All posts tagged with butterflies

Earlier this year Dr. Simon Leslie, Francis Houssemayne du Boulay’s great-grandson, contacted Melbourne Museum about accessing du Boulay’s hand-painted Coleoptera volumes, held in the Museums Victoria Archives. Dr. Leslie and family accessed the physical volumes in February 2020. While I carefully supervised flipping through the pages of these volumes, I was intrigued by their aesthetic, and scientific and historic, value. Since then, the volumes have been digitised by Biodiversity Heritage Library (BHL) Australia.

Published in 1914, Butterflies of Australia by Gustavus Athol Waterhouse and George Lyell was the first comprehensive work on Australian butterflies to appear in Western scientific literature. It is a thick and rather chunky volume, with descriptions of 332 butterfly species, and was the product of many years of research. The copy held in Museums Victoria’s Rare Book Collection is even thicker than a standard issue, as it is bound with lined pages interleaved throughout. It is an author’s copy, owned and annotated by George Lyell.

The Island of Newfoundland was nicknamed “The Rock” because of its rocky terrain and high cliffs.

I’m Elizabeth Smith, and I work at the Canadian Museum of Nature’s Library & Archives as Acquisitions and Cataloguing Officer. In this capacity, I have the privilege of caring for a rare book collection consisting of approximately 4,000 pre-20^th century monographs, manuscripts and periodicals, including a special unpublished manuscript, Entomologia Terrae Novae by Philip Henry Gosse — which I had the privilege of hand couriering to St John’s Newfoundland for a short exhibit and panel talk at Memorial University’s QEII Library this past September.

Vanity, an art installation by Joseph Gregory Rossano created for and with the support of the Museum of Glass (MOG) in Tacoma, Washington, tells the story of eleven species and subspecies, presumed extinct, presented through the lens of humanity’s role in their demise. The exhibition features historical accounts detailing each species’ “discovery” (collection date, type locality, collector, scientific illustrations, etc.), humanity’s role in its extinction, and the year it was declared “Extinct”. To produce these species tales, Rossano collaborated with Sandra I. Berríos-Torres, MD. Berríos-Torres served as author of the 11 historical accounts and as Editorial Director of the exhibition catalogue, on behalf of Joseph Gregory Rossano.

The Biodiversity Heritage Library was a crucial resource for Berríos-Torres. Consulting dozens of publications in BHL while conducting research for Vanity, she ultimately cited 16 of them in the historical accounts that were incorporated into the exhibition and catalogue.

Emile-Allain Séguy was a popular French designer throughout the Art Deco and Art Nouveau movements of the 1920s. Often confused with the French entomologist Eugene Séguy who was active during the same time period, E.A. Séguy designed primarily patterns and textiles and was heavily influenced by the natural world. He was particularly fond of the intricate patterns and beauty of insects (Eugene would have approved), which he saw as “mechanic wonders” that provided abundant inspiration for interior design (Schiff, 157).

Have you ever stumbled across a caterpillar and wondered what kind of adult moth or butterfly it would metamorphose into? Short of catching the caterpillar and actually observing what adult it becomes, this answer might be harder to come by than you might think. Most taxonomy and identification has been performed on the adults of various Lepidopteran species, and there are still many species whose caterpillar forms are not readily known. This is particularly true for many Australian species whose early life stages remain a scientific mystery.