Book of the Week: Botanical Illustrations
Rousseau, Jean-Jacques. La botanique de J.J. Rousseau. 1805. Digitized by the Missouri Botanical Garden. http://biodiversitylibrary.org/page/6164734. |
The history of botanical taxonomic literature began in a textual format as far back as the 400s B.C. Such prestigious names as Hippocrates, the “father of medicine,” and Theophrastus of Eresius, the “father of botany,” are among those to have first written about botany. These early writings, however, lacked the illustrations which are so important to botanical (and all other forms of biodiversity, for that matter) identification. Even when illustrations entered the scene, they were rare and costly, as they had to be reproduced by hand. It was the introduction of the printing press that changed this situation, as this allowed woodcuts producing line illustrations to be inserted into botanical books.
Since the introduction of large quantities of botanical illustrations in scientific literature, there have been a great many famous illustrators to contribute to the visual wealth of knowledge recorded in these works. One of the most celebrated is Pierre Joseph Redouté (1759-1840). This Belgian illustrator is credited with developing the technique of hand colored stipule engraving, which has since been widely used in botanical illustrations.
Rousseau, Jean-Jacques. La botanique de J.J. Rousseau. 1805. Digitized by the Missouri Botanical Garden. http://biodiversitylibrary.org/page/6164697 |
The hand-coloring stipule engraving technique involves applying ink to a copper plate on which an image has been etched, after which the plate is run through a press to imprint the image onto paper. Following this printing, the images are hand colored using watercolor.
Over his career, Redouté produced over 2100 published plates, documenting over 1800 species. The Biodiversity Heritage Library contains many publications to which Redouté contributed, one of which is La botanique de J.J. Rousseau (1805). This publication contains sixty-five plates created by Redouté, documenting a variety of species. These illustrations, along with the thousands of others contributed by Redouté over the years of his career, greatly enhanced the science of botanical investigation, and formed the building blocks upon which subsequent botanical study was built.
This week’s Book of the Week, La botanique de J.J. Rousseau :ornée de soixante-cinq planches, imprimées en couleurs d’après les peintures de P.J. Redouté (1805), by Jean-Jacques Rousseau, was contributed by the Missouri Botanical Garden.
Such a great accomplishment that Redoute has made. I bet Redoute was 100% proud of himself(I would be).
"The hand-coloring stipule engraving technique involves applying ink to a copper plate on which an image has been etched, after which the plate is run through a press to imprint the image onto paper. Following this printing, the images are hand colored using watercolor."
This very rigorous and meticulous process courtesy of the late Pierre Joseph Redouté should serve as inspiration to today's artists or illustrators who basically rely on computers to get their illustrations done fast.
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Grace, that speaker we saw a few weeks ago talked about the history of botanical illustrations too. he said there was a period, early early BC, where the illustrators preferred a more stylized rendering that made identification from those early texts more difficult too. 🙂