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It is a small book, palm-size, with pages of less-than-fine paper, the well-worn letters of the type sometimes carelessly inked. The sparse woodcut illustrations are child-like in their simplicity and straight-forwardness. Yet John Josselyn’s New-Englands rarities discovered, printed in London in 1672, drew me in as I went about cataloging the work. Intrigued by the title and the early date of publication, I found myself reading an account of the landscape of my past, from Boston, “down east” (that is, up the coast as represented in the above illustration) to my place of birth, and points all around.

Emile-Allain Séguy was a popular French designer throughout the Art Deco and Art Nouveau movements of the 1920s. Often confused with the French entomologist Eugene Séguy who was active during the same time period, E.A. Séguy designed primarily patterns and textiles and was heavily influenced by the natural world. He was particularly fond of the intricate patterns and beauty of insects (Eugene would have approved), which he saw as “mechanic wonders” that provided abundant inspiration for interior design (Schiff, 157).