard University, is transcription of the digitized journals and diaries of William Brewster.

Robert Alexander Gilbert (1870-1942) was a Black photographer interested in ornithology and chemistry who worked for ornithologist William Brewster from the mid 1890s until Brewster’s death in 1919 and at various tasks around the Museum of Comparative Zoology (MCZ) at Harvard University beyond 1919. He was an Associate of the American Ornithologists’ Union.

Gilbert was not officially recognized for his photographic work with William Brewster, although Brewster did not claim credit for all the images in his collection. It was assumed that Brewster took all the photographic prints bequeathed to the Ernst Mayr Library and Archives of the MCZ (EMLA) upon his death. However, while conducting research for a book, author John Hanson Mitchell, former editor of the Massachusetts Audubon Society’s (MAS) Sanctuary magazine, discovered over 2000 of Brewster’s glass plate negatives in the attic of a building owned by the MAS. One of the images in particular, a photograph of a young, well-attired Black man standing in front of a rustic cabin in the wilderness, captured his interest. Mitchell was curious as to the identity of this young man. Later, in the mid-1970s, Mitchell had a chance encounter with an Archives Assistant at the MCZ who suggested to him that all of Brewster’s photographs were, in fact, taken by Brewster’s assistant, a young Black man named Robert Gilbert. This piqued Mitchell’s interest and launched his journey to discover more about Gilbert.[1] The quest culminated with the publication in 2005 of Mitchell’s Looking for Mr. Gilbert: the Reimagined Life of an African American. In 2014 an e-book edition was published as well.

Mitchell’s publication helps provide new insight into Robert Gilbert’s life and work. Brewster’s journals and diaries, now digitally available on the Biodiversity Heritage Library (BHL), are also valuable records attesting to Gilbert’s contributions in a variety of areas. While only a handful of Brewster’s photographs in the MCZ collection can be positively attributed to Gilbert, it is clear that Gilbert was with Brewster for photo sessions during the years they worked together. The photographic relationship between Brewster and Gilbert is intriguing. There is new enthusiasm to examine Brewster’s journals and diaries more closely now that they are digitized and being transcribed, to clarify Gilbert’s role in photographic collaboration with Brewster. As a result of identifying connections between the collections in the Museum of American Bird Art at the Massachusetts Audubon Society and the EMLA, a cooperative research project is underway.

The Ernst Mayr Library and Archives of the Museum of Comparative Zoology (MCZ), Harvard University, holds a unique and extensive collection of photographs, letters, manuscripts and field notes of William Brewster, a prominent ornithologist/naturalist of the late 19th and early 20th centuries. His published work is lauded as providing authoritative and novel additions to ornithology.

Brewster published more than 300 ornithological papers and several books which are widely available in academic and research libraries. He was the first president of the Massachusetts Audubon Society and was a founding member of the Nuttall Ornithological Club, out of which grew the national organization, the American Ornithologists’ Union. Brewster served as President of the American Ornithologists’ Union from 1895 to 1898, and the organization has awarded a medal in Brewster’s name since 1921.

Brewster’s ornithological studies covered the United States, although he worked most extensively in New England. Brewster was a Curator of Ornithology in the Harvard University Museum of Comparative Zoology from 1885 to 1902, continuing to work in the MCZ until his death in 1919. He deposited his bird specimen collection in the MCZ and his associated works such as his journals, diaries, correspondence and some photographic works in the Ernst Mayr Library & MCZ Archives. Brewster’s extensive specimen collection, in combination with his large body of published work, secures his place in ornithological history.

The pineapple, indigenous to South America and domesticated and harvested there for centuries, was a late comer to Europe. The fruit followed in its cultivation behind the tomato, corn, potato, and other New World imports. Delicious but challenging and expensive to nurture in chilly climes and irresistible to artists and travelers for its curious structure, the pineapple came to represent many things. For Europeans, it was first a symbol of exoticism, power, and wealth, but it was also an emblem of colonialism, weighted with connections to plantation slavery.

Originating from the region around the Paraná and Paraguay Rivers (present-day Brazil, Paraguay, and Argentina), it was an important economic plant in the development of Indigenous civilizations in the Americas. The Tupi-Guarani and Carib peoples called the fruit, a staple crop, nanas (excellent fruit) and several varieties were grown. As well as food, the pineapple was a source of medicine, fermented to become alcohol, its fibers made into robes and bow strings and thread for cloth.